Conference program announced, registration begins

Updike Society members should be delighted with the program and events that Alvernia University and conference directors Jack De Bellis and Dave Silcox have put together.

Twenty-four Updike scholars from seven countries will present papers, and Donald J. Greiner, who was among the first to publish a book on Updike’s work, will be featured in a plenary session.

Dave and Jack have arranged a panel featuring Updike’s first wife, Mary Weatheral, and three of Updike’s children—Elizabeth, Miranda, and Michael. And in a split panel we’ll hear from Updike’s Shillington High School classmates Jackie Hirneisen Kendall and Joan Venne Youngerman, and then Harlan Boyer, Emerson Gundy, and Jimmy Trexler.

Another highlight for members should be two three-hour tours of the Shillington, Reading, and Plowville Updike sites, including looks inside Updike’s childhood home, the church where he was baptized, and the Plowville farm. And of course we’ll pay our respects at the grave site of Updike’s parents, where John’s ashes were scattered last May.

Fun receptions and dinners are planned for every night, with time built in for everyone to get to know each other. So the time has finally come to register for the conference. Please note that if you pay your registration fee by July 1, you’ll save $35! All the information is below, on a PDF file. The program is complete, but please bear in mind that it may change due to unforeseen circumstances.

UPDIKE IN PENNSYLVANIA.pdf

Check out this Washington Post article, which begins, “Reading is required for any John Updike pilgrimage. . . . It seems you can’t go a block in this city of about 83,000 without running into one of the author’s old stomping grounds or a scene from one of his books, where often the city is named Alton or Brewer.”

Review of Hub Fans Bid Kid Adieu: John Updike on Ted Williams

Review of Hub Fans Bid Kid Adieu: John Updike on Ted Williams (Library of America, cloth, 64pp., $15)

Updike lovers will want to add this book to their collections for the sentimental value alone. Updike was working on this project in the months before he died, and a new two-and-a-half page preface is dated January 2009. Plus, the jacket was designed by none other than Chip Kidd, who crafted many a book cover for Updike’s Knopf releases. The Library of America has produced a handsome book, one of which Updike would have approved—and probably did approve.

Open the covers and the first thing you appreciate is that the inside boards and endsheets are printed with blown-up typescripts of Updike’s original first and last pages of “Hub Fans.” Though “Hub Fans” was published in Assorted Prose, “Ted Williams” in Odd Jobs, and “The Batter Who Mattered” in Due Considerations, it’s nice to have all of what Updike had to say about one of his heroes in a single volume—especially since the preface is new and he “abridged, conflated, and updated” the Williams’ mid-life sketch and obituary.

In the new preface, Updike calls “Hub Fans” a “five days’ labor of love” and admits that Roger Angell is “a baseball freak where I was just a Williams freak.” In “Hub Fans” Updike had praised Williams’ “rigorous pride of craftsmanship,” and in this new preface he talks about how he had been “drawing sustenance and cheer from Williams’ presence on the horizon.”

The back cover of the dust jacket lists “praise through the decades for ‘Hub Fans,’” and the praise is dizzying. “The most celebrated baseball essay ever,” says Roger Angell, who knows a thing or two about baseball. “The greatest writer, in the greatest ballpark, on the greatest hitter who ever lived,” says Boston Globe sports columnist Dan Shaughnessy. “No sportswriter ever wrote anything better,” Garrison Keillor writes. “The piece that changed the way the sport is written. Updike made baseball the lyricist’s game.” But the biggest compliment came from Williams himself. Updike writes in the preface that Williams, through an agent, invited him to write Williams’ biography. And knowing how Updike felt about biographies makes that revelation all the more fun.

Highly recommended (reviewed by James Plath)

Inaugural conference paper deadline extended

Program director Jack De Bellis will continue to accept paper proposals until the end of April, so it’s not too late to email him your proposal and become a part of the historic First Biennial John Updike Society Conference, which will be hosted by Alvernia University in Reading, Pa., October 1-3 2010.

The program is shaping up to be a truly international event, with scholars from six different countries scheduled to present their work. We have papers by professors, graduate students, and independent scholars as well—all of which will make a nice complement to location-specific events. Two different three-hour tours of Updike sites in Reading, Shillington, and Plowville are planned. Pictured is the barn that inspired Updike to write “Pigeon Feathers” and the Pagoda/Pinnacle described in Rabbit, Run. The conference celebrates the 50th anniversary of the publication of Rabbit, Run.

The full conference schedule to date will be made public on May 3, so check back. Those wishing to propose a paper should email Jack De Bellis directly: bjd1@lehigh.edu.

Updike letters and typescripts for sale

Darren at Clouds Hill Books recently contacted Jack De Bellis to inform him that they’re acting as an agent for the owner of a batch of Updike material (primarily letters and typescripts). He wanted to give members an advance heads-up, in case one of us (or one of our schools) might be interested. Clouds Hill has broken up the material into four lots:

1. Letters, 1958-1990 (19 items) $7500

2. Letters to Keith Baker, 1973-1985 (8 items) $1000

3. Letters to Philip Krapp, 1964-1976 (5 items) $1000

4. Letters to Robie Macauley, 1969-1992 (33 items) $17,500

At those prices, they’d better contain the secret of life . . . or at least be content letters related to the manuscripts! All inquiries can be directed to Darren at Clouds Hill Books, 27 Bank St., New York, NY 10014, (212) 414-4432, cloudshill@cloudshillbooks.com.

LOA version of Hub Fans Bid Kid Adieu now available

Hub Fans Bid Kid Adieu: John Updike on Ted Williams is now available exclusively from The Library of America Web store, ten days ahead of its release to bookstores—including online booksellers such as Amazon and Barnes and Noble.

The list price is $15.00, but the book is available directly from the LOA for $13.50 (10 percent off) and shipping is free within the U.S. Here’s the link. You can also purchase the book by phoning LOA at 1-800-964-5778 and requesting product #410027. Jim Yerkes reports that the price is cheaper if you phone and request the product number than if you order online.

Collectible John Updike lapel pin available

There’s only one way to get this collectible John Updike lapel pin, which is faithful to the self-portrait Updike did for his Paris Review interview, and that’s to pay your membership dues for 2010. And for those who aren’t already members, it’s not too late to join. Those who do so between now and our business meeting at the American Literature Association conference the end of May will still be considered Charter Members. The lapel pin features the Society logo, sans lettering, and the Society is grateful to Martha Updike for giving us permission to use the drawing. These pins will be a great way for us to instantly recognize fellow Society members at conferences like ALA!

The Dogwood Tree: March 18, 1932

In perhaps his most famous autobiographical essay, “The Dogwood Tree: A Boyhood” (Assorted Prose, 1965), John Updike, who would have been 78 today, wrote:

“When I was born, my parents and my mother’s parents planted a dogwood tree in the side yard of the large white house in which we lived throughout my boyhood. This tree . . . was, in a sense, me.” According to Updike’s Shillington contact, Dave Silcox, John’s mother later corrected him, telling him it was planted on the one-year anniversary of his birth.

In “The Dogwood Tree,” Updike continued with a line that has more resonance today than when he wrote it:  “My dogwood tree still stands in the side yard, taller than ever . . . .”

Happy birthday.

(Photo courtesy of Jack De Bellis, taken in spring 2009)

New member treasures his encounter with J.U.

Professor Joseph McDade, of Houston Community College, is the most recent person to join the Society—our 153rd member—and like so many he’s planning on attending the Society’s first conference in October. Also like so many, he has a fond memory of meeting John Updike. His moment came on Monday, Feb. 28, 2008, when Updike spoke at Houston’s famed Alley Theater as part of the Inprint Brown Reading Series. But his relationship to John Updike began before that. He writes,

“I am guessing my own life regarding the man is fairly common.  All through college and grad school my mother would, every Christmas, treat me to each new handsome Knopf hardback, wrapped and under the tree.  Lately my wife has continued the tradition, and this past December treated me to a copy each of Rabbit at Rest and Roger’s Version (I had mentioned these were my two favorite of his novels) from the Signed First Edition series.

“I count as one of the great moments of my life the 20 or so seconds I spent with him after his Houston reading two years ago, when I stood in a line that snaked up the stairs of the Alley Theatre to a desk on a second-floor landing.  As he signed my evening’s purchase (the Everyman’s Library edition of Rabbit Angstrom: The Four Novels), I told him how happy I was that he had chosen, as part of the evening’s program, to read ‘The Family Meadow,’ a story I had often heard him read on audiotape and very nearly committed to memory.  ‘It’s one of my two favorite of your stories,’ I said.  Then, wanting to note it for the record, I continued,  ‘The other is ‘The Witnesses.”

“‘The WITnesses’?” he asked, seeming slightly startled.  I could only say, ‘Oh, sure,’ and move on.”

(Photo: The Alley Theater)

Joseph McDade

Rabbit, Run: Turning 50 and still hard to catch

In a 1992 interview on The Dick Cavett Show, John Updike told his host that he keeps all of his books from Knopf “in a row, without their jackets, and it’s in this set that I note the typos and gaucheries, so in a sense I have a master set, ready for the new editions and to be further refined.” When Cavett said that book collectors  “would be horrified to know that the dust jackets aren’t on,” Updike responded, “Only this one set. Elsewhere in the same small room, there is a full set of them in their jackets and in their several editions and in their translations. It really is a room to enter. You’ve got to be pretty fond of me. Maybe only I can enter it.”

A collector himself, John would always take note of an edition he was asked to sign. When I finally saved up enough money to buy a First Edition of Rabbit, Run many years ago, I sent it to him to sign. It came back with another gracious inscription, but with a Post-It note attached:  “Jim—the book is a first edition, but the jacket is not [and he underlined “not”]. It quotes a review—the first had flap copy by me. Best, John.” I contacted the book dealer, who was one of the nation’s most reputable, and it was the first he’d known of this point, which wasn’t detailed in any catalog. But John noticed things like this. He was a stickler for detail and accuracy, as his readers well know. Unlike some authors who dated books if they were signed after publication year, John only dated a book if asked, or if it was a gift. He didn’t want to begrudge any collector his/her treasures.

According to Lawrence Grobel, who recently had an article on collecting Updike in Autograph Magazine, “pristine copies of his early signed books go for as much as $4500 (Rabbit, Run). Even 50 years after it was published, Rabbit, Run remains the most sought-after of Updike titles, but it’s awfully hard if not impossible to find a copy in pristine condition. Rare book dealer Ken Lopez has one for sale that’s fine in a near-fine, price-clipped dust jacket “with some slight rubbing and a tear at the lower rear spine fold,” signed, for $2000. There’s another copy on eBay now for $450 minimum bid, but it’s a little rough-looking and also has a signed bookplate—so Updike never held the book in his hands. But that’s all that seems to be out there right now, which would all but validate what Grobel is saying.

By comparison, Grobel says that signed copies of The Centaur are fetching $1800, while The Poorhouse Fair is commanding $875 and Pigeon Feathers $350. But the good news for new collectors just discovering Updike’s works is that the author so graciously signed so many books that there are a lot of the newer volumes out there for $100 or less. Hemingway and Fitzgerald Society members should be so lucky.

Will Kindle light a fire under Updike novel sales?

The Associated Press and Best Ebook Reviews reported that Random House is adding 7000 additional ebooks to its e-catalog over the next few months. Though ebooks count for fewer than a 1 percent market share of total book sales, Random House ebook sales have experienced a triple-digit percent increase since the Amazon.com Kindle reader was introduced. Typical Kindle editions sell for $9.00, and Random House specifically said that John Updike’s novels will be among those digitalized in this new wave of ebooks. For more information, see “Kindle Reader Impact–Random House ebook sales increase over 100%,” and thanks to Jack De Bellis for drawing it to our attention.