Updike cited in New Yorker piece on presidents in the novel

screen-shot-2016-12-11-at-2-59-23-pmIn a pre-election piece written for The New Yorker’s Life and Letters section (October 31, 2016), Thomas Mallon considers “2016: The Novel” and mentions Updike in the process.

“In my novel Finale, set during the last years of Ronald Reagan’s Presidency, I never, except for a few pages in the epilogue, entered Reagan’s consciousness, not because I felt there was nothing there but because what was there looked so smoky and unseizable. In John Updike’s Rabbit at Rest, Harry Angstrom muses upon the fortieth President: ‘You never knew how much he knew, nothing or everything, he was like God that way, you had to do a lot of it yourself.’ I decided that Reagan, who had eluded capture by his authorized-access biographer, Edmund Morris, was best approached from the outside, through puzzled observers, both admiring and detracting, from Nancy Reagan to Christopher Hitchens—rather the way Gore Vidal gave us his novelized version of Abraham Lincoln, in 1984.”

Updike called “the voice of the middle class”

sub-updikeIn an essay on books written for Signature: Making Well-Read Sense of the World, Keith Rice contemplates “American Pastoral and 9 Novels of Suburban Desolation,” among them Updike’s Rabbit Angstrom, the four-novel collection:

“John Updike is arguably the voice of the middle class and suburban angst and his Rabbit series is his master-stroke. Over the course of four novels, Updike traces the life of Harry ‘Rabbit’ Angstrom, a onetime high school basketball star coming to terms with his adult life while trapped in loveless marriage and the confines of a boring sales job. Two of the four Rabbit novels (Rabbit Is Rich and Rabbit at Rest) were Pulitzer Prize winners.”

Other volumes that made the list (“novels” is a misnomer):

Revolutionary Road, by Richard Yates
The Corrections, by Jonathan Franzen
Ordinary People, by Judith Guest
The Dinner, by Herman Koch
The Age of Miracles, by Karen Thompson Walker
Little Children, by Tom Perrotta
The Lovely Bones, by Alice Sebold
The Stories of John Cheever, by John Cheever
American Pastoral, by Philip Roth

Updike mentioned in short story collection

dontcoverIn Don’t I Know You?, writer Marni Jackson presents a collection of linked stories detailing the exploits of fictional writer Rose McEwan, with an author’s note explaining the fine line between fiction and reality:  “These stories are works of fiction” infused with “autobiographical elements”? But hasn’t it always been so?

As reviewer Philip Marchand notes, “The stories are of two kinds: the first, the predominant strain, are plausible narratives in which one can easily imagine the celebrity in question. ‘Doon,’ which launches the collection, introduces Rose as an adolescent writer taking a creative writing course taught by a scarcely older young man, one John Updike. Here is the first challenge faced by Jackson: how to create a character convincing in its outlines, compared to the ‘real’ person bearing that name.

“It can be delicate. In the story featuring Bob Dylan, the author must ponder mundane details and make them convincing. For example, how does the great Bob Dylan brush his teeth? Jackson must decide. ‘For several minutes he scoured his teeth over the kitchen sink, brushing and spitting methodically,’ she writes. Does he floss? Yes, asserts Jackson. ‘Then he flossed, making the thread pock rhythmically.’

“Updike reveals himself in a different way. Watching Rose sew, his curiosity is aroused by the white trim along the bottom of her sleeveless top. ‘I like that,’ he says. But he is a writer: it is not enough for something to catch his fancy—it must have a name. And what does this object call itself? ‘Rickrack,’ she tells Updike.

“It wouldn’t surprise me if Jackson did lift ‘rickrack’ from the great mass of Updike prose. . . .

“In ‘Doon’ and ‘Free Love’ the celebrities are more witnesses than participants, although Updike does play a significant part in Rose’s growth and development. (‘I didn’t think playfulness and humor were allowed,’ she states at one point, and it is not hard to see the hand of Updike in this revelation.) . . . .”

Here’s the full review:  “Meet Leonard Cohen the ice cream vendor and Keith Richards the surgeon in Marni Jackson’s Don’t I Know You?”

Schiff Foundation supports Updike Society projects

In the past, The Robert and Adele Schiff Family Foundation had donated the money that enabled The John Updike Society to purchase the home at 117 Philadelphia Ave. in Shillington, where the Pulitzer Prize-winning author spent his first 13 years, and since then the foundation has contributed annually to help cover the costs of repairs, restorations, and maintenance.

This year’s donation provides a substantial increase—$280,000—for continued work on the house restoration, as well as $30,000 to be applied toward annual expenses, $50,000 “untouchable” money to grow an endowment that will help fund annual expenses well into the future ($1.5 million is needed, at bare minimum, to fund annual expenses moving forward), and $20,000 for a new initiative to help fund travel to the Fifth Biennial John Updike Society Conference in Belgrade, Serbia.

Details on the travel grants will be announced in a future post and email to members.

14991788_1813920192153127_8301741406437647514_nThe donation allows work on the house—which had temporarily stopped, due to a lack of funds—to proceed again, and the crew from R.J. Doerr has already begun tearout work in the kitchen and second-floor sleeping porch. Workmen found more marbles that had fallen from their Black Room hiding place under floorboards, and also found the “footprints” of the original cabinets, stove, and sink. Anyone who took a tour of the house and walked onto the second-floor porch and noticed how “spongey” it was will not be surprised to learn that the wood is rotted and that the porch needs to be completely rebuilt, for safety’s sake. That work proceeds now.

The John Updike Childhood Home has been ruled eligible to apply for the national register of historic places, and the application process as well as a separate application for a historic marker are also moving forward.

The society is grateful to The Robert and Adele Schiff Family Foundation for their continued support. Pictured is the restored parlor and living room.

Donors are still sought for other aspects of the complete restoration—which will include planting privet around the perimeter of the property, re-doing and expanding the parking area, and changing the landscaping to incorporate elements from Updike’s childhood—and sponsoring/supporting exhibits to be placed inside the museum. An archivally safe exhibit case costs $2,000 and up, depending on size, and the goal is to place exhibits in cases in every room and on every level. Corporate and foundation sponsors are especially sought to sponsor exhibits. Contact James Plath (jplath@iwu.edu) if interested in helping.

 

Updike on the cover of a sex manual?

In a category that can only be termed “random news,” John Updike and Radiohead’s Thom Yorke are both featured on the cover of an Iranian sex manual titled Marital and Sexual Problems in Men. Though the story is recent, based on a Tehran tweeter, the book itself was spotted three years ago by journalist Sobhan Hassanvand. Updike would no doubt be amused, not only by the cover but by what passes for “news” on the Internet. Updike’s pose seems to be from a promo shot from his collection of short stories, Trust Me. Here’s the story link.

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Jon Houlon’s Talkin’ Rabbit blues now online

houlonAt the third John Updike Society conference in Reading, Pa., Jon Houlon entertained registrants with a song he wrote, “Talkin’ Rabbit (Harry Angstrom’s Blues),” and at the recent conference in Columbia, S.C., he debuted an expanded video version. Now it’s online, and those who missed it can hear his take on the Rabbit novels.

A word of caution:  like the Rabbit novels themselves, this video contains rough language and graphic sexual references.

Here’s the video.

In Memoriam: Larry C. Randen

randenIt is with great sadness that we report the death of member Larry C. Randen, 75, of Rosemount, Minn. Larry, who died Nov. 4, 2016 from heart disease, was well known in Updike studies, not only for the papers he’s published, but for the years he spent as an assistant editor for The Centaurian, helping editor Jim Yerkes identify publication-worthy items. When The Centaurian ceased publication, he offered his services to The John Updike Society, and with David Lull had been finding newsworthy items for the society webpage since the very beginning.

Larry further demonstrated his dedication to Updike studies by donating his papers to The John Updike Collections of the Alvernia University Archives and Special Collections, assembled by The John Updike Society to further Updike scholarship in the city that meant so much to the author. The Larry C. Randen Collection contains items collected by Larry, including clippings of news reviews, interviews, and other items related to John Updike. While the rest of us were naively thinking that once something was posted online it would always be there, Larry had the foresight to make hard copies of the things that were published in The Centaurian and on the society website, so that even if the server crashes or data is lost (as it was in the case of The Centaurian) those articles are preserved.

Larry was a tremendous asset to the society and a tireless contributor to Updike scholarship. He will be sorely missed, and the society offers condolences to his wife, Lollie; children Christopher and Heidi; Lollie’s children Brian, Amber, and Amanda; sisters Jill and Susan; brother William; AFS Brother Hans; and his grandchildren. We want you all to know how important Larry was to this society and that the work he did lives on, for which we are grateful. Here is the full obituary: larry-c-randen

A Celebration of his Life will be held Tuesday, Nov. 29, between 2-4 p.m. at the Cremation Society of Minnesota, 7110 France Ave. S., Edina, Minn. For more information, call (952) 924-4100.

Call for papers: A Political Companion to John Updike

John Updike Society members Scott Dill (Case Western University), Yoav Fromer (Tel Aviv University), and Matthew Shipe (Washington University in St. Louis) are editing a book with the working title A Political Companion to John Updike and have put out a call for papers. Chapters should be 6,000-9,000 words (including endnotes and works cited) and follow guidelines established by The Chicago Manual of Style, 16th edition.

The editors are “particularly interested in engaging Updike’s later (or less explored) works,” though they welcome proposals about all of his writings, both fiction and non-fiction. The deadline for proposals is Monday, January 30, 2017. Abstracts of 300-400 words and a one-page CV should be sent to: politicalupdike@gmail.com. Any questions can also be directed to the editors at that email address. Below is the complete Call for Papers.

updike-and-politics-cfp

Society honors The Robert and Adele Schiff Family Foundation

At the closing dinner of the Fourth Biennial John Updike Society Conference, the society honored The Robert and Adele Schiff Family Foundation with its Distinguished Service Award.

screen-shot-2016-10-21-at-8-27-35-amThe award is small, a token but heartfelt appreciation; the service is huge. The Robert and Adele Schiff Family Foundation gave the society the money to purchase The John Updike Childhood Home at 117 Philadelphia Ave. in Shillington, Pa., where Updike said his “artistic eggs were hatched.” Since then, foundation donations have enabled the society to hire a historic restoration specialist and to restore the interior and exterior of the house to pre-1945, when young Updike famously saw it recede as he looked out of the car window en route to the family’s new home at the Plowville farm—a move that took him away from classmates and the house he loved. Because of the tremendous generosity and support of The Robert and Adele Schiff Family Foundation, significant changes have been made to return the house to the way it once was. Updike’s bedroom has been reconfigured to its original size, with “The Black Room” (which he talks about in the short story by that name) next to it. The upstairs hallway now extends all the way to the front of the house, as it did during Updike’s time, and the living room and parlor are separated by columnar dividers, as they were when young Updike lived in the house. And the Victorian spindlework whose removal he mourned has been reinstated.

The John Updike Childhood Home is an important literary site and museum-in-progress that will become every bit as much of a part of America’s cultural history as the Mark Twain homes in Missouri, New York, and Connecticut, the Fitzgerald home in Alabama, and the Hemingway homes in Florida, Illinois, and Idaho. The society is grateful to The Robert and Adele Schiff Family Foundation for playing such a large part in establishing this cultural monument. Pictured is society vice-president James Schiff, accepting the award on behalf of his family foundation from society president James Plath. Also receiving plaques at the dinner were Thomas F. McNally and Elizabeth Sudduth, in gratitude for going above and beyond the call of duty in hosting the conference, and Don Greiner, for serving as director.