Member publications delve into new areas

9781137340221Member Jo Gill, Associate Professor & Director of Education: English at the University of Exeter (UK) has featured Updike prominently in her new book, The Poetics of the American Suburbs (New York: Palgrave, 2013). It includes a discussion of a number of Updike poems, among them “My Children at the Dump,” “The One-Year-Old,” “Scenic,” “Shillington,” “Sleepless in Scarsdale,” and “Suburban Madrigal.”

Here’s the link to the Macmillan website, which calls it “the first book to consider the rich body of poetry that emerged from and helped to shape the post-war American suburbs. Jo Gill discusses the work of forty or more writers—some well-known, such as Anne Sexton and Langston Hughes, others not primarily known through their poetry such as John Updike, and some who were best-sellers in their own time but have since largely been forgotten such as Phyllis McGinley. Combining detailed textual and archival study with insights drawn from other disciplines, the book offers a new perspective on post-war suburbia and on the broader field of twentieth-century American literature.”

Member Scott Dill has an essay in the recent issue of Critique: Studies in Contemporary Fiction (54:4) titled “Affection for the Affected World: Updike on Emotion, Sense, and Style.” The full essay can be viewed here

Updike and Carver essay appears in Critical Insights: Raymond Carver

Screen Shot 2013-08-01 at 8.24.14 PMMatthew Shipe’s essay, “Middle-Age Crazy: Men Behaving Badly in the Fiction of Raymond Carver and John Updike,” appears in the recently published Critical Insights: Raymond Carver, edited by James Plath. Shipe compares the fiction of two writers whose creative and personal lives couldn’t be more different. Yet, Carver and Updike, whose New Yorker background and stories reflect a life that’s more privileged, find a point of intersection in that their male characters tend to behave badly—especially in relation to the women in their lives and in matters of responsibility. Characters often give in to their impulses, putting themselves first no matter how much they seem to care about the others in their lives.

The book is available from Amazon.com.

 

Discounted early copies of Collected Stories now available from LOA

1598532502If you’re in the middle of research or just can’t wait to see a copy of John Updike, The Collected Stories, you no longer have to wait until September 12—the date the book will appear in retail stores and be shipped by Amazon.

The boxed set and individual volumes (John Updike, Collected Early Stories and John Updike, Collected Later Stories) are now available exclusively and at a considerable discount through the Library of America’s own secure Web store. And the shipping is free within the U.S.

The two-volume set is $60 (20 percent off the list price of $75), while the individual volumes are $31.50 each (15 percent off the list price of $37.50).

Here are the links:

John Updike, The Collected Stories (Box Set)

John Updike, Collected Early Stories

John Updike, Collected Later Stories

The Other John Updike Archive focuses on objects

UpdikebillPaul Moran writes,

The Other John Updike Archive is a collection of objects that formerly belonged to John Updike.

“Each posting will contain another piece from the collection.

“This is part of the Kula Art Project, which consists of a return to the importance of relics and the biography of ordinary things.”

Some of the things are actually quite extraordinary, such as a royalty statement from Knopf showing domestic and foreign sales for Rabbit, Run. Or a hotel bill detailing what room the Updikes stayed in.

Garrison Keillor reads Updike’s “Baseball”

Citi FieldThe Writer’s Almanac for Tuesday, June 25, 2013, featured Updike’s poem “Baseball,” which seems even more appropriate to share as Tuesday’s All-Star Game  draws nearer.

In fact, it’s tempting to contact starting NL first basemen Joey Votto to ask him how accurate Updike’s second-stanza simile seems—if he was ever “scared / of the shortstop’s wild throw / that stretches you out like a gutted deer.”

“Baseball” appeared in Endpoint, confirming Updike’s sustained interest in the Great American Pastime throughout his life.

Updike scholarship gets a boost with the release of “The Collected Stories”

UpdikestoriescoverAs much as Adam Begley’s forthcoming biography, Updike enthusiasts have been anticipating the September 12 publication of John Updike: The Collected Stories by the Library of America. The two volumes can be bought singly (John Updike: Collected Early Stories, John Updike: Collected Later Stories) or in a set that includes a sturdy and colorful slipcase designed by Chip Kidd, featuring the 1982 oil-on-canvas portrait by Alex Katz that’s housed at the National Portrait Gallery.

I received an advance copy of the set and am happy to report that it’s extremely well done. Christopher Carduff, who put together the special book publication of Hub Fan Bids Kid Adieu and edited Higher Gossip: Essays and Criticism (2011) and Always Looking: Essays on Art (2012), has arranged the stories in the order of their composition—a task made easier, Carduff writes, because “Updike signed a first-reading agreement” with The New Yorker when he was 22 years old and “habitually marked the date of submission on the first page of the typescript copy he kept for his files.” Almost all these typescripts from Updike’s personal files are now in the collection of Harvard’s Houghton Library.   Continue reading

New Republic spotlights Updike’s 1960 defense of Kim Novak

Screen Shot 2013-05-21 at 7.59.27 AMThe May 27, 2013 issue of The NewRepublic spotlights “John Updike: On Knocking Miss Novak” in “From the Stacks.”

The feature details a verbal scuffle Updike had with New Republic film critic Stanley Kauffmann and includes a letter from Updike that was published in the July 25, 1960 issue, following Kauffmann’s review of Strangers when We Meet.

“I am so sick and tired of Stanley Kauffmann knocking Kim Novak. She is a terrific-looking woman,” Updike writes.

“Motion pictures are not, as Mr. Kauffmann seems to believe, transmogrified novels or adjusted plays; these two art-forms have as little to do with motion pictures as they do with each other.”

Updike ends his letter with a pretty good slap at Kauffmann: “He is not a bad critic, he is an inverted one; the opposite of everything he says is true.”

The New Republic on John Updike:
“Updike Remembered” (January 30, 2009)
“The READ: Ephemera, Run” (June 30, 2010)

 

Archivist finds record of early Updike award

We’ve known that John Updike won awards as a young man for his creativity, but it’s nice to actually see tangible proof.

The Scholastic Art and Writing Awards celebrate 90 years of creativity this year as the nation’s longest-running opportunity for students to be recognized for their creative talents.

As their website says, alumni winners include Andy Warhol, Philip Pearlstein, Sylvia Plath, Truman Capote, Joyce Carol Oates, Ken Burns, and Robert Redford. Now they can add the name of John Updike, whom archivist Haley Richardson (of the Alliance for Young Artists and Writers, a non-profit associated with Scholastic) discovered in a yellowed publication announcing the 1948 winners. As you can see from the entry below, young Updike won $25 for a gag cartoon he submitted as a sophomore under the direction of his teacher, Carlton Boyer (whose name is misspelled).   Continue reading