Man’s six-year grave tour ends with an urge to have Michael Updike carve his epitaph

Screen Shot 2015-08-10 at 8.51.30 AMWalter Skold is a poetry lover who lives in Maine. But partially inspired by John Steinbeck’s Travels with Charley, he set out on a tour of poet’s graves across America. And lacking a poodle companion, he brought along a life-sized stuffed black panther he named Raisin.

Six years later that tour has come to an end, and John Updike’s tombstone, designed by his son, was one of Skold’s favorites. So much so that he asked Michael Updike to carve his own tombstone. “The last poet’s grave I find will be my own,” he wrote in an unfinished poem he worked on throughout his journey.

Here’s the full story by York Dispatch writer David Weissman:  “York native finishes six-year grave-visit tour.”

Blogger thinks Rhinoceros, not Rabbit, will survive

Screen Shot 2015-07-31 at 7.33.00 AMBlogger Patrick Kurp, of Houston, posted an entry today titled “As Big, Perhaps, as Four Oxen” on his site, Anecdotal Evidence: A blog about the intersection of books and life.

“Handicapping literary reputations is a mug’s game,” he writes, “but if I were calculating John Updike’s odds, I’d bet on a handful of his stories, reviews and poems—especially the poems. Leave the novels alone, as readers and critics seldom did during his lifetime.”

Kurp calls Updike’s “a poetry of wit” and cites “The Menagerie at Versailles in 1775” as a prime example.

On Kirkus, reviewing, and U and I

In today’s online Chronicle of Higher Education J.C. Hallman contributes an essay on “Book Reviewing’s Grunt Squads,” a confession from one of those grad students who served on the squads, and an indictment of sorts, exposing of a system that is full of “irrational contradiction.”

Exhibit B is “the original Kirkus review of Nicholson Baker’s U and I,” which is “nasty right from the start.” 

“What’s notable here, for anyone who’s read U and I, is just how far the review seems from the book it purports to consider”: “Surely nearly 200 pages of dreams, digressions, puns, self-ridicule, and self-congratulation would please the world, or Updike, or someone.”

Here’s the complete article.

Allegra Goodman reads and discusses A&P on a New Yorker podcast

AllegraGoodmanAllegra Goodman, author of such novels as The Cookbook Collector, The Other Side of the Island, and Intuition, is featured in a New Yorker: Fiction podcast. Each month a fiction writer whose work appears regularly in The New Yorker selects a story to read and discuss, and Goodman picked Updike’s “A&P,” which she said had special meaning for her because she grew up in Hawaii and had her share of experiences with people in bathing suits in supermarkets, and she said she and her sister had names that began with “A” and “P” and began calling themselves that.

Here’s the link to the podcast.

John Updike: In Memory Flickr group started

UpdikeinMemory

Michelle Kinsey Bruns has started a Flickr group page devoted to “John Updike: In Memory” for the purpose of discussion and photo-sharing.

She writes, “I noticed that many John Updike fans are posting photos of their Updike book collections today—the day after the great author’s death. There are some wonderful tributes out there on Flickr (I find the photos of overseas editions of Updike’s books especially fascinating!), but there was no group in which to collect them all. So I created one. Please contribute your Updike-related photos here, for the enjoyment of all of us who loved his work.”

Her first post is titled “In Reading, Pa., Memories and Monuments…”

 

Paris Review blog post recalls Cheever’s Updike scare

Today The Paris Review uploaded a blog post by Dan Piepenbring which featured the photo below of John Updike and John Cheever on The Dick Cavett Show and an entry from Cheever’s journal, circa 1974, 1978, that’s here titled, “False Alarm.”

It begins, “The telephone rings at four. This is CBS. John Updike has been in a fatal automobile accident. Do you care to comment. I am crying. I cannot sleep again. I think of joining Mary in bed but I am afraid she will send me away.”

Later, Cheever writes, “As for John he was a man I so esteemed as a colleague and so loved as a friend that his loss is indescribable. He was a prince. I think it not difficult to kiss him goodbye—I can think of no other way of parting from him although he would, in my case, have been embarrassed. As a writer of his generation I think him peerless; and his gifts of communicating, to millions of strangers, his most exalted and desperate emotions was, in his case, fortified by immense and uncommon intelligence and erudition.”

It would be Cheever, Updike’s senior by two decades, who would die first, in 1982. Here’s a link to the October 14, 1981 Dick Cavett Show featuring the two luminary Johns.

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Author writes about Updike Country

Screen Shot 2015-05-09 at 1.45.00 PMIn a post for the “Idle Chatter” department of The Smart Set, from Drexel University, Morgan Meis reports on “Updike Country; In the semi-rural suburbs of southeastern PA, finding—and living in—Rabbit Angstrom’s middle America.”

“John Updike always wrote beautifully about this part of the world. The middle class houses. The certain kind of red clay. The specific attitude of a person who grew up around here, in the vicinity of Reading.

“If John Updike were still alive and driving around Limerick he’d write something about the beautiful pseudo-cloud coming from the cooling tower of the Limerick plant. He’d say, the white powder of that cloud drifts over the farmland and the strip malls all the same. It dusts the heads of the locals on their way out of the bar on Township Line Road. It dusts everything. You can’t see or feel the dust. It does not harm. But it’s heavy nonetheless. It keeps you here even when you want to pass on through. . . .”

 

The New Republic on why we need physical books

Screen Shot 2015-04-20 at 7.55.17 AMIn “Object Lesson,” a consideration of “Why we need physical books published in the New Republic, William Giraldi inevitably turns to Updike:

“There was little that escaped the Updikian caress, and he wrote more than once about the pleasures and peculiarities of book collecting. In an essay called “The Unread Book Route,” about A History of Japan to 1334, Updike wrote: ‘The physical presence of this book, so substantial, so fresh, the edges so trim, the type so tasty, reawakens in me, like a Proustian talisman, the emotions I experienced when, in my youth, I ordered it.’ Leave it to the unerringly sensual and curious Updike to a) refer to book type as ‘tasty,’ and b) think as a youth that he needed to know something about Japan prior to 1334.

“Updike’s point about the Proustian talisman is a crucial one for bibliophiles: Their collections are not only proof of their evolution but monuments to their past, fragrant and visual stimulators of recall.”

David Updike on Growing up Updike

Alvernia University just posted an online version of an earlier published memoir by David Updike, “Growing up Updike.” Here’s an excerpt:

Screen Shot 2015-04-12 at 6.03.56 PM“As children, we grew up with the click-and-clackety sound of his typewriter — a battleship gray, Olympia manual — in our ears, and a gathering sense of his success, then growing fame. By the time I was seven he had published Rabbit, Run, then won the national book award from The Centaur, and moved his office from our house to a larger space in a modest, somewhat run-down office building downtown that he shared with a dentist, accountants and other such small businesses,” David writes.

“There, on a side table, lay The Centaur, with a picture of a half horse, half man. At night, he sat in a chair, reading proofs — long, scroll-like pieces of paper, on which he made small adjustments with a pencil. One fall, my grandparents arrived from Pennsylvania, with a basketful of fruit and a skittish dog, to look after us while my parents went to Russia for a month on a state department tour. His picture began to appear in magazines, and he was even sometimes on TV. A year or two later, Russians visited us, bearing gifts, and we took them for a lively walk on the beach, dogs and children included. Perhaps only with the publication of Couples in 1968, and the news from my friends that my father wrote a ‘dirty book,’ did I feel a twinge of unease, tempered by the knowledge he would be paid $400,000 for the movie rights! For soon we were on a boat, crossing the ocean in my new gray flannel pants, to spend the year in England attending a fancy American school and making side trips to Amsterdam, Austria for skiing, and then Morocco in April, to get some warmth and sun. Then by June, we flew back to America.

“My parents were still very young, in their thirties, and by my estimation the best-looking couple in their groups of friends — my father certainly the cleverest and most famous, my mother surely the most beautiful. But as a child my father had psoriasis, and asthma, and so shied away from organized sports, and even, I believe, felt inferior to the sports stars at Shillington High — the Harry Angstroms of his class.

“My mother had played field hockey in high school, and was an excellent ice skater, and they took us for long skating expeditions up the Ipswich River, back when it still froze solid. They played volleyball on Sunday afternoons, and then all migrated to someone else’s house, for ‘cocktails.’ They learned to play tennis, and ski, and we all went on Pleasant Mountain in February, where they had renamed the beginners slope Rabbit, Run, after his best-known novel.

“In tennis and skiing, they both became what I might call elegant intermediates. My father played kickball with us in the backyard, wheeling around the bases on long, loose legs while we frantically tried to retrieve the ball in some distant bushes. In the fall, there was touch football with the men, and in spring, before volleyball, half-court basketball, where he played shirtless and had a reliable, baby sky hook.”