1970s School of Drama productions

Winnie the Pooh and friends

Winnie the Pooh and friends in “A Pooh Picnic,” Summer 1975

Even though thousands of photos have been taken of theatrical performances, due to issues surrounding intellectual property rights, very few of them have been recorded and saved. In fact, the University’s archives has only six known films of performances. They have recently been digitized and are now available to the IWU community at the links that follow. Each link leads to a file that contains clips from all of the productions that were on that reel of film. All are in color but only the first three have sound. We welcome any information people can provide to expand our knowledge of the time periods, performances and individual performers shown in the clips.

Carnival and Equuis(?), 1978-79 Season

unknown summer productions Summer productions not named but some songs are from Follies so may be 1977-78 season. They include Mrs. Worthington, Let’s Fall in Love, Waiting for the Girls Upstairs, Who’s That Woman. A drama and other musical theater clips follow.

Unlabeled but the first is Midsummer Night’s Dream so may be 1976-77 season

Summer Theatre 1974 The label reads “Prisoner of 2nd Ave. – Drama 1975” but clips include images of production programs. Titles shown are Dames at Sea, Arsenic and Old Lace, The House of Blue Leaves, and The House at Pooh Corner.

1974-75 The label reads “Equus; Drama 1974-75” but clips include images of production programs. Titles shown are The Boys from Syracuse, The Night of the Iguana, Snow White and the Seven Dwarfs, The Good Woman of Setzuan, She Stoops to Conquer. At the end of the footage there is about a minute of film with images of IWU School of Drama personnel and a sign-off note from Director John Ficca.

Summer 1976 and 1976-77 The label reads “IWU: Summer 1976: Where’s Chelsey; Forty Carats; Good Doctor. 1976/77: Pajama Game; Delicate Balance; Jacques Blvd.”

A timeline of changes in the program name and degree requirements was published in an earlier post.

Interactive view of IWU’s multicultural history

Check out this compilation of sources in a timeline of the currently known events in IWU’s multicultural history.*

*Note: Records by and about student groups and events are sparse after the 2010s. If you have information to share, contact archives@iwu.edu!

“How’s Crops, Dean?”

Film research project homepage

That’s the title for a Paramount Newsreel film describing IWU’s unique tuition exchange program that helped keep students enrolled during the Great Depression. In 2018 I submitted that work to a call for proposals to SourceLab, a digital humanities project at the University of Illinois, Urbana-Champaign planning an Illinois Centennial Edition.

As part of their History 207: Publishing the Past course students reviewed all submissions and chose which projects to work on. One group chose the film of our tuition program and I met with students Virginia Campbell, Ryan Yoakum, and McKenzie Boes-Waddell online, and Virginia and Ryan made trips to our archives over the spring and summer of 2018. SourceLab published the work online as Vol. 1, No. 4 (2019). This link leads to a page with a complete description for the work.

This link leads to all issues published as part of volume 1.

The 50th Anniversary of “The Last Shot”

ISU_scoreboard

Scoreboard image captured from the film linked in this post.

January 13, 2020 marks an historic day in Titan Basketball history. Fifty years ago IWU’s annual cross-town rivalry came to an end with a last second shot by team Captain Tom Gramkow, Class of 1970. His top-of-the-key jumper was called “The last second, last shot, last game!” by the editors of the 1970 Wesleyana.

According to the January 16, 1970 coverage in The Argus, “This victory gave the Titans a final 69-42 .series lead. In coach Jim Collie’s first year at ISU and in this his last year, the Titans beat State by one point. In 1958, Collie’s first year, the score was 62-61, IWU.”

This silent film shows segments of the last half of the last game IWU played against ISU. The creator of the film is unknown but at some point a copy was made on VHS and this file contains all of the game that was donated to the archives.

This link leads to photos of the team in the locker room after the game and an additional link to the film. The film is also briefly shown during an interview Dennie Bridges and Coach Jack Horenberger recorded in 1991 about the history of IWU athletics. Other items related to athletics history are available online through the University Archives’ collections of photos and documents as well as the official IWU Athletics website.

If you have additional photos or more information about this event, please contact archives@iwu.edu or 556-1538.

 

Apollo 8 and IWU

Earth rising above the lunar horizon

Earthrise, December 24, 1968. Photo by Apollo 8 Astronaut Bill Anders. (credit: NASA)

December 21st marks the 50th anniversary of the 1968 Apollo 8 mission–the first manned orbit of the moon. Just three months after that on March 18, 1969, the three Apollo 8 astronauts–Frank Borman, Jim Lovell and Bill Anders–were awarded honorary PhDs at the 1969 Founders’ Day Convocation (the latter two in absentia). During his time on campus, Borman, who was Apollo 8’s commander, laid the cornerstone for the new Mark Evans Observatory and spoke at a luncheon for the Board of Trustees.
Towards the end of the Founders’ Day recording Borman speaks and has some pointed and interesting comments about education in direct response to the event’s main speaker William Arrowsmith, University of Texas Professor of Classics and University Professor in Arts and Letters. A March 21, 1969 Argus article (p. 15)  describes the event.
Astronaut Frank Borman and a crowd of onlookers at the Evan's Observatory dedication

A sizeable crowd watches as Frank Borman gets ready to place the time capsule in the Mark Evans Observatory. [click to enlarge]


The University made an audio recording of the cornerstone laying at Mark Evans Observatory and the University Archivist added the sound track over three brief (and silent) home movies that were donated in 2016. One of the films shows Borman placing a time capsule in the observatory’s wall. The photo on the left shows just part of the crowd that this event drew; several other photos are available online.
The time capsule included many items that were not connected directly with the campus such as a package of space food, the Apollo 8 astronaut’s Christmas Eve tape, a road atlas, the Illinois Agricultural Association (IAA) Record and fifty-year history, and the Bloomington-Normal Phone Directory on microfilm.
In President Eckley’s remarks at the dedication, he says he intends to open the time capsule in seven years, but the University’s archival holdings do not contain evidence of that happening. With the 50th anniversary of the observatory’s dedication coming up, Physical Plant personnel are examining the building to see if the time capsule is still there.
After the dedication, Borman gave a presentation to the Board of Trustees in which he shared details of the Apollo 8 mission and displayed a great sense of humor!
The Winter 2011 IWU Magazine story “Star Attraction” offers additional details on the history of the development of this observatory.

Newly digitized recordings

Tate Archives & Special Collections is pleased to announce that over 170 interviews, originally recorded on audio- and microcassette, are now available in digital form. Due to privacy concerns, researchers are required to use these sources in Tate Archives & Special Collections, The Ames Library, or make special arrangements with the University’s archivist (archives@iwu.edu). Nevertheless, these unique primary sources contain valuable perspectives for people interested in 20th century America theatre and film.

The following guest post was researched and written by Archives Student Assistant Noah Jett, Class of 2020, who recently completed comprehensive descriptions of the recordings. The digitized originals were edited by Archives Student Assistant Giovanni Garcia in order to make it possible to hear a single interview subject in a single audio recording.

An analysis of the Jared Brown collection of biographical sources

Click to enlarge

Emeritus Professor Jared Brown taught theater full time at IWU from 1989-2002, and was director of the School of Theater Arts from 1989-1999. Brown has had a lifelong connection with show business. In addition to his own career as a professor, he has written multiple biographies on notable film and theater figures to positive receptions, and his father was a radio and film star who was blacklisted in the McCarthy era. These biographies  include: The Fabulous Lunts: A Biography of Alfred Lunt and Lynn Fontanne, Moss Hart: A Prince of the Theatre, Zero Mostel: A Biography, and Alan J. Pakula: His Films and His Life (abstracts for all are available below). Brown chose his biographical subjects not just because they were important to theater or film, but because he felt they had been neglected in literature, and were being forgotten by the public despite their contributions.

Upon completion of his books, Jared Brown designated Illinois Wesleyan University’s Special Collections as the repository for all of his research materials. The sources are primarily original interviews with people who knew or worked with the research subjects, including actors, directors, writers, and producers from multiple generations of Hollywood. Also included are correspondences, broadcast interviews, and recorded performances. These materials possess a wealth of knowledge on their subjects, and would be beneficial to researchers, or to anyone interested in seeing firsthand the process of researching a comprehensive biography. These sources contain all descriptive information that was provided to the library, as well as descriptive notes on the content created during a 2018 collection analysis by this author.

Abstracts of the four books created with the research material available in Tate Archives & Special Collections:

In Moss Hart: A Prince of the Theatre, Brown explores the life and career of theatre director and playwright Moss Hart. Hart was known for his long time partnership with George S. Kaufman, who wrote many of his plays. Hart’s biggest success and surviving legacy was his direction of the original My Fair Lady in 1956, which played for over seven years and won Hart a Tony award for best director. He also wrote scripts for films, such as A Star is born and Gentleman’s Agreement. Moss Hart: A Prince of the Theatre is one of the foremost biographies on Hart, and the only one listed on Hart’s Wikipedia page.

In The Fabulous Lunts, Brown recounts the glamorous lives of Alfred Lunt and Lynn Fontanne, two of the original superstars of show business who are widely regarded as the best acting duo in the 20th century American theater. The Lunts are known for their incredible stagecraft and acting technique, and Brown explores in detail how this is the result of their hard work and dedication. Despite their stardom, and their reputation for class and elegance, the Lunts resided in a country home in Genesee Depot in Waukesha County, Wisconsin, Alfred Lunt having attended nearby Carroll College. The Fabulous Lunts is a comprehensive biography of the duo, discussing both their exceptional talent in the theater and the personalities that left them so fondly remembered by everyone who knew them.

Zero Mostel: A Biography is an attempt to pin down the truth about Samuel “Zero” Mostel, an actor, comedian, and artist most well known for being the original “Tevye” in Fiddler on the Roof. Described as irreverent, boisterous, and exuberant, Mostel was a polarizing figure who garnered strong feelings from everyone who knew him. Mostel had a tendency towards storytelling and exaggerations, but Jared Brown sifted through story after story until his book represented the closest thing to the truth as could be found. Mostel was also a victim of the McCarthy era blacklisting, but he is one of the few who survived, and even went on to have a greater career afterwards.

Alan J. Pakula: His Films and his Life is an extensive insight into the life of a talented and influential, but widely forgotten director. Pakula’s notable films include his “paranoia trilogy”: Klute, The Parallax View, and All the President’s Men, for which he won an academy award. He also directed Sophie’s Choice, and produced To Kill a Mockingbird. Pakula died tragically in a traffic collision in 1998, and was fondly remembered by all who knew him as a deeply intelligent and caring man. In this biography, Jared Brown discusses Pakula’s life and how he came to have such keen psychological insights, as well as how his directing career could be so successful yet so largely forgotten.

Theatre and film history collection

A recent donation to IWU’s Special Collections from Emeritus Theatre Professor Jared Brown contains primary sources, including recordings and transcripts of over 150 interviews, he used in the publication of four books:
The Fabulous Lunts: A Biography of Alfred Lunt and Lynn Fontanne (1986),
Zero Mostel: A Biography
(1989),
Alan J. Pakula: His Films and His Life (2005), and
Moss Hart: A Prince of the Theatre (2006).
A complete collection description is available in the finding aid for the Jared Brown Collection of Biographical Sources.