In his review of David Gilbert’s novel & Sons for the Minneapolis Star Tribune, Mark Athitakis called it “a big, fat novel that’s a commentary on big, fat novels.

“It has a great man at its center: A.N. Dyer, an aging author whose style mashes up John Updike, Philip Roth and John Irving,” Athitakis wrote.

“The novel also celebrates the power of words—Gilbert invents swaths of Dyer’s prose, which is stylistically distinct from his own. But Gilbert also exposes the shallowness of those words,” he adds, and “it often feels like a postmodern novel in realist drag.”

Coincidentally, Gilbert’s first novel, The Normals: A Novel (2004), focused on a Harvard-educated protagonist. Photo: David Gilbert.

The National Lampoon, which was published from 1970-1998, was a spinoff of the Harvard Lampoon, the irreverent humor publication based at Lampoon Castle in Cambridge, which John Updike Society members saw during the Second Biennial Conference in Boston.

Tours of the building where Updike once served as Lampoon president were not possible because of the organization’s commitment to secrecy. But a description of the interior appears in That’s Not Funny, That’s Sick: The National Lampoon and the Comedy Insurgents Who Captured the Mainstream—a recently published history:

“Much as the HL’s frivolity departs from Harvard’s overall serious-mindedness, so its home resembles an elaborate and charming joke, an unusually whimsical exception to the order and harmony of the university’s architectural vernacular. Although called the Castle, the building is only three stories. However, it does have a tower with a pointed roof, atop which perches the Ibis, the organization’s frequently stolen mascot. Vaguely medieval detailing such as emblazoned wooden doors and leaded glass windows add a certain baronial flair. Upstairs is the Great Hall, a big room that looks like a Hollywood version of something called “The Great Hall” down to its vaulted ceiling and magnificent sixteenth-century Elizabethan fireplace, suitable for smashing plates and glassware against (the building comes complete with a maintenance staff to clean it up). The walls along a winding staircase are covered with framed covers of HL projects dating back to the founding of the organization/publication by seven undergraduates in 1876.”

Chapter 1, “Lampy’s Castle,” also discusses some of the “quaint traditions” of the Lampoon. That’s Not Funny is available through Amazon.

Related story: “Editor’s Choice: ‘That’s Not Funny, That’s Sick'”

Interest in the Reading area is running high for Jack De Bellis’ most recent book, John Updike’s Early Years, which is already headed for a second printing.

Here’s the article by Bruce Posten:

“Updike’s roots focus of latest chronicle”

Details are now available for member Larry Mazzeno’s book, Becoming John Updike: Critical Reception, 1958-2010. Camden House will publish the 270-page book in hardcover on April 1, 2013. SRP is $85 U.S.

Publisher’s description: When John Updike died in 2009, tributes from the literary establishment were immediate and fulsome. However, no one reading reviews of Updike’s work in the late 1960s would have predicted that kind of praise for a man who was known then as a brilliant stylist who had nothing to say. What changed? Why? And what is likely to be his legacy?

These are the questions that Becoming John Updike pursues by examining the journalistic and academic response to his writings.

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Jack De Bellis’s John Updike’s Early Years is now available at Amazon.com.

John Updike’s Early Years first examines his family, then places him in the context of the Depression and World War II. Relying upon interviews with former classmates, the next chapters examine Updike’s early life and leisure activities, his athletic ability, social leadership, intellectual prowess, comical pranks, and his experience with girls. Two chapters explore Updike’s cartooning and drawing, and the last chapter explains how he modeled his characters on his schoolmates. Lists of Updike’s works treating Pennsylvania, and a compilation of contributions to his school paper are included, along with profiles of all students, faculty and administrators during his years at Shillington High School.