Tag Archives: Picture Book

Why War is Never a Good Idea

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Author: Alice Walker

Illustrator: Stefano Vitale

Publisher/Year: Harper Collins, 2007

Pages: 28

Genre: Poetry

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Without referring to any war in particular, Alice Walker in Why War is Never a Good Idea, poetically personifies war and its devastation. Walker depicts war as an unpredictable, out-of-control, blind, bad-mannered, gluttonous, and unwise force of man that is inconsiderate of the destruction it wreaks on innocent victims.

 Walker’s book certainly functions as a mirror for readers, especially children who have immigrated to the United States in search of safety and security, or felt firsthand the devastation of war (e.g. through death of a loved one, or flattening of one’s hometown). In addition, Walker’s poem introduces readers who have never felt the impacts of war to war’s many unknowing victims: a boy and his donkey, nursing mothers, ancient artifacts, pumas and parakeets, and civilians who are left to die from contaminated water. Walker’s picture book also calls readers, young and old, to not blindly support a tradition or concept (war) simply because it is old. For, as Walker comments: “Though War is Old / it has not become wise,” carrying with it a bundle of unforeseen consequences and striking at a moment’s glance (p. 16).

 Power rests in the personified hands of War, who acts without thinking, attacks without warning, and consumes without asking. The victims, both human and inanimate, are the unfortunate recipients of war’s havoc. Why War is Never a Good Idea shows lower-class native people (Asian, Hispanic, and African American) and their culture to be destroyed by war. While accurate, this depiction does not fully represent war’s devastation. Only on the final page of the book does a white family of three appear as a victim, individuals who will also have to drink the contaminated water. Non-White soldiers are not the only ones exploited by the war.

 The text communicates the differences between what war is and is not, highlighting how unforeseen consequences lie in this difference. The text also emphasizes the innocence of what war destroys, be it a boy dreaming of polenta and eggs for dinner, or a mother singing a lullaby to her baby. Weapons of war and destruction are illustrated realistically (compared to cartoon drawings) and described rather elusively. The photographs interact with hand drawn landscapes for a dramatic effect (e.g. wheel of truck ripping through the paper on which the village is drawn; little green soldier figurines sucked into a wave of grimy, contaminated water…). Images magnify how from all different angles—taste, smell, sight, and touch—war is bad and futile. Images also elaborate on the cruelty of war. All of the pre-war images of villages and natives are illustrated with a rainbow of bright colors to show their momentary peace and freedom. The colors turn more eerie and burnt as destruction ensues. Why War is Never a Good Idea promotes a global anti-war attitude, criticizes the unlimited power of war, and raises ethical concerns regarding the effects of war on victims.

The Artist and Me

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Author: Shane Peacock

Illustrator: Sophie Casson

Publisher/Year: Owlkids Books Inc., 2016

Pages: 36

Genre: Historical Fiction

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Analysis:

In The Artist and Me, an elderly French grandfather writes in a diary about “an ugly thing” he is ashamed of doing as a child: tormenting a starving artist (Vincent van Gogh) for his “awful pictures” and strange style (p. 3, 9). Admitting himself to be a coward and a bully, the aged man recounts how when alone he actually enjoyed looking at the artist’s paintings and admired Vincent van Gogh’s mission. On a trip to a famous art museum with his grandson, the old man finds one of Vincent van Gogh’s paintings—the same painting he had refused so coldly as a boy—and realizes how horrible he had been towards a man of extraordinary and priceless talent.

 The Artist and Me validates any young reader who has felt underappreciated or misunderstood. Readers who have ever missed out on an interesting friendship because they bullied someone can relate to the regret felt by the aged young boy. The Artist and Me also provides a window to the experiences of those who bully and those who have been bullied. One explored idea is how people sometimes bully others in public (to protect image), when, deep down they secretly admire and are curious about their victims. Through the old man’s criticism of his cruel close-mindedness as a boy, Peacock teaches readers to not mock or belittle those who are misunderstood for it not only blinds them from the talent of others, but also ruins their chances at forming valuable relationships. Peacock highlights how although Vincent van Gogh started poor he nonetheless completed his “mission” of telling the truth through art. Peacock gives no evidence, textual or otherwise, that the old man, having wasted his energy bullying, ever completed a mission of his own. The Artist and Me celebrates the culture of artists of all kinds. Individuals who doubt, fear, or mock misunderstood and unconventional artists are depicted as the crazy fools.

 Deep shame is evident through the old man’s criticism and mockery of his own behavior as a child. Although everything about Vincent van Gogh—personality, appearance, and artistic style—made him an eccentric “fool,” the text also conveys the boy’s hidden wonder in and admiration for the artist.  Both text and images communicate the idea that oppression dehumanizes and isolates those who are misunderstood. In his narrative account, the old man never refers to Vincent van Gogh by his name, and only by a “him” or a “someone.” Such a nameless identity symbolizes how the boy did not stick around long enough to know the man as Vincent van Gogh, the artist. Readers never see the front of Van Gogh or his face until he kindly offers the young boy a painting. Casson’s choice to hide the artist’s face emphasizes the isolation felt by the misunderstood and how their oppressors believe them to be feeling-less humans. Unframed, two-page spread illustrations invite readers into the lives of the boy and bullied artist, while warm and electric colors raise sympathy for the misunderstood Vincent van Gogh. The Artist and Me shows the relationship between ignorance, close-mindedness, peer pressure, and oppression, and highlights the effect of bullying on the life of the oppressor.

Diary of a Wombat

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Author: Jackie French

Illustrator: Bruce Whatley

Publisher/Year: Clarion Books, 2002 & 2003

Pages: 30

Genre: Fiction

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Analysis

The Diary of a Wombat follows the daily activities and spontaneous discoveries of a young wombat over the course of one week. For each day of the week, activities are categorized under morning, afternoon, evening, and night. The wombat’s daily movements, such as eating, sleeping, and scratching, are intermixed with more humorous adventures such as digging holes and attacking laundry.

The Diary of a Wombat indirectly functions as a mirror. Children can see that, although the wombat is an animal, his life is not so very different. The wombat sleeps and eats just like them, has likes and dislikes, gets into mischief, and shares similar needs and wants (i.e. shelter, attention, love). French’s book also functions as a window. By seeing that the daily life of a wombat, or any animal for that matter, is similar to their own lives, children may realize that their friends and neighbors, though different by race or religion, share similar habits as well. The Diary of a Wombat also provides a model for good behavior. The wombat is an active character: always doing, finding, or creating new things around him. The wombat also wants to be closer to others (human neighbors) because he finds their company helpful and enjoyable.

In The Diary of a Wombat, the power rests with the wombat because he trains his human neighbors to reward him with carrots and oats. Whatley depicts these neighbors as a nuclear and stereotypical white family of two parents and two children who live in a two story house. Although the family represents the white norm, it is not significant enough in the plot to influence a child’s understanding of families. What stands front and center is the similarity between wombats and children (humans).

The brief but spunky language of the wombat helps him appear like a playful and relatable character. The wombat, like humans, has a daily routine, incomplete without sleeping and eating. The multiple illustrations on each page and the occasional two page spread illustrate the sequence of activities that make up the wombat’s daily life. Unframed illustrations allow young readers to feel involved in the wombat’s shenanigans and make it easier for children to relate their own life to that of the wombat. Whatley’s illustrations of the wombat at all different angles show how he is a multi-faceted and spunky individual. Although the diary portrays the wombat as innocent and imperfect, French’s picture book conveys an underlying sense of exploitation. The wombat learns to demand food from neighbors and sometimes makes noise until fed. Not only does this mock how humans have similarly trained animals for their own means, but it may encourage children that persistent whining will get them what they want.

The Dot

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Author: Peter H. Reynolds

Illustrator: Peter H. Reynolds

Publisher/Year: Candlewick Press, 2003

Pages: 28

Genre: Realistic Fiction

Analysis:

The Dot chronicles the creative endeavors of a young Indian student, Vashti, who transforms a simple jab of her pencil into a diverse gallery of dot masterpieces after her art teacher suggests she “make a mark” (p. 5).  At the end of the story, Vashti instills confidence in a little boy and his squiggle by encouraging him to sign his work, just as Vashti’s art teacher had done for her.

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The Dot illustrates Vashti’s transformation from a young girl who stubbornly accepts her artistic inability to an artist who found her personal calling after taking a leap of faith. Children who have felt racked for inspiration, doubtful of their talent, or motivated to action by the sheer encouragement of an elder can relate to Vashti’s transformation and her relationship with her art teacher. For children who do not identify with Vashti’s inspiration struggle, The Dot can function as a window. The Dot raises the idea that talent does not always come easily, and that not all those who are talented realize it immediately and without fear, anxiety, or a leap into the unknown. The Dot also functions as a door by modeling appropriate behavior and responses; rather than competing with others, Vashti decides to test her own ability. The Dot also encourages readers to pay it forward as Vashti did by inspiring confidence and pride in a classmate who faced a similar struggle.

Power, in the form of confidence, is evenly distributed in The Dot because it is relayed between the art teacher, Vashti, and the young boy. Culture and diversity are represented through multiracial characters; Vashti is Indian, and the art teacher, young boy, and other characters are drawn as African Americans. The Dot assumes a non-traditional view of culture and race; Vashti and her teacher challenge the norms of teachers being white and individuals of Indian descent being geared towards careers in math, science, and medicine.

Adjectives and exclamations add a dramatic feel and describe the creative energy Vashti experiences. The placement of text in The Dot does not influence the readers understanding of the story. In fact, the images can stand alone for they adequately sequence all of Vashti’s trials and successes. A watercolor dot becomes the symbol for Vashti’s creative energy (both positive and negative) and acts as a sort of spotlight and frame. As she moves from stubbornness to success, Vashti is drawn amidst a filled dot; the brushstrokes also get softer and less jagged as Vashti opens up to the creative experience. A filled dot also encircles the young boy during his talk with Vashti, further showing the power of inspiration. The Dot indirectly explores gender roles. Although Vashti and her female art teacher fit the stereotype of women being interested in the fine arts, Reynolds treats this representation with positivity. Vashti, though a girl, is illustrated in relatively gender-neutral clothing, which suggests that any child create art. Reynolds does not demean or objectify women either; the authority to give confidence and inspiration to others lies with the female characters. The young boy even looks up to Vashti as a role model and talented individual.

 

The Bicycle Man

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Author/ Illustrator: Allen Say

Publishing Information: Parnassus Press Oakland California, 1982

Number of Pages: 39

Genre: Realistic Fiction, Picture book

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Analysis:

On the sports day of a school in the south island of Japan, two American soldiers play a few tricks on a bicycle. Students cheer for them and they have a good time together.

The book is a first-person narrative of the author who went to school in Japan. It is based on historical facts. Just after World War II, Japan was still recovering from the damages from the war. However, this story demonstrates that piece of history from a very different view of point. I can hardly notice that the war just happened by looking at such a peaceful and quiet village. The book functions as a window for children to look at another culture. A lot of cultural elements are presented in the book such as various traditional Asian games and the fact that people bow to greet each other. One of the critiques I have about this book is that, I think the book might convey an idea that only Americans can lighten up the life of Japanese by portraying the American soldier showing off his bicycle skills. American characters exist as rescuers and they are depicted a lot taller.

Perceptually, the author and illustrator uses water colors and ink to draw the illustrations which shows calm and peace. Brighter colors are used to depict the joyful atmosphere. The book does a great job stressing diversity and culture. The author takes good care of diversity issue since the numbers of male and female in the illustrations are about average. Besides, one of the American soldiers is African American. Structurally, most of the text and images do not overlap. Some ideology conveyed in this book is culture based. Asian philosophy stresses on group spirit more than individuality. And the principal emphasizes “the spirit of sportsmanship” which is “Whether we win or lose, let us enjoy ourselves” (P. 8). The other ideology the book conveys is that children are innocuous. The conflicts between countries do not necessarily mean conflicts between individuals. Although the war just ended, Japanese children are still very warmhearted to the two American soldiers once they get to know them. War means cruelty, blood and death but on the other side, people can get along well with all differences. That makes us think about the real purpose of a war. The book is extremely insightful.

Otto: The Autobiography of a Teddy Bear

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Author/ Illustrator: Tomi Ungerer

Publishing Information: Phaidon Press Limited, 2010

Number of Pages: 29

Genre: Biography, Historical Fiction, Picture book

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Analysis:

Otto is a teddy bear. He, David and Oskar are best friends. The war keeps them separated but they never forget each other. The war ends and the three friends finally get their reunion when they are very old.

The story is based on historical facts. During World War II, people lived in danger all the time and often got separated from their families. Jews were treated unfairly and got expelled. It is a first-person narrative from a teddy bear’s perspective. The book functions as both a window and a mirror to show children what really happened on another land decades ago and what war would bring to us.

I found one of the plots in the book problematic. When Oskar’s mother explained to him “what is a Jew” (P. 7), her words sound extremely insensitive. According to the text, she said, “Jews are different to us, they have another religion. The government is against them and makes life very difficult for them. It is unfair and very sad, but they must now wear this yellow star to be singled out” (P. 7). Although she said “it is unfair and sad” (P. 7), she did not want to do anything to fight against the unfairness. Such indifference reminds me the provocative poem written by Pastor Martin Niemöller. “First they came for the Socialists, and I did not speak out — Because I was not a Socialist. Then they came for the Trade Unionists, and I did not speak out — Because I was not a Trade Unionist. Then they came for the Jews, and I did not speak out — Because I was not Jew. Then they came for me — and there was no one left to speak for me.” Children should learn to stand for what is right and what is wrong. It is important for them to learn social justice from the story. The other thing I notice is that one of the illustration in the book seems a little bit strange. When Jasmin, the soldier Charlie’s daughter, plays with the teddy bear, three boys hit the bear with baseball bat. In the image, there are two adults sitting in the back sneering. It might give children the wrong impression that it is okay, even amusing, to bully. Besides, one of the boy’s shirt said “NYU”, which stands for New York University. It is not fair to put the school name on a negative character.

Perceptually, the illustrator uses various colors to illustrate the story. He uses brighter colors to depict happy moments and darker colors to depict the war. Structurally, text and images do not overlap. Ideologically, this book introduces religious diversity to children and shows them people with different religions can be best friends. Also, the book conveys that friendship can last forever. Finally, the story tells children that wars can hurt people we love. We should cherish the peace and freedom we have today.

Brothers in Hope

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Author: Mary Williams

Illustrator: R. Gregory Christie

Publishing Information: Lee & Low Books Inc., 2005

Number of Pages: 36

Genre: Historical Fiction, Picture book

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Analysis:

Garang and his family live a happy life before the war comes. He goes on a journey first to Ethiopia and then to Kenya with other boys who are lost. Finally, they are rescued and provided a home in the United States.

The book shows a historical fact by demonstrating a tough journey Garang and his friend have. The text functions as both a window and a mirror for children to look back at history and reflect many kinds of harm done by wars. During the journey, friendship, brotherhood and tenacity are presented.

I found some of the illustrations problematic. I do agree that the rescuer Tom and the teacher in the school are positive characters. However, the illustrator keeps depicting white people much taller and bigger that the Sudan boys. Besides, white characters are put in a higher space of the images. That may give children an impression that white people are supreme and stronger than black people.

Perceptually, the text in this book is relatively dense. The lost boys are moving to the right which demonstrates that they are moving forward but not secure. The book uses dark color to depict a depressing atmosphere. When people thought there were soldiers, the horizon on the image suddenly disappeared which signifies that people are nervous. Structurally, text and images overlap. The images are not framed which helps reader to actually participate in the story. Ideologically, the author and the illustrator hit on the following four aspects. Firstly, the book stresses on family bond. Garang’s father used to encourage him to be brave and not afraid of cattle. Garang always remembers his father’s words, “Garang, be brave. Your heart and mind are strong. There is nothing you cannot do” (P. 2). Secondly, the book promotes individuality. We can see distinguished characteristics of leadership on Garang through the journey. He makes decision for the group, allocates the work and encourages them to go to school. Thirdly, while talking about individuality, the book also helps children realize the importance of teamwork. The value of a group is presented when the boys help each other to go across the river. They never leave anyone behind. Fourthly, the book teaches children to cherish the peace we have today.

Amanda Bean’s Amazing Dream

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Author: Cindy Neuschwander/ Marilyn Burns

Illustrator: Liza Woodruff

Publishing Information: Marilyn Burns Education Associates, 1998

Number of Pages: 30

Genre: Picture book

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Analysis:

Amanda Bean is a little girl who loves counting. Her teacher tries to convince her to learn multiplication but Amanda refuses until she has an amazing dream about counting a huge number of things. She realizes that multiplication is very helpful.

This book serves a purpose of giving children basic mathematical common sense about numbers and operations. It functions as a door for children to be interested in math by introducing Amanda Bean who “counts anything and everything” (P. 10).

I found the book problematic in the following two ways. Firstly, Amanda Bean seems to lose control of counting and I do not think it is a healthful habit. For example, “I am Amanda Bean and I count anything and everything” (P. 10) and “Now I must count the yarn, too!” (P. 21), such verses show a couple of times. It might mislead children to think that to love math is to count all the time. Psychologically, it is not proper to encourage children to “count anything and everything” (P. 10). Secondly, one of the ideologies the author conveys is that everything is quantifiable since Amanda Bean is able to “count anything and everything” (P. 10). However, in the real world, a lot of important things are not quantifiable such as love and friendship. It is also important for children to know that life is not all about counting.

Perceptually, the book use bright colors a lot which demonstrate Amanda Bean’s enthusiasm towards math. The images are not framed. Therefore, children can easily participate in the counting process. In her dream that she needs to count many things, the illustrations become chaotic and repetitive which means that the character is gradually losing control. Structurally, there is not any obvious separation between the text and images. Ideologically, this book promotes academic interest and conveys the idea that math is everywhere. Absorbing knowledge and being innovative can help people do better in academia. Besides, this book stresses individuality by mentioning the word “I” all the time. However, the book also points out that “I” is not necessarily correct all the time. “I” need help and accepting help could help “I” do things quicker and better.

Freedom Summer

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Author: Deborah Wiles

Illustrator: Jerome Lagarrigue

Publishing Information: Aladdin Paperbacks, 2001

Number of Pages: 27

Genre: Historical Fiction, Picture book

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Analysis:

A white boy Joe makes friends with John Henry, the son of the maid of his family. They play together all the time. But there were a lot of laws and rules against black people back then. John Henry cannot get into the store from the front door or swim in the town pool even if he is the finest swimmer. Finally, John Henry decides to use the front door and Joe is right there with him.

The story is based on historical facts. The author grew up in Mobile, Alabama and usually spent her summer with her relatives in Mississippi as she mentioned in the book before she told the story (P. 1). The town pool there was not open to black people. However, when the Civil Rights Act was passed, she witnessed that the town pool was closed. The book serves as a window for children to look back at history and also as a mirror for readers to reflect what is right and what is wrong.

Both of the two characters of this book have strong personalities. John Henry is a nice boy and he would help his mother with her work. In the first half of the book, John Henry does not seem to care whether he could use the front door to the store or whether he could swim in the town pool. He grew up happily playing with Joe and having fun swimming in the creek. But once he realized the difference between rights of white people and rights of himself, he was sad and angry. “John Henry’s eyes fill up with angry tears” (P. 23). The purpose of this book is to expose children to racism. The author tries to convey her point of view that racism is wrong and it can truly hurt feelings of somebody who is so nice. In the book, the author depicts Joe as a sensitive and warmhearted little boy. He would give up going swimming in the town pool just to keep company with John Henry. At the end of the book, Joe and John Henry walked through the front door together. Joe did not ignore the importance of civil rights although he was not directly harmed. He would fight for his friend. He would fight for what is right.

Perceptually, the book uses narrative sentences to tell an engaging story. The whole book uses dark color a lot which conveys a depressing atmosphere. I can find a few bright colors in some of the happy scenes. I found it smart that the illustrator tried to narrow down the difference of Joe and John Henry’s skin colors. Structurally, the text and images are completely separated which helps children to get the story as a whole. Ideologically, this book stresses friendship based on diversity backgrounds. Also, it encourages minorities to stand up for their rights and reminds readers that Civil Rights are universal. It is crucial for everybody to be concerned with it and get involved.

Off to First Grade

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Author: Louise Borden

Illustrator: Joan Rankin

Publishing Information: Margaret K. McElderry, 2008

Number of Pages: 36

Genre: Realistic Fiction, Picture book

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Analysis:

The book illustrates twenty-three students’ morning of getting ready for their first day of school. They are nervous but excited. Each student has his or her own anticipation of school.

Off to First Grade serves the purpose of preparing children to get ready for their first day of school. From knowledge to habit cultivating, from having lunch to making friends, this book functions as a window for children to form an idea of what a school is actually like. The author and the illustrator have done an excellent job expressing diversity. It is possible for children with different backgrounds to find one or two characters who have similar family structure, hobby, or even favorite food with themselves. Once the connections are built, children may start to like school.

However, I found the illustration problematic for the following reasons. We can conclude from the book that students have different backgrounds and there are different races in this class. At the first glance, it seems clever for the illustrator to illustrate all students as animals. It is a smart analogy to make different kinds of animals stand for different people. However, it seems to me that the illustrator is trying to avoid diversity issues such as race and gender. Children might still get confused when they arrive at school and notice that people are different, not the way animals are. Therefore, I think it is proper to illustrate people of different races directly and show children what the real world is like.

Perceptually, the text uses short lines to depict every situation. It is like a poem to some degree which makes it easier for children to read. The whole book uses bright colors which give children an impression of school that is full of hope and energy. The pictures are not framed which help children to put themselves in the story. Structurally, text and images do not overlap. Ideologically, the book helps children to have a good attitude towards school. It also encourages children to communicate with teachers. For example, Polly wants to show Mrs. Miller her penny and Quinn wants to ask Mrs. Miller if she likes jazz (P. 18). Besides, family bond is stressed a lot in the book.