Serbian poet’s A Dream for John Updike translated into English

In 1977, the year when Couples was translated and published in Serbian, the prominent Serbian (then Yugoslavian) woman poet Ljiljana Djurdjić wrote a poem titled “A Dream for John Updike”—obviously inspired by the novel The Centaur, which was translated in Yugoslavia in 1968.

Her poem was published in 1977 in the literary magazine Književna reč and was recently translated by Biljana Dojčinović and Milica Abramović in anticipation of the 5th Biennial John Updike Society Conference to be held June 1-5 2018 at the Faculty of Philology, University of Belgrade, in Serbia. “Another proof of John Updike’s popularity in Yugoslavia in the ’70s,” conference director Dojčinović writes. Below is the new translation and a scan of the poem as it first appeared in print, published here in translation for the first time:

Ljiljana Đurđić, 1977 Književna reč

A DREAM FOR JOHN UPDIKE

As if trillions
Had been marching behind me
In that insomnia
Suffocated by the gracefulness of protozoa
The followers of an acrid wind
From the Galaxy of The Centaur
Could have easily forgotten
That there had ever been
A space trodden by
The hoves of the wild horses
With the animal gentleness
Of parasites and amoebas
In the guts of a hippopotamus
Should we equate it with
The image of a herd
Crossing the Rubicon?

Translated by Biljana Dojčinović and Milica Abramović

Updike’s half-moon, small cloud poem and others

How can April be the cruelest month when it’s National Poetry Month? And The Atlantic teases readers with a reminder that John Updike wasn’t just a Pulitzer Prize-winning novelist. He was a pretty good poet as well.

Exhibit A is this excerpt from Updike’s “Half Moon, Small Cloud”:

For what is the moon, that it haunts us,
this impudent companion immigrated.f
from the system’s less fortunate margins,
the realm of dust collected in orbs?

The full poem was published in their October 2006 issue, and you can read it here. Additional poems of Updike’s that The Atlantic published are also linked:

“Madurai” (July/August 2007)

“Rainbow” (November 2000)

“Doo-Wop” (November 2007)

 

Updike letters to be published

The John H. Updike Literary Trust announced yesterday that James Schiff will edit a volume of John Updike’s letters, with a target completion date of 2020. A publisher has not yet been named.

schiff-130x150Anyone familiar with Updike studies knows that this is good news on several counts. The decision to release a collection of letters comes after years of the Literary Trust saying it would not permit them to be published. The reversal opens the door to not just a single published volume, but more, as happened in Hemingway studies when an initial Selected Letters edited by Princeton scholar Carlos Baker led to several thematic volumes of correspondence before the complete letters were (and are still being) published in a multi-volume set. Updike, like Hemingway, was a prolific letter-writer who was generous with his comments, producing hundreds of what are typically described in the autograph world as “content letters.” A volume of published letters always sparks new reader interest in an author and gives scholars additional material with which to work and find inspiration for new insights, essays, and books.

It’s also good news that James Schiff was chosen to edit the volume. As editor of The John Updike Review and cofounder and current vice-president of The John Updike SocietySchiff is well positioned to collect and edit the interviews. An associate professor of English at the University of Cincinnati, Schiff is also known in the Updike world for his three books: Updike’s Version: Rewriting the Scarlet Letter (1992), John Updike Revisited (1998), and Updike in Cincinnati: A Literary Performance (2007).

“Updike was a masterful and prolific letter writer, and so it pleases me greatly to be working on this project,” said Schiff, who has already begun collection letters from institutional libraries and requesting them from private owners and recipients. The letters span six decades of Updike’s life, from his teens in postwar rural Pennsylvania to his seventies, when he was revered as one of America’s most accomplished and honored men of letters.

“Collecting the staggering number of extant letters will take time,” Schiff said. “Yet it is already clear that these writings have literary and biographical significance. Updike is a major figure in American literature, and his letters reveal yet another aspect of his literary genius.”

Schiff said he would be grateful to hear from anyone in possession of Updike’s correspondence. He can be reached at james.schiff@uc.edu or updikeletters@gmail.com.

What’s new in Updike scholarship?

Screen Shot 2016-01-27 at 8.11.18 AMTwo essays on Updike scholarship have come to our attention, one newly discovered and the other newly published:

Newly discovered:

“Fire, Sun, Moon: Kundalini Yoga in John Updike’s S.: A Novel,” by Sukhbir Singh, in The Comparatist 38 (October 2014): 266-96, published by The University of North Carolina Press. Full text

Newly published:

“Modernist Narrative Techniques and Challenges of Humanity: John Updike in European Perspective,” by Biljana Dojčinović, in From Humanism to Meta-, Post- and Transhumanism Vol. 8. Ed. Irina Deretic and Stefan Lorenz Sorgner. Frankfurt am Main: Peter Lang, 2016. Synopsis-Contents

 

 

 

New short story anthology includes Pigeon Feathers

9780547485850On October 6, 2015, Houghton Mifflin Harcourt published 100 Years of the Best American Short Stories, edited by Lorrie Moore and Heidi Pitlor. And, of course, Updike was included.

This is the best of the best, really, as it’s culled from The Best American Short Stories Series. This is the centennial celebration of the series.

The editors were careful to distribute their picks so that a wide range of American authors could be represented, and no author got more than one story in this collection—though, of course, many writers deserved more than one.

Their are some surprises, but for the classic American authors the classic stories seem to have been chosen. Ernest Hemingway’s “My Old Man” was included, as was F. Scott Fitzgerald’s “Babylon Revisited” and James Baldwin’s “Sonny’s Blues.” Updike’s “Pigeon Feathers” made the cut, as did Philip Roth’s “The Conversion of the Jews,” along with frequent anthology standards like John Cheever’s “The Enormous Radio” and Tillie Olsen’s “I Stand Here Ironing.”

Raymond Carver fans might be surprised that “Will You Please Be Quiet, Please?” was selected over “Cathedral” or “So Much Water So Close to Home,” as might Donald Barthelme fans that “The School” (a great short story) was chosen over some of his more popular ones. The editors clearly put some thought into this, and the fact that a Pennsylvania story was chosen from Updike reinforces how much his home state meant to his fiction . . . and poetry, and creative non-fiction and criticism.

 

New Yorker runs previously unpublished Updike poem

Screen Shot 2015-09-28 at 5.00.49 PMJohn Updike’s previously unpublished early poem “Coming into New York” appears on page 38 of the October 5 issue of The New Yorker, on sale at newsstands today.

The poem is also available online, here: “Coming into New York.” Both a printed version of the poem appears, as well as a recording of Brad Leithauser reading Updike’s poem.

Leithauser provided the introduction to John Updike: Selected Poems (Knopf), edited by Christopher Carduff. That volume hits bookstores on October 13, 2015 (Amazon link).

Brad Leithauser reading “Coming into New York.”

Beattie’s new collection an occasion to remember the Updike connection

1-the-state-were-in-ann-beattieWriter Ann Beattie agreed to share the keynote speaker duties at the First Biennial John Updike Society Conference at Alvernia University with her painter-husband Lincoln Perry because she was an Updike supporter and Updike was a supporter of hers.

A Vogue article about her new collection, The State We’re In: Maine Stories, reminds us of that connection. Journalist Megan O’Grady writes, “As John Updike told her when they first met, ‘You figured out how to write an entirely different kind of story.”

He was talking about what O’Grady described as her stories’ “open-ended capaciousness, so unlike the deterministic, epiphany-shaped prose that has defined the short form.”

Just as Updike’s characters aged, so have Beattie’s. They’re “mostly older and less cool these days: They order crackers from Amazon; they’ve been through divorces or estrangements and are on second or third attempts at life. They have a sense not of the ending but of an ending. The result is a newfound ephemerality—a fledgling bird found in a recycling bin, and unexpected pregnancy, an attempted suicide,” O’Grady writes.

Here’s the entire article:  “Wandering Beyond the Page: Ann Beattie on Her New Collection, The State We’re In.”

Amazon link

Winter 2015 issue of JUR is published

JUR3-2small2Watch your mailboxes, John Updike Society members. Volume 3, Number 2 (Winter 2015) of The John Updike Review has been published and mailed. The issue features a stunning cover photo by Ara Guler and two plenary talks from the Third Biennial Conference: “The Bulgarian Poetess: John and Blaga,” by Ward Briggs and Biljana Dojčinović, and “Starting Out at Chatterbox: The Apprenticeship of John Updike,” by Donald J. Greiner. Also in this issue is the winning essay from the JUR’s Second Emerging Writers Prize—”The Long Goodbye: The Role of Memory in John Updike’s Late Short Fiction,” by Matthew Shipe—and “Engendering Pleasure: Sringara Rasa in John Updike’s S.,” by Pradipta Sengupta.

Editor James Schiff has done another fantastic job, and his innovative Three Writers feature, in which three invited writers are asked to contribute an essay on the same Updike story, novel, poem or essay, this issue spotlights the short story “Gesturing”: Robert M. Luscher’s “Motions of Meaning: John Updike’s ‘Gesturing,'” Dario Sulzman’s “‘I Feel I’ve Given Birth to a Black Hole’: Existential Motifs of Bachelorhood in John Updike’s ‘Gesturing,'” and Kathleen Verduin’s “Gestures of Reflection.”

Rounding out the issue is Matthew Shipe’s review of Bob Batchelor’s John Updike: A Critical Biography.

The John Updike Review is published twice a year by the University of Cincinnati and The John Updike Society and is based at the University of Cincinnati Department of English and Comparative Literature. To subscribe to The John Updike Review, simply join The John Updike Society (https://blogs.iwu.edu/johnupdikesociety/). Membership ($25 regular, $20 grad students/retirees) includes a subscription to the journal. Institutional subscriptions are available through EBSCO.

Updike and Kierkegaard spotlighted in a new book

Screen Shot 2015-02-08 at 9.10.55 AMDavid Crowe, Professor of English at Augustana College, recently saw his book on Cosmic Defiance:  Updike’s Kierkegaard and the Maples Stories published by Mercer Press.

According to an article in the Aledo Times Record, Crowe tells the “story of Updike’s life-altering encounter with Fear and Trembling in his early career” and traces “the subsequent evolution of Updike’s complex and coherent theology.”

Crowe told the Times Record, “I wrote the book so that even people who haven’t read Kierkegaard can get up to speed on his central claims. Unlike most literary critics, I also avoid jargon and believe that if you can’t state a theory plainly and clearly you’re probably hiding something.”

George Hunt devoted a great deal of time and space to a discussion of Kierkegaard in his seminal work on Updike’s “three great secret things,” but this is the first book-length study on Updike and Kierkegaard.

We’ll post a review of the book on this site within the next week.