New Republic spotlights Updike’s 1960 defense of Kim Novak

Screen Shot 2013-05-21 at 7.59.27 AMThe May 27, 2013 issue of The NewRepublic spotlights “John Updike: On Knocking Miss Novak” in “From the Stacks.”

The feature details a verbal scuffle Updike had with New Republic film critic Stanley Kauffmann and includes a letter from Updike that was published in the July 25, 1960 issue, following Kauffmann’s review of Strangers when We Meet.

“I am so sick and tired of Stanley Kauffmann knocking Kim Novak. She is a terrific-looking woman,” Updike writes.

“Motion pictures are not, as Mr. Kauffmann seems to believe, transmogrified novels or adjusted plays; these two art-forms have as little to do with motion pictures as they do with each other.”

Updike ends his letter with a pretty good slap at Kauffmann: “He is not a bad critic, he is an inverted one; the opposite of everything he says is true.”

The New Republic on John Updike:
“Updike Remembered” (January 30, 2009)
“The READ: Ephemera, Run” (June 30, 2010)

 

Mormon journalist considers Roger’s Version, shares his Updike encounter

22933John Updike has been labeled a “protestant writer,” so it’s always interesting to hear what people of other faiths—especially articulate writers and inveterate readers—have to say about him as a religious writer. In “New Harmony: Another Brush with John Updike,” former Deseret News staffer and current Mormon Times and Faith page freelancer Jerry Earl Johnston shares his take on Roger’s Version . . . and a story involving the book he sent Updike for signing.

“After his death, one critic called him ‘The Mozart of American Letters.’ There was not only genius in his work, but also generosity and a buoyant spirit,” Johnston writes, adding, “I suspect those qualities came from his faith.”  Continue reading

Blogger: “The Ghost of John Updike and the Boston Bombing”

51rqwnocIdL._SY300_In the wake of the Boston Marathon bombings, blogger William Thornton posted a reconsideration of Updike’s novel Terrorist: “will the events of last week and the coming weeks’ vindicate one of John Updike’s last, and least regarded, novels?”

“The Ghost of John Updike and the Boston Bombing” was posted on Brilliant Disguises: A Christian Look at Contemporary and Classic Literary Fiction and Culture on Sunday, April 21, 2013.

Among other things, Thornton concludes, “Updike’s depiction of the War on Terror has a disquieting moral equivalency between Islamic fundamentalist terrorism and America’s reaction about it, and that reads less charitably after an event like the Boston Marathon attack and the city’s response.”

Miranda Updike solo show is open now through June 27

crowds

You can see the latest works of Miranda Updike, who studied with George Nick and Jo Sandman at Massachusetts College of Art, at the John Joseph Moakley U.S. Courthouse now through June 27, 2013.

150976_187439474721073_363114381_nThe one-person show is titled “Crowds,” and viewing hours are Monday through Friday from 8 a.m. to 6 p.m. It’s a federal courthouse, so be sure to bring a picture I.D. to gain admittance to the building at 1 Courthouse Way, Fan Pier, Boston, MA 02210. The number there is (617) 261-2440.

An opening reception will be held Friday, April 26, from 12-2 at the Harbor Park Gallery Space, 1st floor.

New film apparently shows Updike’s influence

Screen Shot 2013-04-03 at 8.39.38 PMA.O. Scott writes in his description of new film “The Color of the Chameleon” by Bulgarian director Emil Christov, “As a storyteller and a maker of images, Mr. Christov demonstrates a remarkable, exuberant sense of strangeness. And also a very specific appreciation for the early work of John Updike.”

The occasion for the remarks was an article announcing the 42nd New Directors / New Films annual showcase for new filmmakers at Lincoln Center and MoMA, sponsored by the Film Society of Lincoln Center and the Museum of Modern Art. The event took place this past March.

“The Color of the Chameleon” is described as “a dark comedy that takes place in the world of the secret police in Bulgaria around the fall of Communism,” and the photo is from the film.

Here’s the link to the Critics’ Notebook article from The New York Times.

Amazon accepting pre-orders for JOHN UPDIKE: THE COLLECTED STORIES

Picture 4The Library of America will publish John Updike: The Collected Stories, a two-volume set, on September 12, 2013.

Amazon has begun accepting pre-orders. It’s currently $46.35 (38 percent off the $75 list price), and a description of the two-volume set is provided on the Amazon order page. It features 186 stories, and is edited by Christopher Carduff, who recently edited Hub Fans Bid Kid Adieu.

 

Archivist finds record of early Updike award

We’ve known that John Updike won awards as a young man for his creativity, but it’s nice to actually see tangible proof.

The Scholastic Art and Writing Awards celebrate 90 years of creativity this year as the nation’s longest-running opportunity for students to be recognized for their creative talents.

As their website says, alumni winners include Andy Warhol, Philip Pearlstein, Sylvia Plath, Truman Capote, Joyce Carol Oates, Ken Burns, and Robert Redford. Now they can add the name of John Updike, whom archivist Haley Richardson (of the Alliance for Young Artists and Writers, a non-profit associated with Scholastic) discovered in a yellowed publication announcing the 1948 winners. As you can see from the entry below, young Updike won $25 for a gag cartoon he submitted as a sophomore under the direction of his teacher, Carlton Boyer (whose name is misspelled).   Continue reading

An Easter apparition? Young artist creates an Updike sculpture

Updike sculptureMichael Updike writes that “to my delight and mild horror my son, Sawyer (17), came home with this sculpture that he commissioned from his friend, Ben Wickey. Ben is an aspiring claymation artist and just a high school sophomore. The sculpture is five inches tall and features miniature copies of Rabbit Is Rich and Picked-Up Pieces. Sawyer explained in youthful honesty, ‘I knew Ben was good at sculpting old people with all their wrinkles and white hair, so I thought he should do Grandpa, then I suggested we make him a rabbit.’

“I do think ‘Grandpa’ would be very amused,” Michael adds.

You would think so, given Updike’s own love of cartooning, his remarks on comics (“John Updike on Comics: a dream anthology”), and his approval of the late caricaturist David Levine, who drew him many times—at least once, with rabbit ears. When Levine died, the Boston Globe related Updike’s praise: “In a shoddy time, he does good work.”

Seeing the detail (and the humor) in this sculpture, one supposes he would say the same of Ben Wickey. Perhaps in the future this young artist might give the world its first claymation short film featuring Mr. Updike—with, or without the rabbit ears.    Continue reading

The American Reader offers a gentle Updike parody

Screen Shot 2013-03-21 at 6.00.13 PMIt was David Foster Wallace who famously wondered if John Updike ever had an unpublished thought, and The American Reader has some fun with that notion and Updike’s reputation for producing a book a year.

In an unsigned “In Conversation” article titled “Excerpt: ‘The Collected Blurbs of John Updike,'” the Staff comes up with a gentle parody, cover and all, along with some legitimate blurbs.

No one from The American Reader responded when asked about the nature and genesis of the playful article, so we can only guess that as with all things parodic it’s part tribute and part criticism.

Here’s the link.