Witchy Women end-of-summer reading list includes Updike

In “25 Best Books About Witches to Read in 2024: Spellbinding Books Filled with Magic and Mystery,” Marilyn Walters made John Updike’s The Witches of Eastwick her sixth pick. Topping the list was Circe by Madeline Miller, Practical Magic by Alice Hoffman, The Witching Hour by Anne Rice, The Familiars by Stacey Halls, and Hex by Thomas Olde Heuvelt.

“In the small town of Eastwick, Rhode Island, three women — Alexandra, Jane, and Sukie — discover they have magical powers after their marriages end.

“Their abilities get stronger when a mysterious man, Darryl Van Horne, comes to town and encourages their witchcraft. As they form a coven and use their magic, their actions lead to severe problems, including murder and chaos.

“The novel looks at themes of power, freedom, and the supernatural with a darkly funny twist. Set in the early 1970s, it reflects the social changes and liberal attitudes of the time.”

Here’s the link to the rest of the 25—24, actually, since one entry is a duplicate.

Sylvie Mathé profiled in major interview

John Updike Society board member Sylvie Mathé was profiled in the series “Persistence of Character — Major interview: Archaeology of a journey” in e-Rea, electronic journal of studies on the English-speaking world. The series, published in French, tracks the breadth of an entire career of distinguished intellectuals, including early influences. An English translation exists in PDF form, but in a file to big to upload and no link to share. Here is the link to a French version online: “Sylvie Mathé: un entre-deux transatlantique (2024).”

The interview begins with a list of career milestones:

1951 : Born in Étampes (91)
1968 : Baccalaureate A (Lycée de Pontoise, Val d’Oise)
1968-69 : American Field Service Scholarship (Rock Island, Illinois)
1969-72 : Higher Literature and Première supérieure (Lycée Fénelon, Paris)
1972-76 : École normale supérieure de jeunes filles (ENS-Sèvres)
1973-74 : Lecturer at Oxford (Lady Margaret Hall and St Anne’s)
1975 : Agrégation in English and CAPES in Modern Literature
1975-76, 1977-78 : Visiting Lecturer in French, Yale University
1980 : 3rd cycle thesis : “The everyday and the sacred in the fiction of John Updike” (under the direction of Jacques Cabau, Paris III)
1978-81 : Assistant-Professor in French, Wellesley College
1981-98 : Assistant Professor, then Lecturer, University of Provence
1997 : HDR (under the direction of Claude Fleurdorge, Montpellier III)
1998-2017 : Professor of American Literature, Aix-Marseille University

Mathé talks about the full trajectory of her career, including the experience of spending her senior year in high school in Rock Island, Ill. “Compared to my final year in French, the amount of work was nothing like it was, nor the demands of the homework,” she told the interviewer. She shared that her host family was “extremely puritanical,” with the mother “surprised, even horrified, that I had read texts by Hemingway, or Sanctuary by Faulkner…It must be said that 1968 in a small town in Illinois was still the 50s. It had nothing to do with what was happening on campuses at the same time, with women’s lib, demonstrations against the Vietnam War, for civil rights, etc.” In summary, “Let’s say that compared to my final year in French, or my life in France, which was essentially focused on high school, work and success, it was a much more varied life, more entertaining…I was doing things I had never done before: I was caught up in the rhythm, I went to matches according to the football, basketball, baseball seasons,” and she dated, went to parties where there was drinking and marijuana brownies, and was generally inducted into American culture.

Mathé’s introduction to John Updike came when she went to Oxford and studied “Puritanism in John Updike’s Fiction” with Jeanne-Marie Santraud, “who was the only Americanist at Paris IV.” She would go on to write her master’s thesis on Updike and compose a monograph for the American Voices series edited by Marc Chénetier titled John Updike: Nostalgia for America.

Updike “knew French,” Mathé says. “He came to France for a few months with his family. In several of his novels, for example in Couples, we find a character who prides himself on speaking French. Generally, it’s very funny because he misses the mark.”

Fairway Philosophy blogger focuses on Updike the golfer

Fairway Philosophy blogger Matthew Chominski had Updike on the mind this past week. Two of his posts were devoted to Updike the golfer.

In an April 27, 2023 post, “Golf and the Shortness of Life,” Chominski wrote, “The great American author and golf devotee was once in the presence of a young woman who informed him that life was too short ‘for crossword puzzles and for golf.’ His responsory ruminations are worth quoting at length:

“‘The nature of humankind must be considered before we decide what life is too short for. Is it too short for sex, for instance, or is sex its business? Men and women need to play, and it is a misused life that has no play scheduled into it. Crossword puzzles, even, have a fit place in some psychological budgets. With them, as with golf, we set ourselves to solve a puzzle nature has not posed. Nothing in natural selection demands that we learn how to beat a small ball into a hole with a minimum number of strokes. . . . The great green spaces of a golf course remember the landscape in which the human animal found his soul. Certainly the sight of our favorite fairway wandering toward the horizon is a balm to the eyes and a boon to the spirit. Our mazy progress through the eighteen is a trek such as prehistoric man could understand, and the fact that the trek is fatiguingly long constitutes part of its primitive rightness.'” Read the whole post.

Then, on an April 29, 2023 post titled “Golf’s Peculiar Bliss,” Chominski reminded golfers and Updike fans of a video clip in which John Updike was filmed on his home course, Myopia Hunt Club, intercut with footage and a voiceover of Updike reading from his golf essays.

Article on Shawn lauds Updike too

Screen Shot 2016-08-09 at 9.52.15 AMIn “The Genius of William Shawn, and the Invention of The New Yorker,” David Remnick praises Shawn’s sharp eye for talent,

“that essential component of any institution that wishes to develop: new talent with new things to say. The ’50s saw the rise of one such talent in particular, John Updike, who, for the next 55 years, was an unfailingly prolific and versatile contributor to The New Yorker. His fine-grained prose was there from the start, and, with time, his sharp-eyed intelligence alighted on seemingly every surface, subject, and subtext. Updike was, out of the box, an American writer of first rank. He was profoundly at home at The New Yorker and, at the same time, able to expand the boundaries of its readers’ tastes. He could seem tweedy and suburban—a modern, golf-playing squire—and yet, as a critic, he introduced to the magazine’s readers an array of modernists and postmodernists, along with writing from countries far beyond the Anglo-American boundaries; as a writer of fiction, he was not a revolutionary, but his short stories make up a vast social, political, and erotic history of postwar America, or at least some precincts of it.”

Here’s the full article.