Papers needed for May 26-29 ALA in San Francisco

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PROPOSALS NEEDED FOR ALA

Last year in Boston The John Updike Society sponsored two panels, and we hope to get enough participants for two this year as well. Young scholars especially are encouraged to submit proposals or short abstracts. ALA is a great chance to network, to get a taste of what other societies are doing, and to meet fellow Updike enthusiasts. And yes, to get your foot in the academic door.

This year’s ALA will be held May 26-29 at the Hyatt Regency, 5 Embarcadero, in San Francisco, Calif. The hotel is right by a cable car stop, within walking distance of Chinatown, and a few blocks away from a bus route that takes you to all the piers, including the jumping off points for the Golden Gate Bridge park and Alcatraz.

Any topic is suitable, even comparative studies. The society must send a final program to ALA by January 30, so to give us time to do that we need to receive all proposals and abstracts by January 20. Everyone who presents must register for the conference.

Send abstracts or proposals to James Plath, jplath@iwu.edu.

ALA call for papers: Frontiers and Borders

The American Literature Association is holding a symposium at the Sheraton Gunter Hotel, San Antonio, Texas, from February 25-27, 2016, on “Frontiers and Borders in American Literature.”

Screen Shot 2015-10-04 at 8.26.54 PMJohn Updike is often pegged as a mainstream writer, from The New Yorker “School of Johns,” but he was ahead of the curve with a number of novels and highly experimental with others.

The John Updike Society would like to propose a panel on “John Updike as Vanguard Writer.” The Society is looking for 4-5 people to volunteer. This is not a guarantee of participation at this stage, only a proposal. But Updike worked on the forefront in a number of texts.

Couples was certainly a vanguard novel—so much so that its publication created a stir and made Updike the spokesperson for the “post-pill generation.”

While many novelists plumbed the depths of myth to use as allusions and allegories, with The Centaur Updike brought myths to the surface and treated it so matter-of-factly that one might consider it an early example of American magical realism.

Popular novelists recycled heroes in series of books, but with the Rabbit series Updike did something no serious literary novelist had done: he revisited the same character over the course of that character’s lifetime in four books, telling the story of a middle-class middle American and America’s story in the process.

And there are other examples as well. What other books did Updike push the boundaries or work on the border? This seems like an opportunity to draw attention to Updike’s innovative texts.

Members (or persons wanting to be on the panel and join the society) who are interested in participating should contact James Plath, jplath@iwu.edu. Proposals are due by December 1, so please respond by mid-November if interested in serving on a panel. Spaces will be filled on a first-come-first-served basis. Indicate, along with your willingness, a few of the Updike texts that you feel are on the “frontier” or “border” and what you’d feel comfortable talking about.

For more information about the symposium (and its rates), visit the American Literature Association’s website.

Panels set for 2015 American Literature Association conference

Screen Shot 2015-02-01 at 9.55.52 AMPanels are set now for the two sessions that The John Updike Society will sponsor at the 26th Annual American Literature Association Conference, May 21-24, 2015 at The Westin Copley Place in Boston, Mass. Times and days for the presentations will be announced later.

Perspectives on John Updike (I)
Chair: Peter Quinones, Independent Scholar

  1. “Solipsism and the American Self: Rethinking David Foster Wallace’s Reading of John Updike,” Matthew Shipe, Washington University
  2. “Embracing Death: Aging in Updike’s Late Works,” Yue Wang, Dalian University of Technology
  3. “A Comparison/Contrast of Edward Abbey’s The Fool’s Progress and John Updike’s Rabbit Tetralogy,” Maria Mogford and James Speese, Albright College

Perspectives on John Updike (II)
Chair: Sylvie Mathé, Aix-Marseille University

  1. “’Real Enough . . . for Now’: Nudity as Aperture in John Updike’s ‘Nakedness,’” Avis Hewitt, Grand Valley State University
  2. “Echoes of J.D. Salinger and Ernest Hemingway in John Updike’s The Centaur: An Alternative to Contemporary American Canonical Discourse,” Takashi Nakatani, Yokohama City University
  3. “’Rabbit Remembered’ and Its Various Intertexts,” James Schiff, University of Cincinnati

Thanks to everyone who submitted proposals, and to Peter Quinones for coordinating the sessions.