Category Archives: Books

Volume of Updike’s selected letters draws praise

Posted on by
Reply

James Schiff’s long-awaited Selected Letters of John Updike will be released on Oct. 21, 2025, with a reading-booksigning-publication party scheduled that evening at the Salmagundi Club in New York City, where Schiff is in town to convene with other members of The John Updike Society for a joint Roth-Updike Conference with the Philip Roth Society.

The volume of Updike’s selected letters, decades in the making and years in the gathering, runs a whopping 912 pages and is published by Alfred A. Knopf, Updike’s publisher.

Early reviews have been positive . . . and insightful.

Kirkus Reviews
“Missives from the mountain. Updike . . . wrote to everyone, from famous writers and politicians to librarians and family members. ‘I can’t believe that you’re cutting ‘Spider-Man,’ he wrote in a letter to the editor of the Boston Globe in 1994; after the letter, the Globe reinstated the comic strip. . . . In 1960, he wrote to publisher Alfred A. Knopf that his novels sought to present an image of an averagely physical young American.’ He resisted censorship, feeling that to cave to it would be ‘to funk my job.’ At times, though, he can be dead-on in his judgments: ‘I feel in general that literary history is too much modelled on biology when it is really more like geology. There is not much evolution; there is a great deal of accidental thrusts and upheavals and whatnot and when it’s all over a map is drawn.”
Read the entire review 

WSJ – The Wall Street Journal, reviewed by Thomas Mallon
“In ‘Selected Letters of John Updike,’ a new and predictably enormous collection of Updike’s correspondence, we see all his lovers, spouses, neighbors and children as persons, and we experience Updike himself with even more candor than he displayed in his first-person essays. . . . The letters illuminate the consistency of Updike’s fiction aesthetic. Remarkably, at 19, he wrote of the need for ‘an author who can see America as clearly as Sinclair Lewis, but, unlike Lewis, is willing to take it to his bosom.’ He would maintain, decade after decade, that style ‘is nothing less than the writer’s habits of mind—it is not a kind of paint applied afterwards, but the very germ of the thing.”
Read the entire review (subscription required)

The New York Times, reviewed by Dwight Garner
“Schiff estimates Updike typed some 25,000 letters and postcards over the course of his life. . . . Some 700 of them have been resurfaced by the indefatigable Schiff, who teaches at the University of Cincinnati and is the founding editor of The John Updike Review. Despite Updike’s distance-creating geniality, what an enormous and beneficent bounty these letters are for anyone who cares about this country’s literature during the last half century.”
Read the entire review (subscription required)

Continue reading →

Updike is referenced in a book of Mark Twain poems

Posted on by
Reply

John Updike Society president James Plath spent two weeks as a fall 2023 Quarry Farm Fellow working on an essay detailing how Twain modeled being a celebrity writer for both Hemingway and Updike. Plath conducted that research, but also felt compelled to write poems about the house and its inhabitants. Not surprisingly, Updike found his way into one of the poems:

Carved Stone Troughs

John Updike saw himself in a dogwood tree
his parents planted the year he turned one.
Parents do such things. Twain’s jeu d’esprit
led him to place four troughs in part-sun

along the Farm on East Hill road, so spaced
to revive tired horses, and with their carvings mark
the birth of four Clemens—who may have raced
later to see whose was used, while dogs would bark.

But when three of four children die before the father,
those troughs become hollowed-out markers that bear
the burden of emptiness, not crosses to inspire prayer
or reflection. It’s a wonder that Twain continued to care,

funneling stone-cold grief into sage
satire, instead of yielding to alcohol and rage.

At Quarry Farm was published in June 2025 by Kelsay Books and is available from the publisher and Amazon. Society members wanting a copy and who also plan on attending the Roth-Updike Conference in NYC in October can email Plath (jplath@iwu.edu) to bring a copy there to save postage.

The Biblio File retro-reminds of Updike ‘Just Looking’

Posted on by
Reply

Nigel Beale, of The Biblio File podcast, posted an entry a while back reminding followers that “Updike the essayist is always worth reading.” It’s the Jan. 1990 issue of Art & Antiques, in which an interview showcases Updike’s response to a photo from Life magazine of a young woman dancing to celebrate Hawaii’s statehood.

Asked what struck him about the photo enough to write about it, Updike responded, “The word Wahine, for one thing—proving that captions matter. “The young woman’s beauty, for another—her svelte midriff, her exposed navel, her perfect teeth, her cluster of earrings, her fishnet stockings with their hint of whorishness. The expression on her face, between glee and agony. The sea of faces behind her. Her curious aloneness in front of that sea, facing the other way, on what appears to be an otherwise deserted stage. Is she one of a chorus line? Whence comes the music she is swaying to, the rhythmic impetus hoisting one dainty heel up from its slipper and swirling the threads of her skirt and her bra? What force has all but shut her eyes? The camera has caught a Dionysian mystery; it has caught ecstasy.”

Updike’s full rumination on this particular artwork and others can be found in Just Looking, the first of three volumes of his art criticism.

Look for Updike in special century New Yorker collections

Posted on by
Reply

For this entry we need to thank writer Sherman Alexie for calling it to our attention. Alexie gleefully (and deservedly so) posted, “There are only three writers who have work in both A Century of Poetry in The New Yorker [edited by Kevin Young] and A Century of Fiction in The New Yorker [edited by Deborah Treisman]: John Updike, Vladimir Nabokov, and me.” Alexie adds, “All I can do is laugh at how impossible this feels! It’s such a long cultural and economic journey for the reservation Indian boy that I was.” Congratulations, Mr. Alexie! The honor is much deserved.

 

Updike’s 1954 poem “Duet, with Muffled Brake Drums” made the cut for the poetry volume, while his 1991 story “The Other Side of the Street” earned a place in the fiction volume. In the latter, a man returns to the small Pennsylvania town of his childhood to clean out his mother’s home and claim a few of her possessions. Both books are available from your favorite bookstores and retailers.

WJS list of five best books on fame includes Updike

Posted on by
Reply

In an April 4, 2025 post for The Wall Street Journal, Craig Brown (Q: A Voyage Around the Queen) revealed his choice for the five best books to tackle the subject of fame. Topping the list was David Kinney’s The Dylanologists, part-confession and part-reporting on Bob Dylan superfans and their antics, “a sharp and often hilarious book about the madness of fame and fandom.”

Coming in at #2 was Donald Sassoon’s Becoming Mona Lisa, which traces the path to superstardom of Leonardo da Vinci’s most famous subject/painting—a study that Brown said “suggests that, contrary to popular and scholarly belief, posterity is a peculiarly fickle thing.”

Number 3 on the list is John Updike’s The Complete Henry Bech:  “John Updike’s recurring character Henry Bech is the author of ‘one good book and three others, the good one having come first.’ Bech’s reputation increases as his output declines, and he spends his time giving speeches, accepting awards, signing books and appearing on television. ‘The appetite for serious writing is almost entirely dead, alas, but the appetite for talking, walking authors rages in the land,’ Updike once said, in an ‘interview’ with who else but Bech, his lazy, Jewish alter-ego. Collected here in The Complete Henry Bech, Updike’s satirical vignettes on the absurd distractions offered by literary fame grow more accurate with each passing year.”

Rounding out the list were Alethea Hayter’s A Sultry Month, a work of historical fiction from the Charles Dickens and P.T. Barnum era, and Pat Hackett’s The Andy Warhol Diaries, an edited collection of 1000+ entries that makes it “shamefully hard to stop” reading.

Five Best: Books on Fame

Release date announced for Selected Letters of John Updike

Posted on by
Reply

Knopf, now a division of Penguin-Random House, just released cover art for Selected Letters of John Updike, edited by Updike scholar and John Updike Society vice-president James Schiff. The hefty hardcover (900 pages) is roughly 6×9″ and slated for October 21, 2025 release. A book release event and signing will be scheduled as part of the joint Roth-Updike societies’ conference in New York City, Oct. 19-22. Those who plan on attending should count on getting a copy in NYC.

From the Penguin-Random House website, which offers purchase links to Amazon, Barnes & Noble, Books A Million, Bookshop.org, Hudson Booksellers, Powell’s, Target, and Walmart:

“The arc of literary giant John Updike’s life emerges in these luminous daily letters to family, friends, editors and lovers—a remarkable outpouring over six decades, from his earliest consciousness as a writer to his final days

“As James Schiff writes in the introduction to this volume, of the writer who would eventually express himself in written form as copiously and as elegantly as any American writer before him, ‘Updike needed to write the way the rest of us need to breathe or eat.’ With his stunning rhetorical gifts—allowing him to thrive in both fiction and nonfiction, in criticism as well as poetry—he was also a consummate letter writer. From his early writing attempts (he began submitting work to magazines as a teenager) to the 150 eye-opening letters home when he left the farm and family to go to Harvard, to the young adult correspondence with The New Yorker and other publications where his work began to appear, and on into the fullness of a long literary life, his correspondence, Schiff notes,’figures not as an adjunct to but rather an integral part of his astonishing literary output.’

Society member to teach Updike stories in travel course

Posted on by
Reply

John Updike Society member Christopher Love, who directs American Writers in France study-abroad for The University of Alabama, said that he will teach Updike as one of the mid-20th century writers who resided in or traveled in France—a course he said will include James Baldwin and Jack Kerouac.

Two stories that Love plans on teaching are “Museums and Women” and “Avec La Bebe-Sitter,” but he is asking members who have advice on additional stories or have useful knowledge about connections between Updike and France, French writers, French art, etc., to email him (cslove@ua.edu). Since many society members tend to like Hemingway as well, Love added that his new non-fiction book, Crimson Code: The Price of Success, will launch at an April 27 event at a Tuscaloosa, Ala. bookstore named Ernest and Hadley.

New book on Karl Barth and crisis-reorientation includes Updike chapter

Posted on by
Reply

Crisis and Reorientation: Karl Barth’s Römerbrief in the Cultural and Intellectual Context of Post WWI Europe, edited by Christine Svinth-Værge Põder and Sigurd Baark, features a chapter by Bent Flemming Nielsen on “A Literary Reception of Karl Barth’s Römerbrief: On Barthianism in John Updike’s Roger’s Version.”

Like the editors, Nielsen teaches in the Section of Systematic Theology, Faculty of Theology, at the University of Copenhagen in Copenhagen, Denmark.

Abstract

American author John Hoyer Updike (1932–2009) once said, “Karl Barth was my hero among theologians.” Updike found Barth’s early writings from Der Römerbrief (1922) until Fides Quaerens Intellectum (1931) especially interesting. Moreover, Barthian motives also played a role in Updike’s novels. This becomes most obvious in Roger’s Version (1986), a novel about a theological professor, Roger Lambert. The novel addresses Barthian topics such as revelation and knowledge of God in modernity, narrated through vivid examples of human arrogance, guilt, and infidelity. In addition to presenting a body of Updike’s conscious stylistic writing, this chapter delves into Barthian theological perspectives in Roger’s Version and Updike’s personal convictions. The chapter emphasizes mainly the dialectic “wisdom of death” as a key to interpreting the book. (The orality of the presentation has been retained to some extent.)

Ann Beattie speaks to Updike’s descriptive powers

Posted on by
Reply

In a March 2023 interview with V.V. Ganeshananthan and Whitney Terrell, Ann Beattie talked about her new collection of essays, More to Say: Essays and Appreciations, which contains an essat on “John Updike’s Sense of Wonder.” Beattie was the keynote speaker at the 1st Biennial John Updike Society Conference in Reading, Pa., back in 2010, and a version of her talk—and this chapter—was published by The John Updike Review in 2011.

The Lit Hub-hosted interview series noted that in the interview Beattie discussed “her recent LitHub essay about Donald Barthelme’s short story ‘The Balloon’ and the Chinese spy balloon. She also talks about her recently published first collection of essays, More to Say: Essays and Appreciations, in which she writes about the work of authors, photographers, and artists she admires, including Elmore Leonard, Sally Mann, John Loengard, and her own husband, visual artist Lincoln Perry.

“Beattie explains why as a nonfiction writer, she prefers close looking and reading; considers defamiliarization in the hands of Barthelme and Alice Munro; analyzes former visual artist John Updike’s depiction of the natural world; and reflects on developing increased comfort with writing about visual art. She also reads excerpts from both her Lit Hub piece and the essay collection.”

Here’s the link to the Lit Hub interview.

Adam Gopnik recommends six books

Posted on by
Reply

Longtime New Yorker staff writer Adam Gopnik‘s most recent book, The Real Work, explores how artists and exalted others reach an unsurpassed level of mastery. He considers the process and what it might mean for those mere mortals who seek inspiration or who would follow in the masters’ footsteps.

The Week used the occasion to quote Gopnik’s recommended six books:

Life of Samuel Johnson, by James Boswell (1791)

The Most of Liebling, by A.J. Liebling (1963)

The Early Stories, by John Updike (2003)

Raise High the Roof Beam, Carpenters and Seymour: An Introduction, by J.D. Salinger (1955)

Swann’s Way, by Marcel Proust (1913)

Voltaire in Love, by Nancy Mitford (1957)

Of Updike, he writes, “Miracles of observation, evocation, and poignant emotion. Though Updike is not a writer of happy subjects—the pains of marriage, the loss of time—he makes readers happy by the sheer perfection of his craft and his deep delight in the sensual surface of the world. He sings, and we harmonize.”