Tag Archives: Poetry

Pablo Neruda: Poet of the People

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Author: Monica Brown

Illustrator: Julie Paschkis

Publisher and Year: Henry Hold and Company 2011

Number of pages: 26

Genre: Non-Fiction Picture Book

Analysis

Pablo Neruda: Poet of the People is a recipient of the Américas Books Award. This book is a picturebook about Pablo Neruda, originally named Neftalí, and his experiences in Chile. In the beginning, it shows Neftalís initial interest in the nature he experiences in Chile. The book then walks through Neftalí’s schooling and the change of his name from Neftalí to Pablo Neruda. As he grows older, Neruda becomes interested in social justice and  speaking out against many injustices he sees in the world. Neruda was both an advocate and a poet and often times these two sides of him worked together. The book clearly illustrates just how Neruda was truly a poet for the people.

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The importance of text placement in Pablo Neruda: Poet of the People goes beyond the initial body of text in the book. While the story text has short simple sentences which are easy for children to read, there is also text and words placed amongst the illustrations. Neruda’s inspiration was from the world around him, and the illustrations do an excellent job to reflect that. Without the words in the illustrations, the illustrations would be bright, colorful, and reflect what was written in the text. Overlaying words on the illustrations allows the reader to see what it was like living in Neruda’s world.

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The story text itself is at the bottom over plain backgrounds and is easy to read. The short sentences of the text gives children the chance to read the book for themselves because of the simple sentence structures. The simple sentences also gives the text an easy flow. Although this book would not be considered poetry, there is a sort of poetic flow to the text.

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Overall, this book allows readers to not only be informed about Pablo Neruda’s life, but also experience the world through Neruda’s eyes. Ideologically, this book sends the message of advocating for social justice and using talents to help others. This book is a good tool to use in a classroom because it combines poetry, history, and social events. The drawings invite children to be interested, and the story gives children a more cultured historical understanding.

The Trials of Apollo: The Hidden Oracle

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Author: Rick Riordan

Illustrator/Photographer: None

Publisher and Year: Disney Hyperion 2016

Number of pages: 361

Genre: Children’s Fiction Novel

Analysis

The Trials of Apollo: The Hidden Oracle is the first book in the Rick Riordan’s new series The Trials of Apollo.  This is Riordan’s third series in the Percy Jackson universe, the first being Percy Jackson and the second being Heroes of Olympus. These three series are based around the concept that the ancient Greek gods are still around in modern times and are continuing the tradition of creating half human half god children called demigods. These series create a timeline of events, all leading up to The Hidden Oracle. The book takes place from the God Apollo’s perspective. The basic plot of the book is that Apollo is being punished by Zeus and for his punishment he is turned into a mortal teenager. In order to regain his godly status, Apollo must redeem himself in some way. Apollo meets a twelve year old named Meg who becomes his companion and guide on his quest. The book is full of adventure, friendship, and past regrets.

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This book is not only a great adventure story, but also a great story for representation. Many times in the novel, Apollo is forced to think about the past mortals he has loved. He continually thinks about Hyacinthus and Daphne, two mortal humans he had fallen in love with throughout his years as a god. While they are both influential to Apollo’s emotions throughout the story, they are, more importantly, of the opposite gender. This novel not only creates a fantastical world of adventure, it also brings in a realistic depiction of a protagonist who identifies as bisexual. There are also other characters in the story that are not straight. This novel is an example of diversity in sexual orientation in a novel. Too often, especially in children’s literature, are protagonists only depicted as straight, which can be detrimental to children that do not identify that way.

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Overall, this book addresses many hard hitting themes like family dynamics, emotional abuse, and grief. This novel is engaging, exciting, and a good source of representation on many different issues. The rest of the Trials of Apollo series will be released over the next couple of years and cannot be spoken for on its depiction of diversity. The Hidden Oracle can be a great source of diversity for many students, and can broaden their world view while being an engaging and adventurous story.

Frederick

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Author and Illustrator: Leo Lionni

Publisher and Year: Dragonfly Books, 1967 (Caldecott honor)

Number of Pages: 27 Pages

Genre: Fantasy

Frederick is a tale about a family of five field mice preparing for the winter season. Frederick’s family gathers nuts and berries while Frederick mediates on a rock. The family becomes frustrated with Frederick’s “helping” strategies, but discover that it is the one person that carries them through the winter.

This story serves as a mirror to the reader to reflect on how different persons bring different aspects and “help” to multiple situations. As a window, the reader can reflect on how it is the simple things that help individuals through difficult times. The story begins by explaining Frederick and his family’s need to stock up on food to prepare for the chilling winter. Opposed to doing physical labor, Frederick “gathers the ray of the suns” and “gathers colors and words.” This frustrates the rest of the mice because Frederick is not helping with completing the complicated duties of collecting food. Winter finally comes and Frederick’s family is surviving the beginning portion of the winter because of all the food they gathered. Then, food runs out and the family is left to rely on all the things Frederick “gathered.” Through this story, the reader learns that as complicated and stressful as life is, it is the simple things that get people through. Obstacles come across all people but if one remembers to prioritize the simple things in life, the group will be able to survive. In addition, this book highlights the importance of individuality and diversity among a group. When the group has unique individuals, positive effects will arise along with many collaborative ideas. Thirdly, Frederick focuses of the importance of all members of the family. Every person in a family has a unique trait that unites that family in times of hardship. With many complications in life, family will help one through any obstacle.

This book is a Caldecott honor, meaning that artwork was very important to the story. In addition, the images are large which allow young readers to visualize the story. Structurally, words on left side of page until Frederick serenades his family with his poem. This is a symbol for a younger reader to be able to focus on both the text and images by separating them. No frames are used in this story, which engage the reader to be part of the story. There is interplay of text and images to show that the text and images are needed to gain the full experience of the story. In addition, Frederick has calm facial expressions until he is depended on to carry his family through showing that he was content with his role in the group. In terms of an ideological aspect, the book teaches that it is important to take care of both the mind and body, everyone takes on a unique and important role in a group, and the family bond can overcome any obstacle.

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Dave the Poet: Artist, Poet, Slave

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Author: Laban Carrick Hill

Illustrator: Bryan Collier

Publisher and Year: Little, Brown and Company, 2010 (Caldecott honor, Coretta Scott King Award)

Number of Pages: 40 Pages

Genre: Historical Fiction

Dave the Potter tells of Dave, who was a slave in the 1800s in South Carolina (Hill, 2010). He was a very skilled potter while also being a poet. This story honors the craftsmanship of Dave’s pottery along with his poetry.

This story serves as a window into the life of Dave as a slave and as a craftsman. However, this book only focuses on Dave’s pottery and some poetry, but does not tell of his struggles as a slave. In addition, the last three pages of the book highlight some of Dave’s poetic verses while explaining historical facts about him. This book seems to portray Dave as enjoying being a slave in the South. For example, the images show Dave with facial expressions of content and serenity as if he enjoys the current position of being a slave doing his work. As a mirror, it reflects the African American culture and honors a man of color that brought beauty to pottery and poems. As with Dave being a slave, he did not have power. He is portrayed as just going about the day while creating large pots. Yet, the end of the book includes an author and illustrator’s note. Both explicitly state the extensive research they did on Dave (it is all cited in the book), and even visited the place where he was a slave. Though the way Dave was depicted was not exactly accurate (he lost a leg but is drawn with two legs), the author and illustrator made it very clear that though Dave was a slave, the purpose of this book was to honor his craft of pottery and poetry. This story represents the African American culture by honoring a man of color. As the author and illustrator made known, they wanted to represent Dave for his skills as a potter and poet. They portray him as a figure worthy of being remembered as a man of color in history. At the same time, this breaks any stereotype that showed slaves having no creative skills because Dave was able to create beautiful verses of poetry and pottery as a man of color.

Perceptually, the book is a Caldecott honor meaning that the artwork is important to the emotion of the story. In addition, image is on one page while text on another to allow the reader to focus on both text and image. The text is on a solid colored background showing it is to be noticed by the reader. Dave is portrayed as very calm, quiet, and comfortable in work. My criticism of this is that with him being a slave, I think this book portrayed him to be more comfortable with his life as a slave than he actually was. Structurally, there are three pages of Dave’s historical background included at end of book showing that the author and illustrator want to share the story of Dave’s pottery and poetry. In addition, they include citation page and author and illustrator’s note. This shows credibility to where they found their information about Dave’s story while also explaining why they chose to focus on his craftsmanship and poetry. The text and images don’t mirror one another but still need both to gain full experience from book. Also, no framing of the images allows the audience to come into Dave’s story. Overall, this book honors a man with tremendous skill even with its questionable depictions of his life. As a theme from the book, the author and illustrator highlight that the fine arts bring beauty to the world.

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A Fine, Fine School

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Author: Shannon Creech

Illustrator: Harry Bliss

Publisher and Year: HarperCollins Publishers, 2001

Number of Pages: 29 Pages

Genre: Poetry, Fiction

A Fine, Fine School follows Tillie’s school day and all her activities. She attended such a fine, fine school filled with fine, fine students and teachers. The headmaster, Mr. Keene, is so impressed that he begins to declare school on every day of the week and all holidays. Tillie finally speaks up, Mr. Keene sees the exhaustion in the students and teachers, and finally changes school back to normal days of the week.

This text serves as a window into the minds of students in the effects of constantly being tested or always focused on schoolwork. As a mirror, it allows the reader to reflect and critique what “learning” really means. As a door, this text allows the audience the opportunity to see the problems in the school system and redefine what learning really means.

As in any school system, the principal (headmaster) holds the power in how the school functions. The students and teachers did not speak up to Mr. Keene about how they did not want school on weekends and holidays. Mr. Keene continued to include more days in the school year, including the entire summer. Though no culture is completely represented in this book, it does bring to light the issue of the amount of schooling younger children really need. It brings to light a very important issue: how much schooling is really necessary for students to learn? The students continuously look more exhausted and upset as the book goes on, which shows that “learning” in school is becoming pointless because none of the students can focus. When Tillie finally confronts Mr. Keene to tell him that because of so much schooling, she is missing out on learning important things such as learning to climb a tree. In a way, the students are the culture being represented in this story along with the “correct” form of schooling. In addition, the author brings to light another important issue: What is learning? Is learning academic curriculum the only true way of learning? In a creative way, the author emphasizes that learning encompasses more than just academic learning in school.

Perceptually, the images are large showing that the artwork is important (the illustrator is a famous cartoonist for the New York Times). The illustrator illustrates diversity among the students and school subjects. For the reader of this book, he or she can see him or herself represented in the story along with their subject interests. There is a repeat of phrases (fine, fine) showing Shannon Creech’s poetic touch.The text and image sometimes mirror one another by the text telling the story while the images express the emotions of the characters. For example, the post-it notes throughout the story express small messages into how the students are feeling. Through this comedic tale, the author establishes important themes such as learning does not just happen in schools, children need time to be children and explore the outside world, and naivety of administration to get to know students. Finally, this story makes it known that school learning is not fine, fine all the time!

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Captain Jack and the Pirates

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Author: Peter Bently

Illustrator: Helen Oxenbury

Publisher and Year: Dial Books for Young Readers, 2015

Number of Pages: 30 Pages

Genre: Fantasy, Fiction

This story tells of the tale of three boys (Jack, Zack, and Caspar) and their whimsical adventures at the beach. The three boys encounter an enemy pirate ship that has the treasure the boys are seeking. The boys get shipwrecked on an island, but still continue on “hungry for glory and enemy booty” (Bently, 2015).

The story is used as a window because it shows the imagination of younger children and the crazy adventures they can make in any kind of place. As a mirror, it reminds a reader of any age the fun and joy of using one’s imagination to create anything. Also, it serves as a door to encourage all that imagination never dies and is the opportunity to be anything one wants to be. For the most part, the power is in the hands of the three boys because they collectively create and engage in the world with the enemy pirates. As the story goes on, they do indeed find the treasure: an abundance of cupcakes, soda, ice cream, and cake. In addition, the reader finds out that the “enemy pirates” were just the adults the three boys came with, attempting to get them ready to leave the beach. This book is not very diverse in terms of skin color, with the exception of Captain Jack’s right hand man Zack (African American). Also, all the “enemy pirates” are Caucasian. As one looks through the images, the adults in the story were the boys’ parents (both Caucasian) and act as if Zack is their son. Based on this, I can say the book is a little more diverse because the illustrator is showing a mixed family. At the same time, the family has only three boys and the only female figure in the story is the mother who brings the boys ice cream at the end of the book. In this story, it is mainly a male and Caucasian culture represented. In a like manner, the culture of young children’s imagination is represented in the creative adventure of the three boys.

Perceptually, the words and text mirror one another signaling the importance of both the image and text. In addition, the pictures take up most of page but text is easy to find. This means that though the images are important, the reader can focus on the text as well. Structurally, words within the text rhyme, allowing the reader to learn a simple structure of poetry and other words. On the contrary, there are some images are colored while some are black and white. The ones with color symbolize the boys on their adventures while black and white stand for the real world. The three boys also wear similar swimsuits standing for the time period of the story and/or making them equal. In addition, the beach is backdrop for the boys’ adventure, which means their imagination, can be very creative in a simple setting. Prevalent themes from this book are imagination never dies and anyone the opportunity to be anything they want to be.

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I Have Heard of a Land

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Author(s): Joyce Carol ThomasIMG_4391

Illustrator/Photographer: Floyd Cooper

Publisher and Year: HarperCollins Publishers in 1998

Number of Pages: 26

Genre: Historical Fiction

Analysis:

This book is about an African American woman who is travelling westward to claim land in Oklahoma. It describes the challenges that African American pioneer women faced, like having to sleep in a sod hut with a saddle as a pillow, but it also illuminates the pride and freedom that they now have. The story is based on the westward movement in the 1880s, and more specifically, the author’s own family experiences while moving to Oklahoma.

The illustrations in this story both mirror and add to the text of the story. For example, the illustrations describe what the text is saying, but in more detail. Also, every illustration covers the entire page, there is no white space on any page, therefore, every image is unframed. This causes the reader to feel like they are there experiencing the westward movement with the characters. The colors of the images are all shades of brown which give an earthy and powerful mood to the story, but the darker shades of brown portrays a more serious and sorrowful mood. I also noticed that the main character is usually facing or looking to the right of the page which can symbolize her determination to keep moving until she finds her own piece of land.

This story can be used as a mirror to teach children about the Oklahoma Land Runs which allowed not only African Americans to settle and gain land, but also single women. I believe it could also be a window for children to begin to learn about the hardships that African Americans, especially females, were facing at this time in history. I also believe that it could be a mirror for African American females because not often are African American women depicted in literature as tough, hard-working, and independent. This story also touches on the idea of self-perseverance and personal journeys by the way that the main character never gives up on her westward journey even though she may face unexpected challenges along the way. Therefore, I believe this could function as a door to encourage children to always follow their dreams, but also realize that it will not be easy and it will take a lot of hard work and determination but it is worth it. All in all, this story is did a great job of retelling an often looked over event in history that gave African Americans and females the chance at freedom and opportunity.

A Dance Like Starlight: One Ballerina’s Dream

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Author(s): Kristy DempseyIMG_4365

Illustrator/Photographer: Floyd Cooper

Publisher and Year: Philomel Books in 2014

Number of Pages: 28

Genre: Historical Fiction

Analysis:

This story is set in New York in the 1950s, and is about a little African American girl who goes with her mother to work, which is at a ballet school, and she falls in love with ballet. The story continues with the young girl always wishing and dreaming of becoming a prima ballerina, and one day the Ballet Master sees her dancing backstage and allows her to join ballet lessons at the school. At the end of the story, the little girl’s mother takes her to see Janet Collins perform at the Metropolitan Opera House, as she debuts as the first African American prima ballerina, and the little girl then realizes that she can do anything she sets her mind to.

The illustrations in this book are large and drawn with detail. All the images have a pinkish-brown color scheme, which I believe adds warmth to the images and makes the reader feel comfortable with the main character. The illustrations are also unframed and take up the whole page, which helps the reader to feel as though they are also experiencing everything with the characters. Also, the way the text is placed on each page almost resembles movement and dancing, which can be related to the little girl’s never ending dream of becoming a dancer and how she is always moving towards her end goal.

When first reading through this story I thought it was a great story about a little girl who never gives up on her dreams of dancing, but after reading through the story again, and reading the author’s note, I realized that there was a deeper message within this story. The author was inspired to write this story based on the true event of Janet Collins becoming the first prima ballerina to be hired from the Metropolitan Opera, and the story briefly touches on segregation within the U.S. pre-Civil Rights Movement. I believe that this story could be used as a window for children to learn about segregation and how everyone was not allowed the same opportunities. However, this story does not explicitly state anything about segregation or the Civil Rights Movement, and the young girl is portrayed in a way that is very happy, which does not send the reader the correct message about the hardships that many African Americans may have faced during the 1950s. I also think this book can be used as a mirror for African American children who may feel like they have struggled with having the same opportunities as white children, and also for children who are living with a single parent who has to work a lot in order to provide support for their family. This book could also be used as a door to teach children to never give up on their dreams. Overall, I believe this story does a great job of encouraging children to follow their dreams, but I am not sure that this book accurately represents the way many African Americans felt during segregation.

Owl Moon

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Author: Jane Yolen

Illustrator: John Schoenherr

Publisher and Year: Philomel Books 1987

Number of pages: 29

Genre: Poetry

Analysis:

Owl Moon is a Caldecott winner that tells the story of a girl who goes owling with her father. The book delves into her family’s tradition of owling and how this instance is the first time she gets to accompany her father. Late at night, they go into the forest in search of an owl and trek through the snow and through the trees. Her father intermittently does owl calls and eventually they encounter one.

This story serves as a window or a door into the world of owling, the world of nature, and the importance of family traditions. The illustrations are done in a watercolor style full of a balance of rich, dark colors and the stark white of the snow described by the narrator. Although the story takes place at night, the characters and their surroundings are illuminated in the moonlight to create a serene aesthetic. The text itself is written in a poetic style with flow akin to that of a child forming thoughts. The words are eloquently strung together to reinforce the importance of the event in the young girl’s mind. While the flow of the text is broken up into small lines and stanzas, the word choice shows a more adept writer who is writing in a more carefree manner.

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Culturally, this book touches on the importance of family traditions and familial relationships. This one, seemingly simple, event had enough of an impact on the little girl that she retells the story. Overall, this book does not have much cultural value to it. While Owl Moon has beautiful, award winning illustrations, it does not have multicultural significance. The two main characters of the book are both white and there are no other people in the book. The text may have nice flow and beautiful word choice, but the story itself holds little cultural importance in a classroom. There are several activities that could be created from this book, but in order to ensure that a class does not exclude anyone, the activities would need to change from the inherent ideologies presented in the book. Instead of reinforcing the idea of a typical family being parents as being the primary caretaker, instead stress the importance of every family type. This may still exclude children who live with foster families so when discussing this book, be sure to specifically include them as well. Although problems may arise from teaching a lesson only with this book, Owl Moon could be paired with other more multicultural texts to discuss many family types and family traditions.

One Hundred Hungry Ants

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Author: Elinor J Pinczes

Illustrator: Bonnie Mackain

Publisher and Year: Houghton Mifflin Company 1993

Number of pages: 28

Genre: Fiction

Analysis:

One Hundred Hungry Ants is a sort of retelling of the song “the ants go marching” children’s nursery rhyme. In the book, 100 ants are marching to a picnic and do not want to be late otherwise they will miss the food. The smallest ant brings up the idea that they should form shorter lines so they can all get there faster. Unfortunately, every time they rearrange it is a mess and the ants waste time. By the time they reach the picnic, all the food is gone and the 99 ants are upset with the smallest ant for making them late.

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Overall, this book does not have much cultural context to it. It could be argued that the idea of a picnic is one of a certain set of values and may have specific cultural context, but because it is not from a human’s perspective but rather an insect’s perspective, it doesn’t fit into a window, mirror, or door category. While it could be a good tool to use when discussing multiplication, it is mainly an ideologically superficial book with not much deeper meaning. Because One Hundred Hungry Ants only has a superficial ideology, this makes it a helpful book to have in one’s classroom.

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Not all the books used in a classroom need to have a deeper meaning, and the fact that this has little meaning besides being a fun story allows your students to learn from just the events that take place, rather than paying attention to cultural values that take place in the book. Because of the repetitive nature of the text it would be simple to use it in the context of multiplication. Every time the ants change positions is an example of different multiplications. Because the ants change position into different lines, these lines can be used to show multiplication and factors such as: 1 times 100 is 100, 2 times 50 is 100, 4 times 25 is 100 and 5 times 20 is 100.  Overall, this book does not have much cultural significance of cultural depth but could be used as a helpful math resource in a classroom.