Sue Norton, Lecturer of English in the Faculty of Arts and Humanities, Technological University Dublin, Ireland, has accepted an invitation to join The John Updike Society Board of Directors. Her appointment is effective immediately.
Sue has the distinction of having been named the first Updike Tucson Casitas Fellow (Project: “Somewhere Between Feminism and Misogyny: Classic Updike on the Modern Syllabus”). Her work has appeared in The Journal of Scholarly Publishing, The Irish Journal of American Studies, The John Updike Review, The Explicator, and other books and journals. She has co-edited two volumes of essays with Laurence W. Mazzeno: Contemporary American Fiction in the European Classroom: Teaching and Texts (Palgrave Macmillan, 2022) and European Perspectives on John Updike (Camden House, 2018).
“Sue has been an important voice in Updike studies,” society president James Plath said. “She has presented papers on Updike at numerous conferences and has become a valued colleague in the process. Sue has shown a willingness to become more involved and to contribute ideas to make the society stronger, and we’re very fortunate and quite happy that she’s agreed to serve on the board,” Plath said.
Sue came to Updike studies through her doctoral work on family in contemporary American fiction, which she completed in 2001 at University College Dublin. She has been a member of the Updike Society since 2016.
“We float above events, seeing them from the perspective of different characters, sometimes switching viewpoint over the space of a paragraph,” Jones wrote. “Rabbit, Run expresses a desire to transcend ordinary life, while also suggesting—in the manner of Ecclesiastes—that the only meaningful escape available to us lies in ordinary things. In the end, Rabbit, Run does not promise any kind of silly nirvana, but it does suggest a more liberating and interesting way of looking at the non-nirvana in which we spend our days.”
On May 3, 2024, the “Novelist Spotlight: Interviews and insights with published fiction writers” blog looked in the rear-view mirror to discuss a writer who, according to host and novelist Mike Consol, wrote more beautifully in English than anyone else.
Dorothy was a dynamic individual who worked as an office manager and accountant until she was 85. She also devoted much of her time to charity work, including service as a past president of the Reading Soroptimist International professional business women’s organization and as a member of the Berks County Prison Society where, according to her
Two stories that Love plans on teaching are “Museums and Women” and “Avec La Bebe-Sitter,” but he is asking members who have advice on additional stories or have useful knowledge about connections between Updike and France, French writers, French art, etc., to email him (cslove@ua.edu). Since many society members tend to like Hemingway as well, Love added that his new non-fiction book, Crimson Code: The Price of Success, will launch at an
Well here’s a different kind of take on John Updike’s 2000 novel that’s unlike any other:
“In this little novel here, it all makes perfect sense,” Jordan-as-Gertrude said.
If you happen to have been born in 1981, the most popular book that year was John Updike’s Rabbit Is Rich, the third installment in the famed novelist’s Harry “Rabbit” Angstrom quartet of novels about a middle-aged middle-class American male who peaked in high school as a basketball star.
Chicago’s Palmer House will welcome back the
One of the