British comedian picks Updike for his one book on a desert island

Screen Shot 2015-02-07 at 7.51.33 PMThe Daily Mail asked British comedian David Baddiel (The Mary Whitehouse Experience) which book he’d take to a desert island, and he chose John Updike. Or more specifically,

“The Rabbit omnibus by John Updike. This is actually five books all about the same character:  Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit at Rest and Rabbit, Remembered. All human life is there.”

The occasion for the interview was the publication of Baddiel’s first children’s book, The Parent Agency (HarperCollins). It’s available from Amazon.

Olinger Stories republished, reviewed

Screen Shot 2014-09-24 at 7.25.06 AMApart from the poem “Ex-Basketball Player” and short stories like “A&P,” Updike isn’t taught much in American high schools because of the language and sexual content that’s sprinkled liberally throughout his Rabbit series and other classics. But that may change with the republication of Olinger Stories by Everyman’s Pocket Classics, which will be released on October 7, 2014.

Ironically, we received a review copy smack in in the middle of Banned Books Week, and the handsome, bargain-priced ($16 SRP) hardcover with Updike’s hand-picked stories gives high school teachers a classroom-worthy book—one that Updike himself considered “his signature collection, the volume of short stories that communicated his freshest impressions of life as it came to him in hardscrabble Berks County, Pennsylvania, in the 1930s and ‘40s,” as a publisher’s note reminds us. Updike once told an interviewer, “If I had to give anybody one book of me, it would be the Olinger Stories.”

There’s a delightful world of language, of place, and of finding one’s place in the world to discover for readers new to Updike. But this new volume may work for scholars as well, because, as the publisher’s note continues, the “text of the stories reprinted here are those that Updike published in The Early Stories, which he deemed definitive,” along with a foreword to the original 1964 Vintage paperback “altered only to incorporate a few small changes made by the author after its initial publication.”

Included, in order, are the stories “You’ll Never Know, Dear, How Much I Love You,” “The Alligators” (which is already being taught in some high schools), “Pigeon Feathers” (also being taught), “Friends from Philadelphia,” “A Sense of Shelter,” “Flight,” “The Happiest I’ve Been,” “The Persistence of Desire,” “The Blessed Man of Boston, My Grandmother’s Thimble, and Fanning Island,” “Packed Dirt, Churchgoing, a Dying Cat, a Traded Car,” and “In Football Season.” Right now, Amazon.com is selling the collection for $10.12.   Continue reading

NY Times Magazine essayist invokes Updike

Screen Shot 2014-07-06 at 9.50.10 AMIn an essay titled “794 Ways in Which BuzzFeed Reminds Us of Impending Death” (NY Times Magazine, July 3, 2014), Heather Havrilesky invoked John Updike:

“The next summer, after a long year spent adjusting to life without my dad in the house, I happened to pick up John Updike’s ‘Rabbit Is Rich.’ Perhaps given the timing, it was the first novel that felt real and relatable to me, like a ticket straight into the bloodstream of another human being. And no wonder — Updike knew exactly how the intrusions of pop-culture minutiae had the power to evoke the cheery dread of Middle America.   Continue reading

Journal features an article on Updike and second-wave feminism

Screen Shot 2014-05-25 at 10.23.49 AMFeatured in Volume 5, Issue No. 4 [2014] of the International Research Journal of Management Sociology & Humanity, is an article by Anshu Chaudhary titled “Analysis of the Select Novels of John Updike from the Perspective of the Second Wave Feminism,” which appears on pages 84-91.

In it, Chaudhary writes, “It can’t be ignored that Updike was reflecting the point of view of male characters of a particular age and class, and in that context they demonstrated psychological insight. But if we analyze Couples and Marry Me the two most interesting and sympathetic novels in which the women characters are most keenly drawn we see that he has presented the mystery of man’s sexuality from the perspective of the female characters. In both these novels he entered the mystery of woman’s sexuality as well.

“Updike’s views and depiction of female characters may be prejudiced but are not misogynistic. His works don’t show him to be against the growth and liberalization of domestic women. He just reflects the ‘other’ side of things.”

She concludes her essay, “Thus, female characters exist and develop and survive in his fiction. They also help the male characters to find their own identity and ‘Search for the Self.’ Although he fails to give them their own identity but as he himself says,

“‘American fiction is notoriously thin on women, and I have attempted a number of portraits of women, and we may have reached that point of civilization, or decadence, where we can look at women. I’m not sure Mark Twain was able to.'”

 

New York Observer writer considers the case for Updike as a major artist

Even before it falls into the hands of average readers on April 8,  Adam Begley’s biography, Updike, is doing what scholars and society members expected: reawakening the debate over Updike’s status as an American writer.

There has always been a small segment who think he “writes like an angel but has nothing to say,” and reports of his demotion in the canon have been greatly exaggerated, given his continued presence in major anthologies. Michael H. Miller of the New York Observer weighs in, but only concludes “Updike, like George Caldwell in The Centaur, a character modeled after his own father, did the best he could with what was given to him—a massive flawed talent. Here’s the whole article:

“Literary Genius or Horny Diletantte? Adam Begley’s Bio Makes the Case for John Updike as a Major Artist”

In case you missed it: Adam Gopnik’s essay “On Updike’s Long Game”

Adam Gopnik wrote a feature titled “A Fan’s Notes on Updike’s Long Game” for Humanties magazine, Vol. 29 No. 3 (May/June 2008) that finds him concluding that “if the persistent journalist in him is one of the things that has kept his novels alive, it is the satirist and humorist in him that have kept his sentences aloft,” further speculating, “Updike’s affinity for painting and poetry—the still felt desire to have been a painter or poet—is perhaps the secret fuel that keeps the prose shining and still in motion.”

 

Updike celebrated on The Writer’s Almanac

Today, John Updike’s birthday, Garrison Keillor published a written and audio version of “Frankie Laine,” a poem by Updike that begins, “The Stephens’ Sweet Shop, 1949.” In it, Updike recalls the atmosphere of the popular hangout for Shillington H.S. students and pays poetic tribute to its owner.

“The Writer’s Almanac with Garrison Keillor, Tuesday, March 18, 2014”

Newly published Iranian five-story collection features Updike

n00189765-bFrom the Iran Book News Agency comes the announcement that “‘Blue House’ House to Stories of Noted Writers” was recently published in Persian, a five-story collection featuring authors Alice Munro, John Updike, Alistair Morgan, and Kate Walbert.

Titles of the stories included in the 164-page collection are not mentioned.

Those with bibliographical information on this item, please contact Jack De Bellis, who is working on a supplement to the 2008 bibliography: bjd1@lehigh.edu.

In the latest Southern Review: John Updike Writes Like a Girl

Screen Shot 2013-11-11 at 12.55.07 PMCatchy title, isn’t it? Sounds like something you’d hear on the playground, only this one appeared in a literary playground. And the purveyor of said title (or the flinger of insults, if you prefer to think of it that way) is Barb Johnson, a former New Orleans carpenter who has gained quick notice since enrolling in an MFA program at the University of New Orleans. Recently she was named the fifth recipient of A Room of Her Own Foundation’s $50,000 Gift of Freedom Award. Her piece of nonfiction prose, “John Updike Writes Like a Girl,” appears in the latest issue of The Southern Review (Autumn 2013).

The excerpts below suggest why Glimmer Train named her a Best New Voice:

I. In Which I Rehash the Usual Criticisms of John Updike

It’s easy to dog John Updike. Reflexive, even. Anyone who has studied literature—though not necessarily Updike—knows to say that his sentences are either gorgeous and stunning, or, you know, totally overwritten and ostentatious—awash with shimmering phrases, like bubbles that Updike has blown just to watch them catch the light: whee!  Continue reading