Ipswich announces details for April 28 Updike event

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The Local News reported on April 12 that the Ipswich Historical Commission has finalized details for the John Updike plaque unveiling at the Caldwell Building, 15 S. Main St., in Ipswich, Mass. on April 28, 2023.

The plaque will be unveiled at the Caldwell Building next to the entrance leading up to the second floor, where Updike wrote in Suite #5 for many of the 17 years that the Updikes lived in this North Shore community. The ceremony is set for 6 p.m., rain or shine.

At 6:30 p.m., the Ipswich Public Library, 25 N. Main St., will host a reading of “A&P,” one of the most anthologized stories that Updike wrote in his Caldwell Building office above the Choate Bridge Pub. After that, local writers also will offer short readings on Ipswich, followed by an open mic.

From April 28-30 the Choate Bridge Pub will offer a special menu item in honor of Updike’s preferred lunch back when the the space was occupied by The Dolphin Restaurant: a pastrami sandwich with a side of pea soup. Just ask for the “P&P” special. That weekend the pub will also offer a special cocktail (“The Witches of Eastwick”) named for Updike’s popular novel. And who knows? Maybe the specials will catch on.

In Memoriam: Emerson Wicklein Gundy

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Emerson Gundy, known to John Updike Society members as Updike’s second cousin and classmate who graduated from Shillington High School in 1950, passed away on April 4, 2023. He was 90.

According to his obituary, Emerson graduated from Temple University, served in the U.S. Army during the Korean War, worked for Conestoga Telephone Company, and was a U.S. Coast Guard Charter Captain who liked to fish on the Chesapeake Bay. A member of Robeson Evangelical Lutheran Church and Union Lodge No. 479 F&AM, Birdsboro, Emerson was also an avid hunter and private plane pilot.

From 1990-2014 Emerson and his wife, Marlene, owned the Updike family home in Plowville, and were enthusiastic and mindful caretakers of Updike’s legacy. They donated their papers (Emerson and Marlene Gundy Collection of John Updike Materials) to Alvernia University, and their collection of Updike books to The John Updike Childhood Home, where they are on display in the bedroom where Linda and Wesley Updike slept. Emerson specified that he wanted some of the books to be displayed so that Updike’s inscriptions could be seen, and the books will be rotated so that all of them can be viewed at some point.

When the society held their first conference in 2010, the Gundys graciously opened their home so that members could have a look inside the sandstone farmhouse where Linda Updike was raised and where she returned to live with the family when John was 13. Everyone who posed for a photo in front of the Gundys’ home will forever remember their generosity and geniality. Emerson’s passing leaves a hole in our hearts. On behalf of those and other members, we extend our heartfelt sympathies to Marlene and the family.

Inquirer spotlights John Updike Childhood Home

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When John Updike was still alive, writer William Ecenbarger convinced the famed novelist to drive with him through Berks County to visit childhood haunts. That account first appeared in The Inquirer Sunday Magazine on June 12, 1983, and was reprinted in part in the first chapter of Adam Begley’s biography (Updike, HarperCollins 2014) and in full in John Updike’s Pennsylvania Interviews (Lehigh University Press, 2016).

Recently Ecenbarger returned to Shillington to write about Updike again—this time to see for himself how Updike’s beloved childhood home looks now that it has been turned into a museum.

In “Step inside Pulitzer Prize-winner John Updike’s childhood home in Shillington, Pa.,” which appeared in the Sunday, April 2 Inquirer, Ecenbarger wrote, “The house in Berks County, listed on the National Register of Historic Places, has been professionally restored to look as it did during Updike’s days here but the ‘John Updike Childhood Home’ museum is still a work-in-progress. They just received an Olivetti manual typewriter that was used by Updike.”

Ecenbarger added, “There are 10 rooms of exhibits, many with explanatory storyboards: Items owned by the Updikes and original to the house. His high school transcript shows nearly all A’s except physical education. Copies of The Chatterbox, the high school newspaper to which Updike contributed many articles. . . . Smiling down from the living room wall is a portrait of Updike done by Ernest Hemingway’s grandson, Edward.”

Ecenbarger wrote, “Updike was inconsolable when, at his mother’s insistence, the Updikes moved from 117 Philadelphia Avenue to a farm owned by her family. He wrote in a poem, ‘We have one home, the first.'” This home, once a source of pride for Updike, is now a source of pride for the community. Thanks to the efforts of director Maria Lester, close to 800 Berks County students toured the house last year to learn about one of Berks County’s most famous and accomplished residents. But Ecenbarger was right: the museum still is a work in progress. Seven new exhibit cases of unique items will be added within the next several months—reason enough to visit and revisit the place where Updike said his “artistic eggs were hatched.”

Writer recalls golfing with Updike, wants less AI, more Updike

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In an opinion column (“Take That, ChatGPT!”) written for Boston Magazine, John D. Spooner voiced his reaction to a new artificial intelligence writing program and cited Updike as an example of “some things that only a human can do well. Writing is one of them.”

“John Updike was one of my gods,” Spooner wrote. “In my view, Updike was the greatest man of letters in America from the 1960s through the 1990s. He wrote novels and short stories. He wrote poems and essays. When he was president of the Harvard Lampoon, there were times when he wrote the entire issue. And illustrated it as well. He had gone to Oxford to study drawing. One of his classic pieces described Ted Williams’s last baseball game. ‘The Kid’ would never tip his hat to the crowd after a home run. He just ran the bases, with no expression and his classic, easy stride. Williams hit a home run that last day. He never acknowledged the fans. Updike wrote, ‘Gods do not answer letters.’ One of the greatest lines ever to describe an athlete.

“Amazingly, this most erudite of authors loved golf. A mutual friend arranged a game at Updike’s course, where they both belonged. I was excited about what I could ask him about his books, his life, and his insights on writing. But on the course, Updike was all business. It wasn’t ‘a good walk spoiled.’ It was his focus on the game, his game, and not about my favorite sport, ‘shootin’ the breeze.’ It was a drizzly day on the North Shore of Boston. Updike was polite, a gentleman on the course, long pants in the summertime. His swing was a manufactured one as if he had spent a lot of money on a lot of lessons, and it produced a routine with a lot of parts—a routine he completely focused on. We played for a few dollars, two players against two. The rain came down harder and harder, with no chance to ask my hero anything related to writing.

“We kept playing in the rain. Updike seemed, on every shot, to be replaying the lessons he had taken. The friend who had invited me to play said, ‘John is a focused dude. He goes through his routine like there’s no one else here. And he wants to win.’ My glasses were fogged up from the rain. Now I know that Updike was not going to give me any creative secrets, which, of course, I resented. So I did not want to fork over any money to my hero. My host, who was a really good player, said to me, ‘If we lose, it’s your fault.’

“We came to the 18th hole all even. Updike had a three-foot putt to win the match. It curled around the cup. And stayed out. I won two dollars, carried over from the front nine.

“We all shook hands and had a beer in the clubhouse. I figured that now was my chance to ask him about his writing life. But he tossed down his beer, got up, and said, ‘Nice playing with you, gentlemen.’ Updike walked out of the club bar. Gods do not answer letters.”

Updike’s favorite typewriter, a manual Olivetti Linea 88 made in Great Britain circa 1968-69. It will soon go on permanent display in The John Updike Childhood Home, 117 Philadelphia Ave., Shillington, Pa.

Rabbit Is Reference: Reviewing the Richard Avedon show

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John Updike and his fictional legacy continue to be a part of American pop culture, the most recent case-in-point being a Washington Post review of a one-person show featuring fashion photographer Richard Avedon.

In “Review: An electrifying exhibit shows Richart Avedon at his most ambitious,” Sebastian Smee wrote, “The first of the ‘murals,’ as he called them, was a group portrait of Andy Warhol and 10 other members of the Factory. Avedon photographed the superstars in his studio over several weeks in the fall of 1969. Clustered together near the center of the image are five naked figures, one of them the transgender actress Candy Darling. The clothes crumpled on the floor at their feet feel oddly eloquent, legible both as statements of liberation and the shadows of their social selves. (I thought of Rabbit Angstrom, in John Updike’s ‘Rabbit, Run,’ enjoying, as he shed his clothes, the way ‘the flying cloth puts him at the center of a gathering nakedness.’) ‘You couldn’t keep the clothes on anybody in those years,’ Avedon later joked. ‘Before you could say “hello,” they were nude and ready to ride.’”

Avedon will be celebrated with “Avedon 100,” May 4-June 24, 2023 at Gagosian, 522 West 21st St., New York—an exhibition commemorating the centenary of Avedon’s birth featuring 150 “celebrated artists, designers, musicians, writers, curators, and fashion world representatives” and their favorite Avedon photographs.

Adam Gopnik recommends six books

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Longtime New Yorker staff writer Adam Gopnik‘s most recent book, The Real Work, explores how artists and exalted others reach an unsurpassed level of mastery. He considers the process and what it might mean for those mere mortals who seek inspiration or who would follow in the masters’ footsteps.

The Week used the occasion to quote Gopnik’s recommended six books:

Life of Samuel Johnson, by James Boswell (1791)

The Most of Liebling, by A.J. Liebling (1963)

The Early Stories, by John Updike (2003)

Raise High the Roof Beam, Carpenters and Seymour: An Introduction, by J.D. Salinger (1955)

Swann’s Way, by Marcel Proust (1913)

Voltaire in Love, by Nancy Mitford (1957)

Of Updike, he writes, “Miracles of observation, evocation, and poignant emotion. Though Updike is not a writer of happy subjects—the pains of marriage, the loss of time—he makes readers happy by the sheer perfection of his craft and his deep delight in the sensual surface of the world. He sings, and we harmonize.”

Updike Society acquires author’s typewriter

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One day after what would have been John Updike’s 91st birthday, The John Updike Society acquired the Pulitzer Prizewinning author’s typewriter from his four children. The purchase was made possible by a donation from The Robert and Adele Schiff Family Foundation, which provided the initial funding for the society to buy and restore The John Updike Childhood Home in Shillington, Pa.

The manual typewriter—an Olivetti Linea 88—was made in Great Britain in 1968-69, the year Updike moved with his family to London following the publication of Couples. It will be displayed in a case upstairs in the house at 117 Philadelphia Ave., where Updike lived from “age zero to thirteen” and where he said his “artistic eggs were hatched.” In the front bedroom of this house, at age eight, Updike used his mother’s portable Remington to type his first story, which began, “The tribe of Bum-Bums looked very solemn as they sat around their cozy cave fire.” According to biographer Adam Begley, Updike said, “I still carry intact within me my happiness when, elevated by the thickness of some books to the level of my mother’s typewriter, I began to tap at the keyboard and saw the perfect letter-forms leap up on the paper rolled around the platen.”

When the typewriter is installed at some point in the near future, it will instantly become the most important piece in this small museum, which celebrates Updike and the affection he felt for the house, the neighborhood, and Berks County. The John Updike Childhood Home is presently open Saturdays from 12-2 p.m. See the house website for more details about Updike and the house, which officially opened on October 2, 2021. The John Updike Childhood Home is listed on the National Register of Historic Places and was awarded a Pennsylvania Historic Marker.

The AARP Updike . . .

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Not surprisingly, since much of John Updike’s writing dealt with aging and mortality, his works have resonated with members of AARP.

In July 2006, Updike contributed an essay on “The Writer in Winter” to AARP The Magazine, in which he began, “Young or old, a writer sends a book into the world, not himself. There is no Senior Tour for authors, with the tees shortened by 20 yards and carts allowed. No mercy is extended by the reviewers; but then it is not extended to the rookie writer, either. He or she may feel, as the gray-haired scribes of the day continue to take up space and consume oxygen in the increasingly small room of the print world, that the elderly have the edge, with their established names and already secured honors. How we did adore and envy them, the idols of our college years—Hemingway and Faulkner, Frost and Eliot, Mary McCarthy and Flannery O’Connor and Eudora Welty! We imagined them aswim in a heavenly refulgence, as joyful and immutable in their exalted condition as angels forever singing.

“Now that I am their age—indeed, older than a number of them got to be—I can appreciate the advantages, for a writer, of youth and obscurity.” (Read the whole “Life Lessons” essay)

In “Books for Grownups December 2008,” AARP The Magazine recommended The Widows of Eastwick: “Quintessential boomer author Updike checks in on the witches of Eastwick and finds them older, but no less crafty and bawdy.”

In “Books for Grownups August 2009,” The Magazine included My Father’s Tears as another example of “What Our Generation Wants to Read!”: “Updike’s final book, a collection of short stories, is heavy with mid- and late-life troubles, from the mundane to the crushing. He’s in fine form here, and reading these might have you reaching for your old copy of Rabbit, Run.”

In 2013, The Magazine published Erica Jong’s list of “10 Essential Boomer Books,” and Updike’s Couples made the cut . . . along with J.D. Salinger’s The Catcher in the Rye, Joseph Heller’s Catch-22, James Baldwin’s The Fire Next Time, Mary McCarthy’s The Group, Stewart Brand’s The Last Whole Earth Catalog, Philip Roth’s Portnoy’s Complaint, Robin Morgan’s Sisterhood Is Powerful, Germaine Greer’s The Female Eunuch, Frances Moore Lappé’s Diet for a Small Planet, and Erica Jong’s Fear of Flying.

Updike Society announces 2023 Schiff Travel Grant recipients

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Every two years, The John Updike Society holds a conference at a site with an Updike connection to celebrate the literature and legacy of the Pulitzer Prize-winning writer. For every conference, the society awards competitive Schiff Travel Grants to scholars to enable them to attend the conference and share their work on Updike. The grants are made possible by a generous donation from The Robert and Adele Schiff Family Foundation. Under-40 recipients receive $1500, while the award for Member recipients is $1000. This year’s six awardees are the most diverse that the society has sponsored to date:

Townes Fricke (U.S., under 40) is a high school senior who is applying to colleges and already looking ahead to graduate school, where he hopes to focus on how literary biography affects our cultural perceptions of writers. A writer himself, he wishes to become an academic “without being pretentious about it.” Fricke also will be a speaker at the upcoming Roth @ 90 conference and is currently working on an essay collection on the history of the “Great American Novel.” At the Updike conference in Tucson he will present his paper on “Growth is Betrayal: John Updike’s Work through the Lens of His Peers.”  The title is taken from a line in Rabbit Redux, and the peers that Fricke will focus on are John Cheever, Philip Roth, and Norman Mailer.

Nemanja Glintić (China, under 40) is an assistant professor of Serbian language and literature at the Faculty of European Languages and Cultures of the Guangdong University of Foreign Studies in Guangzhou, China. Currently he is a Ph.D. candidate whose dissertation focuses on the family novels of Updike and Serbian writer Danilo Kiš—two authors he deeply admires. Updike and Kiš met in Belgrade in 1978, and Kiš was the only Yugoxlav writer Updike read and publicly spoke about. The paper Glintić will present at the conference, “The Nascent Artists: John Updike’s Peter Caldwell and Danilo Kiš’ Andreas Sam,”comparatively analyzes Updike’s protagonist from The Centaur and a character from two books from Kiš’ family trilogy, The Family Circus—the novel Garden, Ashes and the short story collection Early Sorrows.

Biljana Dojčinović (Serbia, member) is a full professor at the Department for Comparative Literature and Theory of Literature, Faculty of Philology at the University of Belgrade. She has been a member of The John Updike Society since its founding and a member of The John Updike Review editorial board since its inception. A board member since 2014. Dojčinović directed the 5th Biennial John Updike Society Conference (2018) in Belgrade—the first JUS Conference outside U.S. Dojčinović has published seven academic books, among them the first and so far only monograph on Updike in Serbian, Cartographer of the Modern World (2007), as well as numerous articles on Updike, in both Serbian and English. In the paper she will present in Arizona, “Dedalus and Caldwell: Joyce in Updike’s The Centaur,” Dojčinović argues that the Joyce influence in The Centaur extended beyond Ulysses.  

Carla Alexandra Ferreira (Brazil, member) is Associate Professor of American Literature at the Federal University of Sao Carlos. In 2014 she taught at the University of Iowa as a Fulbright Visiting Scholar and later earned a Ph.D. at the University of South Carolina under the supervision of Updike scholar Don Greiner. She is the author of North and South Readings: perceptions of oneself and the Other in Updike’s Work (2018) and various articles and book chapters on Updike and other writers from the U.S. and U.K. She has also advised theses and dissertations on Updike and American authors and has been a member of the society since 2014. More recently she has been working on a book about Updike’s New Yorker fiction and has an essay forthcoming in The John Updike Review. In Tucson she will present a paper on “Brazilians on Brazil (1994): the novel’s reception in the South American Country,” in which she explains why Brazilians reacted as they did and what critics could not see when they first read Updike’s novel.

Sue Norton (Ireland, member) is a lecturer of English in Technological University Dublin. With Laurence W. Mazzeno she co-edited and contributed to Contemporary American Fiction in the European Classroom: Teaching and Texts (Palgrave Macmillan, 2022) and European Perspectives on John Updike (Camden House, 2018). Her work on writing and literature has appeared in Critical Insights; The Journal of Scholarly Publishing; The Explicator; The Irish Journal of American Studies; and The John Updike Review. She has presented papers on John Updike’s work at several John Updike Society conferences and at two American Literature Association conferences. The paper she will present in Tucson is “Pruning the Self and Asserting Identity in ‘A Desert Encounter,” in which she posits that Updike’s multifaceted authorial presence—celebrated American author and affable American retiree—works to assert individual identity, a positing of authorial presence as a kind of retort to Roland Barthe’s idea of the writer as mere scripter, devoid of true essence.”

Pradipta Sengupta (India, member) is an associate professor of English at M.U.C.Women’s College, Burdwan, West Bengal. He wrote his Ph.D. on “The ‘Hawthorne Novels’ of John Updike” at the University of Burdwan and also completed a postdoctoral project on “Recasting Contemporary America: A Study of John Updike’s Rabbit Tetralogy” while a research fellow at Osmania University Center for International Programs, Hyderabad. Since then he has published on Keats, Hawthorne, Tagore, Dickens, Frost, Carey, Heller, Yeats, Emerson, and Updike, with his main areas of interest continuing to be American fiction and Indian poetics. In Tucson he will present “Yoga and Tantric Love: Inadequacy and Futility in Updike’s S.” Set against the backdrop of Arizona desert, S. details the activities of a Hindu ashram and its sham hypocritical guru, the Arhat, who expoits and uses the idiom of both Patanjali Yoga and Tantric Love to indulge in his carnal exploits wth ashram women. A close reading suggests that Updike himself abuses the principles of Pantanjali Yoga and Tantric Love, to the detriment of the novel.