Taylor Brown is named 2026 John Updike Tucson Casitas Fellow

In perhaps its most competitive year, with at least a third of the 138 applicants being highly accomplished writers and artists, a trio of judges from The John Updike Society selected Taylor Brown as the recipient of the 2026 John Updike Tucson Casitas Fellowship. The award consists of a two-week residency at the Mission Hill Casitas within the Skyline Country Club in Tucson, Arizona—casitas that John Updike owned and where he wrote during a part of each spring between 2004-09. The casitas stay is made possible by a generous donation from Updike Society members Jan and Jim Emery, owners of the casitas. The fellowship includes a $1000 prize provided by the Society, which administers the fellowship.

While staying at the Casitas, Brown will work on Rise, River, Rise, a literary novel-in-progress set amid the continent’s largest blackwater wetland, the Okefenokee Swamp. The novel interweaves deeply researched swamp history and lore with a contemporary storyline of environmental activists (“tree sitters”) trying to halt mining activity in the area.

Fellowship coordinator Robert Luscher said that the judges were unanimous in their selection, impressed by Brown’s high level of meticulous research reminiscent of the research Updike did for many of his novels, and by a narrative construction and character development that was compelling on multiple levels. “We perceived echoes of Mark Twain and Richard Powers in the scene that was submitted, enjoyed the Southern Gothic atmosphere, and were impressed by the seamless introduction of significant cultural and environmental elements,” Luscher said.

Brown, who grew up on the Georgia coast, is the recipient of the Southern Book Prize, the Montana Prize in Fiction, the Ron Rash Award for Fiction, the Audie Award in Fiction, the Weatherford Award in Fiction, and was named Georgia Author of the Year for Literary Fiction. His work has also been a finalist for the John Steinbeck Award, the Thomas Wolfe Fiction Prize, the Doris Betts Fiction Prize, and the Writer’s Digest Writing Competition. Like Updike, Brown is a prolific writer, best known for his novels: Fallen Land (2016), The River of Kings (2017), Gods of Howl Mountain (2018), Pride of Eden (2020), Wingwalkers (2022), and Rednecks (2024), with another novel, Wolvers (2026), forthcoming from St. Martin’s Press. He is also the author of a short story collection (In the Season of Blood and Gold), and his reporting, essays, and short fiction have appeared in a wide range of publications, including The New York Times, The Wall Street Journal, Garden & Gun, The Bitter Southerner, The Southwest Review, and numerous literary journals. He lives in Savannah, Georgia, where he is the founder and editor-in-chief of the custom motorcycle publication BikeBound. Besides old motorcycles, he says he likes thunderstorms and dogs with beards. You can find him at www.taylorbrownfiction.com or @taylorbrown82.

 

 

New essay tackles the question of Updike and misogyny

Teaching American Literature:  A Journal of Theory and Practice has published Sue Norton’s article “Somewhere Between Feminism and Misogyny: Classic Updike on the Modern Syllabus” in its Winter 2025 edition.  It is the product of Norton’s 2024 John Updike Tucson Casitas Fellowship.  The article builds upon several decades of literary criticism in Updike studies and incorporates the work of JUS members Marshall Boswell and Biljana Dojčinović.

 

 

Pietrzyk named 2025 John Updike Tucson Casitas Fellowship winner

Leslie Pietrzyk, whose first collection of short stories, The Angel on My Chest, won the Drue Heinz Literature Prize, was selected over 193 applicants to be the 2025 John Updike Tucson Casitas Fellow. The fellowship consists of a $1000 prize from The John Updike Society and a two-week residency at the casitas formerly owned by John and Martha Updike, where the two-time Pulitzer Prize winner spent time golfing and writing in his later years. The casitas, located in the Santa Catalina Foothills, are owned by Jan and Jim Emery, and the annual residency is made possible by their generosity. (Photo: Wikipedia)

While at the casitas, Pietrzyk will work on Nothing to See Here, a collection of linked stories about a neighborhood girl who disappears from a Midwestern town, written not as a police procedural or Gone Girl mystery, but rather to address the “emotional impact of growing up in a time and place where girls and women disappear.” She talks briefly about her project in this interview.

Lead judge Robert M. Luscher, an Updike society board member, praised Pietrzyk for tackling a “variety of significant cultural issues in its metaphoric critique of female disappearance. Though these stories of peripheral, collateral damage are set in the 1970s, sadly their themes are even more relevant today than the time during which the stories take place.”

The porches at the casitas, where Updike liked to write while looking at a spectacular view of Tucson.

John Updike was the subject of Pietrzyk’s senior creative writing project at Northwestern University. She received her B.A. in English/Creative writing from Northwestern and an M.F.A. from American University. Currently teaching in the Converse University Low-Residency MFA program in Spartanburg, S.C., Pietrzyk has published three novels (Pears on a Willow Tree, A Year and a Day, and Silver Girl), one historical novel (Reversing the River), and two short story collections (This Angel on My Chest and Admit This to No One). Her story “Stay There” won a 2020 Pushcart Prize, and she was named co-winner of the Polish American Historical Association’s 2020 Creative Arts Prize for promoting “an awareness of the Polish experience in the Americas” through her fiction. Previously she completed residencies at Hawthornden Castle, the Virginia Center for Creative Arts, the Kimmel Harding Nelson Center, Wolff Cottage (in Fairhope, Ala.), The Hambidge Center, and an ARGS Residency in St. Petersburg, Va.

Three judges for the John Updike Tucson Casitas Fellowship competition considered the quality of project, quality of writing sample, potential benefit to Updike studies or generating awareness, publication potential, and previous publications or relevant biographical details. Pietrzyk is the second recipient. The first was Dr. Sue Norton, a Technological University Dublin lecturer whose project was a critical essay, “Somewhere Between Feminism and Misogyny: Classic Updike on the Modern Syllabus.”

The annual competition is open to all writers, with the residency offered two weeks in May. Applications for the 2026 competition are due Nov. 1, 2025. See the John Updike Society website for details.