Tag Archives: Friendship

Leo: A Ghost Story

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Author: Marc Barnett

Illustrator: Christian Robinson

Publisher and Year: Chronical Books, 2015

Number of Pages: 42

Genre: Fiction/Fantasy

IMG_9671 [2578142]When an unwanted ghost boy, Leo, is “evicted” from his ghost home, he is forced to live on the streets. It isn’t until he meets a young, believing girl that he finally feels accepted and seen.

This book could work as a mirror for those who feel that they are “invisible.” Even though Leo is actually invisible because he is a ghost, some children may feel that they are just as invisible and unloved as Leo. It isn’t until Leo sees that he can use his ghostliness for good that he starts to gain power. When he realizes that he can scare the robber into captivity, Leo feels better about the way that he is.

Perceptually, the images depend on the text. Without the text, the images would not really make sense. The texts begins with letting the reader know that people cannot see Leo, but the reader can. This makes readers feel like they are in the story with Leo, or it at least builds a connection between the  reader and the text. Structurally, the images remain on the darker side because Leo is a ghost. Leo can also touch objects such as doorknobs and blankets, but people cannot touch feel his touch. The only person who can see and feel him is Jane, but just as people cannot see him, he cannot see the crown that Jane says she is wearing. This puts emphasis on the idea that the characters in this book can only see what they believe in. Ideologically, this book could teach readers that they should accept who they are, and if they can, find someone who accepts them for who they are as well.

Do Unto Otters: A Book About Manners

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Author/Illustrator: Laurie Keller

Publisher and Year: Christy Ottaviano Books, 2007

Number of Pages: 34

Genre: Fiction/Fable

IMG_9675 [2578144]A rabbit is skeptical about what his new otter neighbors will be like. He is told to treat them as he would want them to treat him. After realizing how he’d like to be treated, he sees that maybe his new neighbors won’t be so bad after all.

This story works well as a mirror and a door. There may be some children who feel torn about how to treat someone because they are different, this book would help with that. When people see others who are different they tend to feel that maybe that person shouldn’t be treated like everyone else. There is no real power distribution in this book, as this book just really focuses on the idea that one should treat others how they’d like to be treated.

Perceptually, lots of onomatopoeia is used throughout the book, making the book easier to read and helping children with sounds. The text adds to the images and the images add to the text. There is a lot of dialogue used, as the whole book is really just the rabbit going through his thoughts. Structurally, images are bright and full of color, making the text more entertaining. Facial expressions and specific fonts help the reader understand how the text should be read. The illustrator gives examples of ways to be friendly, so there is little confusion as to what the author means (they are the same person). The illustrator also breaks down and defines certain words, such as “cooperate” for beginning readers. Ideologically, this book teaches manners such as saying please, thank you, and excuse me to others. It also teaches readers how to be polite in different languages, such as Spanish, French, German, Japanese, and Pig Latin. It emphasizes great traits such as honesty, kindness, and sharing, which are important to teach children at a young age.

Waiting

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Author: Kevin Henkes

Illustrator: Kevin Henkes

Publisher/Year: Greenwillow Books, 2015

Pages: 29

Genre: Fiction

Analysis:

Waiting is the curious story of five toys who live on a window ledge. Four of the toys (the owl, puppy, bear, and pig) wait for something specific (e.g. moon, snow, wind, rain, respectively), but the rabbit simply enjoys looking out the window and waiting. Told and drawn from the perspective of the toys, Waiting explores their life, from sleeping and new ledge-mates to the wonderful and scary things they observe through the window.2016-05-27_11.38.16[1]

Waiting can be seen as a metaphor for life; readers can relate to one, some, or all of the toys and their experiences. Each toy is waiting for something different, but they nonetheless wait together as a sort of community. From this, children can see that every person has a unique source of happiness. For example, the pig waits for rain because she has an umbrella, while the bear waits for wind so his kite can fly. Children who have yet to discover their preferences and interests can relate to the rabbit, for he finds happiness in simply looking out the window, waiting for nothing in particular. Children can also see their lives portrayed in other experiences of the toys as well. The five toys are a dynamic community; the way some toys go away to return later on (after being played with) or the introduction of new toys to the ledge, resembles how people in our own lives come and go, sometimes returning and other times not. Waiting can indirectly function as a door because the original five toys model conviviality. Although the five toys were initially surprised when a cat with patches joins them on the ledge, they welcome the cat and patiently wait to see what it is waiting for (kittens/four nesting cats). At the end of the book, all ten animals happily wait together and intermingled.

Power is distributed evenly in Waiting. The family of five, and later ten, animals are drawn and described to be equals. They welcome each other and coexist. It can, however, be assumed that power rests with the child owner of the toys who, although not pictured or mentioned, is responsible for removing, replacing, and breaking some toys on the shelf. Without the supposed presence of their owner, the toys would not be waiting for wonderful things to happen. Culture does not really figure into Henkes’ Waiting. Without seeing the toys’ owner, the set of toys could belong to a child of any race, gender, or even social class.

The text in Waiting communicates how each animal’s life and happiness on the ledge is defined by waiting for something. Besides the occasional new animal or visitor, all the animals truly have is themselves and the window for entertainment; their lives, like the text itself, is rather plain until what they are waiting for arrives. As much of the text is vague and told from the perspective of toys, the illustrations both mirror and add to the text. Images add a curious and playful feeling. The changing expressions (e.g. surprise, questioning, peace, joy, and fright) and body language of the toys in response to new can tell the story by itself. The fact that the animals are waiting by a window is both symbolic and a little ironic; windows are said to represent thresholds, progress, and growth, yet by spending most of their days waiting, the animals really are not moving forward, and their happiness is not always assured. The animals are often shown peering up and through the window to emphasize how the happenings outside of their window offer a picturesque, dream-like quality (i.e. fluffy white snow, rainbows). Finally, by having the animals’ backs to the reader in the illustrations, readers are invited to peer through the window as well. Waiting embodies themes of the inclusion and acceptance of others, and shows patience to be a virtue.

The Dog Who Belonged to No One

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Author: Amy Hest

Illustrator: Amy Bates

Publisher/Year: Abrams Books for Young Readers, 2008

Pages: 29

Genre: Realistic Fiction

Analysis:

The Dog Who Belonged to No One tells the parallel stories of two lonely characters: “a small dog with crooked ears” (p. 1) and a “wisp of a girl named Lisa” (p. 4). The dog is quiet, friendly, and helpful, but no one ever notices him; Lisa spends long Sundays delivering breads and cakes and has to think up stories to ward off the loneliness. On one stormy morning, Lisa and the dog get caught in the rain and after both taking shelter in Lisa’s warm home, they become inseparable friends.

The Dog Who Belonged to No One speaks to readers, like Lisa and the dog, who feel unnoticed, underappreciated, and in need of a good friend. For readers who have never struggled to make friends, The Dog Who Belonged to No One provides a window into the lives of the lonely, and the hopelessness they find themselves in. Phrases like the “dog could not outrun the night” help readers to see that loneliness can feel like an inescapable trap or a bottomless pit (p. 13). Readers will likely empathize with the dog and Lisa as they read how much of their happiness is derived from wishful dreams (e.g. the dog dreams of a softly lit yard and porch). Finally, Lisa and her family set a good example for readers by graciously and happily welcoming into their lives a dog who needed exactly what they had: a warm home, and tender love. Hest calls upon readers to open their eyes and open their hearts to those in need.

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Power rests symbolically in the hands of fate, the force that brought Lisa and the dog together. The main characters who suffer from too much solitude are depicted as rather powerless. The dog, for example, can try as hard as he wants to help others (e.g. fetching the boys’ baseballs), but still his efforts go unnoticed, causing him to feel even more sad. Lily is jealous of the girls who can stand outside with their dolls and talk, and the sight of them makes her feel alone. While the illustrations mirror the text, they do not fully align with my understanding of culture. Minorities, and the disabled, ugly, or poor—not white girls of hardworking families and well-behaved dogs—are characters I feel typically face loneliness or a lack of belonging. However, using Lisa and the dog as she did could be Hest’s way of saying that anyone can feel alone and in need of a friend.

Hest uses long sentences, repetition, and parallel wording (between the stories of Lisa and the dog) to dramatize the loneliness felt by Lisa and the dog and gain the reader’s sympathy. The text emphasizes how the dog and Lisa are perfectly good people and animals who do not deserve their loneliness. Bates’ illustrations add to the text by also appearing to readers’ emotions. Lisa and the dog, for example, are often drawn with their eyes gazing downward and a blank, somber expression; only after they have found each other do they make eye contact. In the final scene, the dog and Lisa are welcomed from the rain with an open porch, symbolic of their new beginning and friendship together, and personal growth (they no longer have to be alone). Love and acceptance are themes prevalent in The Dog Who Belonged to no One. Unfortunately, fate and coincidence are shown to be problem-fixers in Hest’s book. This is not always realistic, for some situations can only be improved by human initiative and purposeful action.

Oliver

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Author: Birgita Sif

Illustrator: Birgita Sif

Publisher/Year: Candlewick Press, 2012

Pages: 29

Genre: Realistic Fiction

 Analysis:

“Oliver felt a bit different,” Sif writes (p. 2); a young, bespectacled boy dressed all in green, Oliver enjoys his solitude and imaginative play with his stuffed animal friends. Alone, Oliver can go on any imaginative adventure he pleases, but he soon discovers that his friends cannot actually listen to him play piano. Then, one day, a run-away tennis ball leads Oliver to someone new and different too: Olivia.

Introverted, imaginative, and solitude-loving readers can personally identify with Oliver’s need to freely exist in his own world. Many of these same readers can also relate to Oliver’s desire for human companions that can listen and respond, but his hesitancy, as an introvert, to reach out on his own. Oliver speaks to “all those who have ever felt a bit different,” as Sif writes in her dedication. For more extroverted and social readers, Oliver provides a window into the world of an often overlooked group: introverts. Sif portrays introverts like Oliver with both respect and a critical eye; she celebrates their contentedness with being alone but also highlights how complete solitude can even be too lonely for the introvert. For introverted readers, Oliver models how one can step out of their comfort zone and take a leap of faith into new things. Oliver encourages introverted readers to seek companionship in their human peers, and not solely with their toys.

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Power is not distributed between characters but embodied in fate—the happy coincidence that Oliver’s run-away tennis ball led him to new beginnings with a girl that is different just like him. Oliver contains a very limited view of culture, beyond that of introverts. Every character is white and able-bodied. It is possible, therefore, that Oliver could send a rather unintended message that there is only hope of new beginnings for white introverted children.

The repetition of how Oliver was “a bit different,” “but it didn’t matter,” communicates an important transformation that Oliver, and many of us, undergo in our lives. At first, Oliver believed that enjoying being different meant solitude; later, he discovers that he could befriend Olivia because they are both different and could be so together. All other text elaborates on this realization of Oliver’s and his ensuing leap of faith. Sif uses color symbolically in her illustrations. Oliver, his toys, and Olivia are all drawn with colors far more vibrant (i.e. red and green) than the dim and subdued grays, blues, and golds of the real world they live in. This color contrast symbolizes how Oliver and Olivia are different, yet perfect companions. The contrast also compares the freedom and contentedness Oliver and Olivia feel in their imagined world to the isolation they feel around others. Sif’s illustration of Oliver running to the right and through the open gate to Olivia’s yard shows Oliver’s growing acceptance that his toys might not be good enough companions for him. Overall, Oliver supports individualism and the idea that people should not have to change who they are to be friends. Although Oliver celebrates the power of human companionship, it rather idealistically shows that a perfect someone exists for everyone and fate (vs. human initiative) will bring soulmates together.

The Five of Us

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Author: Quentin Blake

Illustrator: Quentin Blake

Publisher/Year: Tate Publishing, 2014

Pages: 27

Genre: Fiction

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Five friends are each fantastic in their own way: Angie has exceptional vision, Ollie has spectacular hearing, Simona and Mario have amazing strength, and Eric discovers the power of his voice. During a trip to the countryside, their bus driver becomes ill and faints, forcing the five friends to wander aimlessly in search of help. After Angie spots people on a cliff across the river, quiet little Eric proves to be just as amazing as his friends by using his incredibly loud voice to call for help.

The Five of Us presents a diverse group of characters that many readers can personally identify with; Angie is African American, Ollie wears glasses, Mario uses a wheelchair, Simona is overweight and Hispanic, and Ollie is shy and introverted. Each character and their personal differences are represented in a way that affirms and respects readers who also share those qualities. The five friends are unique in that their special abilities are ones that readers would least expect, though they are still possible (e.g. an overweight girl and handicapped boy having super strength; a shy boy having a loud voice). As such, Blake’s book validates readers who feel doubted or overlooked because of how they look or act. The Five of Us functions as a window by introducing readers to the feelings and experiences of individuals, such as Eric, who take a little more time in realizing their uniqueness. Eric is last to discover his amazing potential, but readers can see that without Eric’s help, the Fantastic Five would not have been rescued by the helicopter. Eric slowly but surely worked up the courage to give a loud cry for help.  Finally, The Five of Us acts as a door by encouraging readers to focus on the assets of their peers rather than their inabilities and flaws. Readers are also asked to be more empathetic and understanding towards individuals, like Eric, who develop slower.

Power is equally distributed between the five friends for each has an important power that allows for their eventual rescue. For the five friends, rescue depended on combining their individual powers for the greater good. Although the Fantastic Five represents cultural diversity in and of itself, all other characters in the story are illustrated as white, normal-looking, and able-bodied people.

Blake uses text to celebrate each friend’s individuality. The five friends are all described as “amazing” for the unique abilities they possess (p. 2-3). The text also shows the completeness of Eric’s self-discovery. For most of the story, Eric is nervous and in an effort to prepare himself to speak, all he can muster is “Erm…erm…” (p. 7, 11, 14), until he at last belches out a “HELP” so loud that the exclamation takes up half of the page (p. 20).  Blake’s illustrations are also symbolic. As the five friends explore the countryside and look for help, Eric is always drawn lagging behind (on the left in their procession) and also a bit smaller and shorter in size than his friends. Such a portrayal conveys Eric’s perceived weakness in light of his friends who have already showcased their talents. This also allows Eric to both literally and figuratively move forward (to front of group) and provide his unique contribution: a loud cry for help. The text and illustrations, both show how Eric is not to be underestimated. The main ideology presented in The Five of Us is individualism, and how it can be maintained while working as a team and is discovered by humans at different rates. Blake warns against judging people at first glance.

 

Stand Tall Molly Lou Melon

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IMG_6200Title: Stand Tall Molly Lou Melon

Author:  Patty Lovell

Illustrator: Da vid Catrow

Publisher: G.P. Putnam’s Sons, 2001

Number of Pages: 32 pages

Tags: Emotion, Family, Fiction, Friendship, Picture Book, K-5, Stephanie Prentice

Genre: Realistic Fiction

Analysis: Molly Lou Melon starts in a new school where a bully picks on her for her physical characteristics. Molly Lou Melon has buck teeth, is short, clumsy, and has a squeaky voice. Despite all this, Molly’s grandmother teaches her to be proud of herself. Her grandmother’s lessons are put to the test when she moves to a new school.

Children who have been picked on can very easily relate to this book. Molly Lou Melon is bullied by a student at her new school many times. In addition, children are able to see the way in which Molly Lou Melon stands up to the bully, giving them confidence of their own. This book can also provide children an inspiration to stop the act of bullying in their schools.

In the images, Molly Lou Melon is shown to be much smaller than the furniture in her room. There is a ladder for her to climb into bed, which emphasizes how short Molly Lou Melon is. The exaggeration of her physical characteristics makes the point of which the author is trying to make. The bold text used in the parts when Ronald Durkin was making fun of her exaggerate the act of bullying taking place. The images are very colorful and detailed, drawing a reader in. The repetitive use of “so shIMG_6201e did” shows the reader that Molly Lou Melon took her grandmother’s advice to heart. The lack of frames in the illustrations allows the reader to connect to Molly Lou Melon on a personal level. Ideologically, this book has many layers. One layer shows that if people stand up to bullies, the bullying stops. Each time Ronald Durkin bullied Molly Lou Melon, she did something that all her other classmates loved. Eventually Ronald Durkin stopped bullying her. The second layer teaches children to love who they are and what they look like. Molly Lou Melon has a lot of self confidence when it comes to doing anything. Molly Lou Melon’s grandmother teaches her that she can accomplish anything if she carries herself with confidence, and that’s just what she does. This book teaches children to value self confidence and individuality.

The Deaf Musicians

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Title: The Deaf Musicians

Authors: Pete Seeger and Paul Dubois Jacobs

Illustrator: R. Gregory Christie

Publisher and Year: The Penguin Group, 2006

Number of Pages: 28

Analysis: The Deaf Musicians is about a man who loves music but is deaf. Initially, he is kicked out of his first band, but he meets other deaf musicians who create a quartet and they are successful musicians on the subway.

This book could function as a mirror for deaf people who love music. Deaf musicians are not typically seen throughout society, so having a book that is relatable to deaf musicians is important. A window could be another function for this book because other people may not think that people who are deaf can be musicians as well, but that is obviously not the case in this book. Deaf musicians are able to achieve and be successful in their own way.

Perceptually, the front cover had colorful and unique images, but the images were also diverse in skin color, characteristics, hairstyle and personality. The reader may also not be able to tell who the deaf characters are in the book, simply by looking at the front cover. That crucial aspect sends the message that not all disabilities change the outward appearance of the person. A person who is deaf can be just as successful as any other person.

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Structurally, the main character, Lee, was typically on the right side of the page or faced towards the right of the page until his quartet of deaf musicians were successful on the subway. Being on the right side of the page or facing towards the right is a way to portray that the character is less secure and stable. Lee’s security with himself could’ve been lost when being kicked out of his first band before finding the quartet of other deaf musicians. Bright colors in each image helps show freedom that Lee and the other musicians feel while creating their own music on the subway throughout the book.

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Ideologically, a crucial lesson that can be taken away from this book is that disabilities do not change the success a person can have. A disability may challenge the person, but having a disability does not mean that one cannot be successful. This book also teaches children that individuality and uniqueness is important and that all students should accept their differences because those characteristics are what make them special. Throughout the entire book Lee persevered and believed in his talents and abilities, which eventually lead to his success on the subway. Teachers strive to have all students accept and include any students with disabilities.

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The Girl Who Loved Wild Horses

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Title: The Girl Who Loved Wild Horses

Author: Paul Goble

Illustrator: Paul Goble

Publishers and Year: Harper Collins Publisher, 2010

Number of pages: 25

Genre: Fiction

The Girl Who Loved Wild Horses is a tale about a young Native American girl who ran away with a band of wild horses. Many years later, upon returning to her native village she desperately wishes she were back with her true family, the horses. In the end she is reincarnated as the mate of her favorite horse.

This book serves as a literary window because it gives us an insight into a culture that may not be familiar to all readers. Throughout the story the readers pick up little pieces of Native American culture. For example, through the main character the readers are able to witness the appreciation of animals that is help in Native American circles. Although her story is fictional, it carries very real elements of their culture that serve as windows for children learning to value cultures that are different than their own.

The illustrations also do a good job of capturing the folklore of a tale passed down from generation to generation. The power is evenly distributed between the horses and the humans. This is portrayed in the way our human characters are close in size to the horses. This speaks of the unity in spirit the girl believed to have had with the horses.

The illustrations in this book perfectly speak to the freedom of spirit displayed by the main character. The illustrator used a lot of vibrant colors, which give us the boldness. There is also a lack of framing which allows us to step into the story with the characters. Overall, this book is about finding passions and following them, even if they are non-traditional. The young girl knew where her heart was and what she was passionate about. When she allowed her family to talk her out of it she was miserable. So this story speaks to children about doing what they love and pursuing their passions, no matter what they might be.

Each Kindness

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Author: Jacqueline Woodson

Illustrator: E.B. Lewis

Publisher and Year: Nancy Paulson Books 2012

Number of pages: 28

Genre: Fiction

Analysis

Each Kindness is a Coretta Scott King Award winner and tells the story of an elementary school classroom that gets a new student named Maya. Maya often dresses in worn out clothes and is ignored and made fun of by the other children, especially the narrator Chloe. Chloe is one of Maya’s biggest bullies. Maya does not make friends with the class and eventually her family moves. After Maya’s departure, the teacher, Ms. Albert, speaks to the class about kindness and changes Chloe’s mind about being kind to others.

This story is told from the perspective of Maya’s classmate who she sits next to and attempts to interact with. Chloe is consistently rude, ignores Maya, and makes fun of her with her friends. In the end, after Ms. Albert conducts the lesson on kindness, Chloe reflects on her sadness that she mistreated Maya and would not have a chance to make it up to her. This book delves into the importance of economic differences and bullying in schools.

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While this book is a good tool to show how kindness can be spread, there are some flaws in the presentation of a classroom. While Maya struggles consistently for several months with the rest of the class, her teacher does not step in and attempt to make the rest of the class stop bullying Maya, until she is gone. At that point it makes a change in Chloe’s future action, but does not change her previous actions to Maya. This enforces the idea that in a classroom the teacher wouldn’t step in until it is too late to benefit the person being picked on. While the teacher’s lesson at the end of the book about ripples and chain reactions in relation to kindness is proven to be a successful lesson with the way it impacts Chloe, there is no impact on Maya. This is a problem because it reinforces the idea that the students can get away with this bullying behavior and only have repercussions later on.

One of the positive things about the book is that in the classroom the students are illustrated as all different races. Overall, this book would be a good tool to use in a classroom to teach about kindness and deal with bullying problems, but classroom ideologies should not be modeled after the teacher in the text and one should be more vigilant in looking out for these bullying behaviors.