Michael Updike reads his father’s letters at an Ipswich event

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Michael Updike has been touring to promote Selected Letters of John Updike—as his father would have done, were he still with us. Interest in Updike has remained high in Ipswich, where the Updike’s lived for many years and where he wrote in an office on the second floor of the Caldwell Building.

Those who introduced him at The Ipswich Museum remarked how they had never seen the room so crowded, and Michael shared their marvel—especially, he noted, since it was a cold Super Bowl Sunday.

Those in attendance, and those who watch will especially enjoy the commentaries provided by Michael—starting with an explanation for the “garish” bull and bear necktie he wore, explaining that his father was invited to ring the bell to start the trading and was gifted the tie on that occasion.

Here is the link to the video recording.

Literary Encyclopedia adds two new Updike articles

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The Literary Encyclopedia, an online academic resource based in the U.K., published two new articles on John Updike in February 2026:  “John Updike, Collected Poems: 1953-1993,” by Leon Lewis (Appalachian State University), and “John Updike: The Poorhouse Fair,” by Laurence Mazzeno (Alvernia University).

Entries are still apparently needed for The Carpentered Hen and Other Tame Creatures (1958), The Same Door (1959), Pigeon Feathers (1962), Telephone Poles (1963), The Music School (1966), Couples (1968), Bech: A Book (1970), Rabbit Redux (1971), Museums and Women (1972), Seventy Poems (1972), Buchanan Dying (1974), A Month of Sundays (1975), Picked Up Pieces (1975), Marry Me: A Romance (1976), Tossing and Turning (1977), The Coup (1979), Problems (1979),  Too Far to Go (1979), Rabbit Is Rich (1981), Bech Is Back (1982), Hugging the Shore (1983), Jester’s Dozen (1984), The Witches of Eastwick (1984), Facing Nature: Poems (1985), Trust Me (1987), Golf Dreams (1988), Just Looking: Essays on Art (1989), Self-Consciousness (1989), Rabbit at Rest (1991), Odd Jobs: Essays and Criticism (1991), Memories of the Ford Administration (1992), The Afterlife and Other Stories (1994), Brazil (1994), Toward the End of Time (1997), Bech at Bay (1998), More Matter: Essays and Criticism (1999), Gertrude and Claudius (2000), Licks of Love: Short Stories and a Sequel (2000), Rabbit Remembered (2000), Americana and Other Poems (2001), Seek My Face (2003), Villages (2004), The Early Stories: 1953-1975 (2004), Still Looking: Essays on American Art (2005), Due Considerations: Essays and Criticism (2007), The Widows of Eastwick (2008), and My Father’s Tears and Other Stories (2009).

Here is the link to Information for Contributors

Updike podcast is up and running again

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Bob Batchelor’s podcast John Updike: American Writer, American Life is active again. The new episode is titled “Why You Should Be Reading John Updike: The; Writer Who Predicted Everything.”

From the site: “Hosted by cultural historian and Updike biographer Bob Batchelor, each episode is focused, sharp, and built for listeners who want to dive into the life and career of one of America’s greatest writers.

“Updike saw the death of American manufacturing. He wrote about economic anxiety before it became a political movement. He diagnosed the collapse of masculine identity before the culture had a vocabulary for it. He saw the 1970s energy crisis, not as a temporary inconvenience, but as a permanent reckoning with American assumptions about prosperity and progress. And he did it all in beautiful, lyrial sentences.

“He also wrote things that make contemporary readers uncomfortable. His male characters objectify and flee. His perspective is overwhelmingly white and suburban. This podcast doesn’t hide from those tensions. It engages them, because honest conversations about American literature require addressing human complexity, not running from it.

“Each episode takes one aspect of Updike’s life, work, or world and opens it up: the Pennsylvania mill town that shaped him, the New Yorker years that refined his voice, the feminist critique that shadowed his reputation, the beautiful and brutal sentences that remain his most enduring legacy. From the Rabbit novels to Couples to Terrorist—from Updike’s poetry to his art criticism—no corner of the work is off limits.”

Rabbit still runs in Pennsylvania

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Toward the end of 2025 the Reading Eagle published a piece of columnist kismet titled, “Guy walks into a bar . . . sees the rest of Rabbit, Run.” That’s right. In it, Steven Henshaw talked about a column he wrote about Updike’s most famous novel after seeing the film version on DVD. “I had low expectations for the 1970 film starring James Caan. How could Updike’s prose translate to the screen? Still, I was curious because many scenes were shot in Reading, the author’s hometown.

“That column focused on how downtown Reading still looks much as it did when the movie was filmed a half-century ago — reason enough for hope after decades of decline. What I didn’t mention was that I returned the DVD to the library without finishing it.” As it turned out, Rabbit may have run, but this columnist couldn’t run from Rabbit.

“On my way home from another event recently, I stopped at Mike’s Tavern in Riverside for a beer. It was exactly 9 p.m. on a Thursday, and the place felt different. The lights were dimmer than usual, nearly every barstool filled.

“What’s going on?” I asked bartender Jon Owens.

“I’m showing ‘Rabbit, Run,’” he said. “It was filmed in Reading.”

“That night, thanks to a chance stop at a neighborhood bar, I finally finished the movie I hadn’t meant to. Call it coincidence — or, better yet, serendipity,” Henshaw wrote.

Read his whole column

Podcast explores Updike’s novel ‘The Coup’

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On “Ninety-Nine Novels: The Coup by John Updike,” Graham Foster explained, “In 1984, Anthony Burgess published Ninety-Nine Novels, a selection of his favourite novels in English since 1939. The list is typically idiosyncratic, and shows the breadth of Burgess’s interest in fiction. This podcast, by the International Anthony Burgess Foundation, explores the novels on Burgess’s list with the help of writers, critics and other special guests.

“In this episode, Andrew Biswell talks to writer and critic Bob Batchelor about The Coup by John Updike, a novel Anthony Burgess called ‘a beautifully written disturbing lyric composition’. . . .

“Bob Batchelor has written 16 books on subjects as wide as The Great Gatsby, Jim Morrison and the Doors, the Prohibition, and comic book writer Stan Lee. He has written extensively about John Updike, including the book John Updike: A Critical Biography. He has also presented the podcast series John Updike: American Writer, American Life. He is currently Assistant Professor in the Department of Communication, Media, and Culture at Coastal Carolina University.”

Booker winner David Szalay credits Amis and Updike

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In “David Szalay: ‘If you want to be a proper writer, you have to deal with the sordid; The Booker prize-winning author of Flesh on class, punctuation, and what he learned from Amis and Updike,” Observer book critic Anthony Cummins wrote,

“Asked about the influences on Flesh during the post-prize press conference on Monday night, Szalay – fielding questions from reporters from Italy, Canada and China – said that there were lots but wasn’t able to name any. In fact he’s already namechecked several, including Virginia Woolf’s experimental novel Jacob’s Room, but it’s long been a source of speculation whether he had Stanley Kubrick’s film Barry Lyndon in mind when writing Flesh. Szalay says he has seen it – when he was about 20 – ‘and the rags-to-riches arc was an influenc’. The novel Ultraluminous, by the American writer Katherine Faw, is another . . . .”

But, as Cummins added, “Szalay attributes his attraction to unsavoury subject matter to reading Martin Amis and John Updike in his teens. ‘Maybe I took from them the lesson that if you want to be a proper writer, you have to deal with the sordid. But I think it’s also that I’m always on my guard against dealing only with supposedly elevated subjects’.”

Read the whole article

Ink Spill spotlights more Updike on Thurber

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On one of their “Thurber Thursdays,” Ink Spill: New Yorker Cartoonists News, History, and Events was inspired by the recent publication of the Selected Letters of John Updike to do a little sleuthing and post the results.

A footnote on page 333 of Letters mentions Updike’s piece “On Meeting Writers” as being retitled “Writers I Have Met” and published in The New York Times Book Review on August 11, 1968. It “included drawings of Updike and the various writers he discusses: Joyce Cary, James Thurber, and E.B. White.”

“Thinking that Updike had drawn a self portrait along with sketches of Cary, Thurber, and White (drawings I did not recall ever seeing!) I scurried over to the Updike books here and pulled Picked-up Pieces off the shelf. ‘On Meeting Writers’ is the very first picked up piece in the book — it appears on page 3. But alas…no drawings.

“I then went to The New York Times archive and found the piece as it appeared in the paper (what an incredibly wonderful resource that is). I can’t reproduce the page here, but I can tell you I was thrilled, initially, to see drawings (I thought by Updike) accompanying it.

“They didn’t really look at all like Updike drawings, but I’ve become used to seeing how he had explored a variety of styles throughout his life — I supposed this was another exploration. But when I zoomed in on the credit for the drawings, I found the drawings were not by Updike, but by (and I mean no disrespect here by expressing disappointment) Jim Spanfeller . . . . So no Updike Thurber and E.B. White drawing, but –bonus — I learned about Mr. Spanfeller.

Atlas Obscura maps John Updike’s headstone

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Atlas Obscura recently added a location for the “Headstone of John Updike; A unique tombstone, lovingly made by the author’s son, honors his literary talents.”

“Nestled in a churchyard in the small Pennsylvanian town of Mohnton, a peculiar gravestone stands out among the sturdy and square monuments of modern times. The black slate stone is an uncanny homage to the early grave markers of Puritan New England. It even includes a death’s head motif, but with a twist. Instead of a gaunt, ghastly skull with wings, it features the wide, smiling face of the interred: author John Hoyer Updike. . . .

“His unique headstone was carved by his son, Michael. In an interview with Northshore Magazine, he remarks on his father’s fear of death, which prompted him to capture his grin indefinitely.  John’s different monikers fill the empty space in an easygoing, curling script. Michael even inscribed one of John’s early poems on the backside. It reads:

Why the Telephone Wires Dip and the Poles Are Cracked and Crooked

The old men say
young men in gray
hung this thread across our plains
acres and acres ago
But we, the enlightened, know
in point of fact it’s what remains
of the flight of a marvelous crow
no one saw:
each pole, a caw.

“The headstone is not only a touching tribute to a father and author, but to a man’s undying love of New England and its iconography.”

Updike + Twain = Poetry for IWU professor James Plath

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James Plath is best known to fellow Updike enthusiasts as president of The John Updike Society and an Updike scholar who edited two books of Updike interviews. But he’s also a creative writer, and after spending two weeks at Quarry Farm, the place where Mark Twain summered with his family for 20+ years, in addition to doing proposed research to write a comparative essay on how Twain modeled being both a celebrity and a writer for Updike, Plath felt compelled to write poems as well. The result: At Quarry Farm, a full-length collection published by Kelsay Books in 2025. He gave a reading on the campus of Illinois Wesleyan University, where he has taught American literature, journalism, creative writing, and film since 1988. The school’s student-run newspaper, The Argus, covered the event. Updike is mentioned in one of the poems.

Read the story

BBC’s ‘Front Row’ interviews James Schiff about the Updike letters

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The Nov. 11 episode of BBC’s Front Row spotlighted art historian Andrew Graham-Dixon on Vermeer and radical Christianity, James Schiff on Selected Letters of John Updike, and director Edgar Wright on the new dystopian film The Running Man.

The Updike material begins around the 13:30 mark when the interviewer talks with writer Gish Jen, one of many who received letters from Updike.

Listen to the episode