Tag Archives: #blm

Discover Collections on Black Experiences

Black Metropolis Research Consortium (BMRC) logo

The Black Metropolis Research Consortium (BMRC) Archives Portal offers access by searching or browsing content that is freely available to you in libraries, museums, archives, and other organizations in the Chicago area.

Since its founding in 2006, the BMRC has completed two major archival management projects making previously “hidden” collections available for researchers, scholars, and artists. The Consortium believes that web-based research tools provide an excellent opportunity for broadening access to unique primary source materials held in its members’ collections.

In celebration of its 15th anniversary in 2021, the BMRC created this online exhibit that documents the origins of the BMRC, its efforts to aid discoverability and access to Black historical collections, and the consortium’s flagship Summer Short-term Fellowship and Archie Motley Archival Internship programs.

Freedom in the Black Diaspora: A Resource Guide for Ayiti Reimagined

This guide is a comprehensive starting point for finding curated resources in the Library of Congress on the Haitian Revolution (1791-1804), Haitian Creole (Kreyòl Ayisyen), the United States occupation of Haiti, and Black internationalism, as well as links to external websites that center important narratives in Haitian history. (“Ayiti” is the Creole spelling of Haiti.) Sections of the guide include Haitian History: Primary Resources; Liberté, Égalité, Fraternité: Secondary Sources; Celebrating Black Joy: Haitian & Haitian American Stories; Haitian Creole; and External Websites.

Patrons using The Ames Library will also find almost 2000 resources listed in the online catalog and thousands more in article databases and digital collections. For help exploring this topic and others, you can schedule an appointment with a librarian or stop by during office hours. 

A black man with handlebar mustache and goatee Faces te camer but is seated in three-quarter profile, left leg crossed over right. He is wearing a three-piece suit, bowtie and holds a pair of gloves in his left hand, resting on his leg. The caption in the source reads "Cincinnatus Leconte, President of Haiti. 1911-1912. Haitian Collection,1775-1950. Library of Congress Manuscript Division."
Cincinnatus Leconte, President of Haiti. 1911-1912. Haitian Collection,1775-1950. Library of Congress Manuscript Division.

Juneteenth book talk with Opal Lee

The city of Boulder will sponsor a talk with Opal Lee–the Grand Mother of Juneteenth.
At 94 years young–Opal Lee leads a campaign with Carmelo Anthony, Sean Combs, and 
Pharrell to make Juneteenth a National Holiday.  

This virtual talk happens–Saturday (June 19th–!0:00).  
It will also be recorded and posted on youtube.
You can register for the program HERE.

Harpercollins will publish Opal Lee’s  poignant picture book biography soon.

Opal Lee coverpage

NYT artist–Keturah Bobo is the illustrator.  The pictures are stunning.  
The text is lyrical and engaging.  And it includes a a red Juneteenth punch recipe
from Texan and famous Diva Chef–Angela Medearis. 
Will you pre-order the book HERE?

RISE AND SHINE!
IT’S JUNETEENTH TIME!

LET THE JOY BEGIN!
JUNETEENTH IS FOR EVERYONE.
JUNETEENTH IS YOU AND ME!

Lift Every Voice: Celebrating 250 Years of African American Poetry

LiftEveryVoiceThe University of Delaware Library, Museums and Press announces a new online exhibition:

Lift Every Voice: Celebrating 250 Years of African American Poetry

https://exhibitions.lib.udel.edu/lift-every-voice/

Lift Every Voice is a year-long, nationwide celebration of the 250-year tradition of African American poetry, its richness and diversity, and its central place in American poetry. The initiative is directed by Library of America in partnership with the Schomburg Center for Research in Black Culture and with libraries, arts organizations, and bookstores in all fifty states. It is supported by funding from the National Endowment for the Humanities, the Andrew W. Mellon Foundation, and Emerson Collective.

Curated by English and American literature librarian Aimee Gee and launched in December 2020, this exhibition highlights materials from the collections of the University of Delaware Library, Museums and Press and draws upon several past UD exhibitions. Lift Every Voice encourages visitors to reflect upon five intersecting themes that emerge from a close examination of the African American poetic tradition: The Freedom Struggle, Black Identities (Assertion & Protection), Black Experience in History & Memory, Black Language & Music, and Family & Community. Contact: AskSpec

Author & Activist exhibit

Visit this exhibit at https://rosenbach.org/virtual-exhibits/

“ALICE DUNBAR-NELSON (1875–1935), poet, novelist, journalist, teacher, diarist, women’s suffrage organizer, civil rights leader, lecturer, political leader, and survivor of intimate partner violence, is a hero for our time. She combined her skills as an author and political activist to fight for social change.

“Born into the first generation of Black Americans after the end of slavery, Dunbar-Nelson represents a bridge between the Reconstruction Era following the Civil War and the civil rights movement of the mid-1900s. Her writings and social causes, which centered on race, gender, and power, feel as urgent today as they did during Dunbar-Nelson’s lifetime.”

As you explore the exhibition, we invite you to consider how Alice Dunbar-Nelson’s life and work can inspire residents of the United States today. How much has changed for women (especially women of color), LGBTQ+ people, Black Americans, and other people of color since Dunbar-Nelson pursued her activism in the early 20th century? How can we carry on the work she started? How can artifacts found in museums, libraries, and archives help us discover previously overlooked historical figures?

Thematic sections structure “I Am an American!,” meaning that the exhibition offers interpretive views into the life, times, and work of Alice Dunbar-Nelson.Thus, the documents and objects on view are not organized chronologically.