Category Archives: Broadcasts & Podcasts

Updike podcast is up and running again

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Bob Batchelor’s podcast John Updike: American Writer, American Life is active again. The new episode is titled “Why You Should Be Reading John Updike: The; Writer Who Predicted Everything.”

From the site: “Hosted by cultural historian and Updike biographer Bob Batchelor, each episode is focused, sharp, and built for listeners who want to dive into the life and career of one of America’s greatest writers.

“Updike saw the death of American manufacturing. He wrote about economic anxiety before it became a political movement. He diagnosed the collapse of masculine identity before the culture had a vocabulary for it. He saw the 1970s energy crisis, not as a temporary inconvenience, but as a permanent reckoning with American assumptions about prosperity and progress. And he did it all in beautiful, lyrial sentences.

“He also wrote things that make contemporary readers uncomfortable. His male characters objectify and flee. His perspective is overwhelmingly white and suburban. This podcast doesn’t hide from those tensions. It engages them, because honest conversations about American literature require addressing human complexity, not running from it.

“Each episode takes one aspect of Updike’s life, work, or world and opens it up: the Pennsylvania mill town that shaped him, the New Yorker years that refined his voice, the feminist critique that shadowed his reputation, the beautiful and brutal sentences that remain his most enduring legacy. From the Rabbit novels to Couples to Terrorist—from Updike’s poetry to his art criticism—no corner of the work is off limits.”

Podcast explores Updike’s novel ‘The Coup’

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On “Ninety-Nine Novels: The Coup by John Updike,” Graham Foster explained, “In 1984, Anthony Burgess published Ninety-Nine Novels, a selection of his favourite novels in English since 1939. The list is typically idiosyncratic, and shows the breadth of Burgess’s interest in fiction. This podcast, by the International Anthony Burgess Foundation, explores the novels on Burgess’s list with the help of writers, critics and other special guests.

“In this episode, Andrew Biswell talks to writer and critic Bob Batchelor about The Coup by John Updike, a novel Anthony Burgess called ‘a beautifully written disturbing lyric composition’. . . .

“Bob Batchelor has written 16 books on subjects as wide as The Great Gatsby, Jim Morrison and the Doors, the Prohibition, and comic book writer Stan Lee. He has written extensively about John Updike, including the book John Updike: A Critical Biography. He has also presented the podcast series John Updike: American Writer, American Life. He is currently Assistant Professor in the Department of Communication, Media, and Culture at Coastal Carolina University.”

BBC’s ‘Front Row’ interviews James Schiff about the Updike letters

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The Nov. 11 episode of BBC’s Front Row spotlighted art historian Andrew Graham-Dixon on Vermeer and radical Christianity, James Schiff on Selected Letters of John Updike, and director Edgar Wright on the new dystopian film The Running Man.

The Updike material begins around the 13:30 mark when the interviewer talks with writer Gish Jen, one of many who received letters from Updike.

Listen to the episode

Selected Letters editor offers insights on Updike and Pennsylvania

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James Schiff, vice president of The John Updike Society and editor of The John Updike Review, gave a great interview to Charles McElwee on The Real Clear Pennsylvania Podcast.  Schiff, a professor of English at the University of Cincinnati, talked about the Selected Letters of John Updike, which Schiff also edited and the debut of which the Updike Society celebrated in New York City in October 2025.

Here’s the link

Ipswich columnist asks if Updike would be published today

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Bob Waite, whose father was Updike’s dentist back when the author lived and worked in Ipswich, has been a columnist for North Shore media for decades. Recently he wrote an opinion piece that was published by The Local News, “Lite Waite: Could John Updike, a Straight White Male, Find a Home in Today’s Literary Scene?”

It’s a fair question, but readers probably already know the answer. In fact, John Updike Society board member Sylvie Mathé was watching the new BBC miniseries Down Cemetery Road when she saw this allusion to Updike that perfectly captures the current situation (and provided these screenshots):

After Updike published his scandalous wife-swapping novel Couples in 1968, the attention the book brought elevated him to the role of spokesperson for America’s changing morality that deviated sharply from the staid 1950s. It’s no surprise then, that Updike would also become a lightning rod for criticism of male novelists during the era of “#Me Too.”

“There is no shortage of millennial white males who believe themselves shut out of a contemporary literary scene that seems curated by, and targeted at, women,” Waite wrote. “By implication, Updike would suffer a similar fate. To elaborate, Waite cites Ross Barkan (“From Misogyny to No Man’s Land”): “If men still sit at the top of publishing houses, it’s college-educated women writing, editing, and agenting most of the novels of note.” Barkan argues that straight white males have all but disappeared as authors and literary characters. Waite wrote, “He tells us that ‘between 2001 and 2011, six white men won the New York Public Library Young Lions prize for debut fiction. Since 2020, not a single white man has even been nominated (of 25 total nominations).'” Continue reading →

Editor Schiff and Updike siblings interviewed about the Selected Letters

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In his introduction to an interview he conducted with James Schiff, Joe Donahue wrote, “John Updike remains one of the most admired and prolific voices in American Literature. Over five decades he produced novels, short stories, poems, criticism, and essays that examine faith and art, desire, and the American experience in all its complexity. . . . Now in the new book ‘Selected Letters of John Updike’ editor James Schiff offers readers a window into that private world drawing from decades of correspondence. Schiff presents a portrait of Updike as both craftsman and confidante, generous, witty, and endlessly reflective about writing and life.”

Here’s the link to the WAMC Northeast Public Radio podcast.

More conversation about John Updike and the letters comes from a Radio Open Source interview with Michael Updike and Miranda Updike conducted by Christopher Lydon, a Boston-area fixture who interviewed John Updike on numerous occasions. In sending the link to the Updike siblings, Lydon wrote, “We want you to take a bow… and enjoy this piece as we do! You and Michael are heroic here, and funny and deep… And we all fall in love with your marvelous dad, all over again.”

Here’s the link to “John Updike’s Vocation.”

If you haven’t gotten a copy of the book yet, here’s a link to order from Bookshop.org, where every purchase supports local independent bookstores.

Christopher Lydon considers John Updike’s ‘Terrorist’

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Boston radio’s Christopher Lydon has interviewed Updike on numerous occasions, and now he’s turned his admiration for Updike into “Open Source” conversations. In “John Updike and his Terrorist,” Lydon shares an interview he did with Updike about the post-9/11 novel and adds his own comments:

“Terrorist is cinematic and political—wonderfully so, as I read it. It may be as close to the movie Syriana as we’ll ever get from Updike.

“It’s not for me to vouch that he nailed every answer here. But I can report the huge pleasure for one reader—picking up a piece of our conversation recently on The Great American Novel—in ‘public’ fiction, masterfully made, encompassing the depressive high-school guidance counsellor Jack Levy, and the hateful Secretary of Homeland Security, whose name sounds like Haffenreffer; and at the center of it all, Ahmad Ashmawy Mullow at the brink of manhood, flickering between earnestness and extremism, trying to solidify a Muslim consciousness in what feels like a wasteland of selfishness and materialism.'”

On January 28, 2009, one day after Updike died, Lydon had paid tribute to the legendary writer who chose the Boston area for his home for his adult life, in “John Updike: Ted Williams of Our Prose”: “John Updike had every kind of grace about him, including for me an aura of divine blessing. I liked his religious inquiries better than the Rabbit books—novels like A Month of Sundays, Roger’s Version, and In the Beauty of the Lilies, and of course stories like ‘Pigeon Feathers’ about a boy’s crisis of faith, which ends in his famous meditation on the pigeons he’s shot, on orders, in his mother’s barn, and the irresistible beauty of the blue and gray patterns in their dull coloring.”

Serbian TV spotlights Updike scholars

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RTS, the Serbian public broadcast service, took note of two Serbian scholars of John Updike appearing on a panel at the recent American Literature Association conference in Chicago.

RTS interviewed Biljana Dojčinović and Nemanja Glintić for a segment that comes around the 18:55 minute mark in a Serbian-language for satellite TV broadcast all around the world.

Dojčinović talked about what was covered in the panel on “Revisiting Olinger Stories (1964) at 60 and The Afterlife (1994) at 30: A Roundtable,” while Glintić talked about what it meant for his thesis-in-progress.

Here is the link.

Novelist Spotlight podcast focuses on Updike, features Schiff

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On May 3, 2024, the “Novelist Spotlight: Interviews and insights with published fiction writers” blog looked in the rear-view mirror to discuss a writer who, according to host and novelist Mike Consol, wrote more beautifully in English than anyone else.

“Novelist Spotlight #153: The great John Updike, revisited by James Schiff” covers a lot of ground. Schiff, a professor of English at the University of Cincinnati and the editor of The John Updike Review, responds to such questions as his personal attraction to Updike, the early charge that Updike was big on style and small on content, backstories to Rabbit, Run, Updike’s attraction to art, Updike’s juggling of work and family, the thousands of letters Updike wrote, his time at Harvard, his sexually frank and graphic language, the Couples years, his alleged feud with Tom Wolfe, and, of course, Updike’s choice of subject matter.