Tag Archives: Culture

Smoky Night

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Author: Eve Bunting

Illustrator: David Diaz

Publishing Information: Voyager Books, 1994

Number of Pages: 28

Genre: Historical Fiction

Analysis:

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                        Smoky Night is the Caldecott Award-winning book that tells the story of a young boy and his mother witnessing the rioting in the streets below their apartment building. When a fire breaks out they must flee for safety all while taking in the wreckage the rioters have caused in their neighborhood. They find safety in a shelter, and the incident unifies the people of the neighborhood.

The book was published in 1994, which led me to wonder if there was a particular incident that could have inspired the story. Sure enough, the story was inspired by the rioting that took place in 1992 after an incident of alleged police brutality against Mr. Rodney King. I think this book does an exceptional job of providing children with a window to look at this piece of history, as it gives the perspective of a child living through that chaos without being too detailed or frightening for young readers. The story mainly focuses on the child’s search for his cat, who gets lost in the midst of tenants fleeing from the apartment, which can be both problematic and useful. I can see where readers may find this problematic as it shifts focus away from the riots and focuses more on the lost cat. However, this can be useful as it makes the story more accessible to a younger audience.

The illustrations of the book were certainly eye-catching and very additive to the text. The background of each page featured real-life objects (such as hangers, plastic bags, and wooden signs) that conveyed the point that this story is based off of real-world happenings. Furthermore, the illustrations are done in dark paint and are always featured on the right-hand page which demonstrates the mood of chaos and dreariness that surrounds the events in the story. The illustrations are framed with thick, black paint, so readers are looking in on this story from afar. In addition, although the text is always featured on the left-hand page, it is written on a crumpled paper which further demonstrates the mess of the situation playing out in the story.

This book provides children with an accessible window to examine a real-life event through the eyes of a child living through it. Furthermore, they are taught the value of coming together in a tough time, as the neighbors in the story demonstrate.

March: Book One

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Authors: John Lewis and Andrew Aydin

Illustrator: Nate Powell

Publisher and Year: Top Shelf Productions, 2013

Number of Pages: 121

Genre: Non-fiction

march book one page preview 1In March: Book One John Lewis tells about the struggle he has gone through and witnessed since the beginning days of segregation. He highlights the highs and lows of the Civil Rights Movement, and how much influence he had in the process.

This book works hugely as a mirror. There are so many people that can identify with this text, and it is always helpful to get history on one’s culture. This book could work as a mirror for those who can identify with it, a window for those who can’t, and a door for those could learn a lesson from it. The 1950’s-1960’s weren’t an exciting time for African Americans, and John Lewis elaborates on that. In the beginning of the graphic novel, the Whites have all of the power. As time goes on and more Black people realize how powerful a peaceful protest could be, they begin to gain power. The use of peaceful protests is something that is still prevalent and effective today. Perceptually, the pictures mirror and add to the text, and vice versa. Most of the text is dialogue, and the rest are descriptions of scenes, people, and situations.

Structurally, the novel is set up as typical graphic novel would be: pop-out speech balloons and lots of pictures. The characters continuously move to the right, which symbolizes them moving forward. The entire book is in black and white, but the reader can still feel when a scene is “darker” than others. This may also be because the book was about problems between Blacks and Whites, so it would make sense to have the book in black and white only. Some backgrounds are white with black panels, which makes us feel lighter and less tense about what is going to happen next. Other backgrounds are black with white panels or no frames at all. There is usually a life-changing moment occurring on these pages. Ideologically, this story can serve to teach readers about African American history, if nothing else. It shows that everything does not have to be solved with violence, and that peacefully hashing things out can be more beneficial. This story also teaches readers that there are perks to being the bigger person and not letting others get to you.

Mule Train Mail

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Title: Mule Train MailIMG_6204

Author: Craig Brown

Illustrator: Craig Brown

Publisher: Charlesbridge, 2009

Number of Pages: 34 pages

Tags: Adventure, Animals, Culture, Diversity, Non-fiction, Picture Book, 4-5, Stephanie Prentice

Genre: Non-Fiction

Analysis: Anthony the mail man delivers mail to the town of Supai on a mule for through the Grand Canyon. This nonfiction book tells the story of Anthony’s journey, the only mule train delivery system left in the United States.

This story acts as a window for children to see the culture of the Supai village. The Supai village is located on the Havasupai Indian Reservation at the bottom of the Grand Canyon. This is very unique because people can only access this area by horse, mule, or helicopters.  The cultures represented in this book are depicted accurately. The author is very knowledgeable about this culture and delivery system because he took the journey himself before writing this book. He discusses his experience at the end of the book.

IMG_6205The images, created by the author, begin with a map tracking the map the mule train follows. As Anthony starts his descent to the Supai village, the images turn long-wise, emphasizing the downward descent of the mountain. The images display the different types of weather that the mules face such as snow and ice or very hot. The illustrations accurately depict the terrain in the Grand Canyon.  As they reach the bottom of the mountain, the images turn back to horizontal. The double spread page allows the reader to engage themselves in the journey alongside Anthony.  The book is told in a narrative manner, as if the author is retelling the story of his journey to a friend. Since this book tells a true story, it introduces children to a different culture. Students who read this book will be introduced to a different type of public service. In addition, it raises awareness about a culture that does not receive a lot of recognition. This book can also be used to show the dedication and determination that Anthony has for his job. The mail gets carried through very dangerous weather that could harm both Anthony and the mules.

The Butter Man

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Authors: Elizabeth Alalou and Ali Alalou

Illustrator: Julie Klear Essakalli

Publisher/Year: Charlesbridge, 2008

Pages: 30

Genre: Realistic Fiction

Analysis:

One Saturday evening, Nora could not wait for Baba’s couscous and begged for a pre-dinner snack; Baba refuses and tells Nora a story of living in Morocco during a drought and famine. Baba recalls how his favorite treat—butter—quickly ran out and he had to wait patiently for the Butter Man to walk through town so he could enjoy his bread. Although the Butter Man never showed, Baba’s father’s return home triggered a wet spring season and their family could buy the cows needed to make butter.

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Young readers who have felt the gnawing pain of hunger or experienced the frustration of having to wait for everyone to come home to eat a meal, can personally identify with the difficulties Nora and her father endured. The Butter Man acts as a window to the struggles faced by people living in the small villages of the Atlas Mountains in Morocco, where families survive by farming, and food sources are limited and unpredictable. The Butter Man exposes readers to a lifestyle very different from that of many Americans—a life where needs are not immediately satisfied and the art of being patient and resourceful is key to passing time. Finally, Baba’s childhood story provides an honorable model of behavior for readers of all kinds. Baba teaches Nora and readers that good things come to those who wait patiently, and how waiting allows a person to better appreciate and enjoy the awaited thing when it is finally in their possession. After many long days of waiting and the disappointment of not seeing the Butter Man, Baba received an even greater gift: the return of his father, and in due time, butter and a revived farm.

In The Butter Man, power is not an external force, but exists within the individual; it is the ability to wait for something meaningful. Just as Baba’s mother taught him the virtue of patience, Baba hoped to do the same for his daughter Nora. The Butter Man affirms and accurately portrays Moroccan and Islamic culture. Essakalli draws the Morrocan people in authentic cultural attire, and together, the text and illustrations depict Moroccan people as hardworking and humble people. Readers can empathize with Baba and his neighbors who must look for work to support a family during famine, in villages that lack electricity, cars, and paved roads. The book also provides a fresh look on modern Moroccan-American culture, as shown by Baba’s continued tradition of cooking the couscous for Saturday dinner (while the wife works).

The importance of one’s heritage and culture is communicated through the Alalou’s inclusion of authentic Berber language (e.g. baba, bahalou, mahalou) and Moroccan traditions (e.g. Bismillah: pre-meal blessing; use of special Moroccan pot to prepare couscous). Illustrations in The Butter Man are unframed with some even spanning two pages; this encourages the reader’s involvement in the hunger and impatience felt by Baba and Nora. Folk art paintings fit with the lesson-giving nature of The Butter Man. Intense, yet subdued, colors (burnt oranges and reds) convey the intensity of the drought and famine. Likewise, the disproportionately large size of the Moroccan pot and couscous dish help portray the strength of these time-honored traditions and also remind readers of the great deal of waiting Baba and Nora had to endure before savoring the dinner. As a whole, The Butter Man challenges gender roles (Baba cooks the Saturday dinner), celebrates the symbolic connection between food and heritage, and shows patience and humility to be virtues and character-builders.

Last Stop on Market Street

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Author: Matt de la Peña

Illustrator: Christian Robinson

Publisher/Year: Penguin Group, 2015

Pages: 28

Genre: Realistic Fiction

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Analysis:

On one particularly rainy Sunday, CJ is far from excited about riding across town with his grandma to the soup kitchen where they volunteer; he questions Nana as to why they must wait for the bus, why they do not have a car like his friends do, and why they cannot just go home after church. Nana helps CJ’s imagination grow by encouraging him to look for the beauty along their journey—from the magic of music and city life, to the spirited characters of the soup kitchen.

The Last Stop on Market Street can speak to young readers, such as CJ, who feel uncomfortable living a lifestyle different from that of their peers, and needed a push from someone they love to appreciate what they have and are working for. Young readers who live with and/or spend most of their time with a grandparent or other non-parent caregiver can also relate to CJ’s experiences with Nana. Likewise, The Last Stop on Market Street functions as a window. As a narrative of a young boy living modestly in the city, Matt de la Peña’s book introduces readers to a day in the life of someone who may be less advantaged (i.e. financially) than they are. White readers of the middle class are given a chance to empathize with CJ as he realizes the cultural differences that divide he and his friends (e.g. CJ must wait in all weather for the public bus, and has to volunteer after church instead of going home to relax). Finally, The Last Stop on Market Street acts as a door through Nana’s example of respect and optimism. Specifically, Nana models for CJ how to be a “better witness for what’s beautiful” by not being narrow-minded (p. 22). For example, when CJ questions why the blind man cannot see, Nana invites CJ to consider understanding the world through one’s ears.

Symbolic power—the ability to see the beauty in even the most imperfect and overlooked aspects of life—is imparted on CJ through his Nana’s wise advice and model behavior. Both the text and illustrations accurately and respectfully represent African American culture. Many, but certainly not all, African American parents are absent in their children’s lives due to divorce or multiple jobs, as can be inferred by the intimacy between CJ and Nana. The language used by CJ and Nana is not always grammatically correct (e.g. “gotta;” “Boy” to refer to CJ) and resembles slang. Although CJ and Nana are stereotypically living and working in an urban environment, Peña and Robinson celebrate the spirit and diversity of such a place. Contrary to what one might expect, Robinson’s soup kitchen is a place where men and women of all colors work and eat.

Text, in the form of out-loud wonderings, questions, and wishes, is used to communicate CJ’s initial resentment and discontentment with his lifestyle. Nana’s wisdom and her helpful advice for CJ are also communicated through words. Illustrations in The Last Stop on Market Street embrace the theme of human diversity. Many characters are illustrated with a distinctive look (e.g. tattooed man; pregnant woman), and represent a wide range of ability (e.g. blind; physically handicapped) and race (black, white, and all colors in between). In this way, Robinson’s illustrations challenge various stereotypes, such as how soup kitchens and public transportation are not just for people of color. Late in the book, hawks flying towards the right of the page, and the use of brighter, more optimistic colors to illustrate the neighborhood slum symbolize the return of CJ’s pride for their work at the soup kitchen, and respect for the community he lives in. The Last Stop on Market Street preaches the value of humility, or the idea that having less allows a person to see more beauty in the world. Another, perhaps unintended theme is orthopraxy, explored by how CJ and Nana go to church but also do good works (volunteer work).

A Story A Story: An African Tale

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IMG_4281 Author(s): Gail E. Haley

Illustrator/Photographer: Gail E. Haley

Publisher and Year: Aladdin Paperbacks in 1970

Number of Pages: 32

Genre: Fiction, Folklore

Analysis:

In this African tale, Ananse, or the spider man, decided one day that he wanted all the stories that the Sky God had in his golden box. Ananse had to first outsmart and capture a leopard, hornets, and a fairy to give to the Sky God in order to receive these stories. But after collecting these items for the Sky God, he received the golden box of stories and brought them back down to share with the people of earth, which is why African tales are now called spider stories.

I believe that this text could function as a window for readers who are not familiar with the African culture because it describes the reason that many African stories are called “Spider Stories,” it mentions a god or religious figure, and the illustrations show traditional African clothing and face paint. I also believe this could be an opportunity to introduce more cultures to the classroom, as well as, the chance to explore more traditional folklores and fables. This story could also function as a mirror for African American children to realize and understand the importance of their culture in a Westernized society. In the text, the Sky God is the character with all the stories and, therefore, all the power. I also thought that the stories were symbolic of knowledge, and Ananse wanted more knowledge but had to prove to the Sky God he was worthy of it first. The Sky God was also illustrated as larger and dressed more colorfully than all the other characters to represent his high status and power. The illustrations throughout the text are very colorful and contain lots of different patterns which help give the story a more energetic and tribal feel to it. I also believe that the images made the story more interesting and added to the overall message of the story.

Therefore, I would say that the text did a nice job of making the reader more aware of another culture and their thoughts and beliefs about why things are the way they are today. The original intent of this story was to help explain to others why African stories are often called “Spider Stories,” but in the process it also showed that someone can be successful even if they have all odds against them.

Papa’s Mark

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IMG_4265Author(s): Gwendolyn Battle-Lavert

Illustrator/Photographer: Colin Bootman

Publisher and Year: Holiday House in 2004

Number of Pages: 30

Genre: Historical Fiction

Analysis:

This book is the story of how an African American boy named Simms, helped his father in becoming one of the first African Americans to vote in an election. Simms’s father does not know how to sign his name other than by just making a mark, therefore, Simms helps him learn how to write his name and encourages him and other African American men to vote in the election. In the end, Simms’s father and many other African American men vote despite any prior fears or uncertainties.

This book could serve as a window into seeing the injustice that many African Americans have faced, and still do today. This book could also function as a mirror for African American children, in which they may recognize the value of their culture and the role they play, as children, in their culture. I also believe that this story is a door for all people to really begin to recognize the racism that is still present in our world today, and encourage children to become advocates for their culture and their rights as humans. The illustrations that accompany the story portray the characters in a very accurate way, from the way they are dressed, to the expressions on their faces. The colors used throughout the book are fairly dark with a yellow and brown color scheme, which can represent the confinement felt by the African Americans in this book.

I thought that the author accurately described the challenges that faced many African Americans during the Civil Rights movement, and even after they earned the right to vote. This book does not go into much detail of what had happened in order for the African Americans to have the right to vote, but it does explain how literacy was one challenge for many African Americans and also the fear of what might happen to them if they do vote. Also, all throughout the story, Simms is always around to help his father like picking up groceries, teaching his father how to spell his name, making posters, and encouraging both his father and other African American males to vote which shows children that they are capable of helping their elders and making a difference in social justice situations. Simms can also be considered a symbol of younger generations and the huge impact they have on continuing the fight for civil rights.

Lon Po Po: A Red Riding Hood Story from China

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Title: Lon Po Po: A Red Riding Hood Story from China

Author: Ed YoungIMG_6193

Illustrator: Ed Young

Publisher: Philomel Books, 1989

Number of Pages: 30 pages

Tags: Award Book, Animals, Culture, Fiction, Picture Book, 2-3, 4-5, Stephanie Prentice

Genre: Myth

Analysis: This tale from Ancient China is very similar to the European version of The Little Red Riding Hood. After their mother leaves to see their grandmother, Shang, Tao, and Paotze are left home alone when they hear a knock on the door. The wolf claims to be the children’s grandmother, but they soon realize she is not. They plan on how to get rid of the wolf. This book is a Caldecott Gold Medal award winner.

Children who read this book can easily recognize the similarities and differences between this tale and the Westernized version. They can also see how the Chinese culture tells this well-known story. The authentic Chinese culture is reflected in this story, as it was translated from an ancient Chinese oral tradition that is nearly a thousand years old. Since the author of the text is part of the Chinese culture himself it is fair to say this story is an accurate representation.

The images are a combination of pastels and water color, which work very well together. The images are also framed, emphasizing the idea the story is an old tradition. In the beginning of the story, the colors are brighter but soon turn dark, signaling the danger that is soon to come. The pictures of the wolf are always created with dark colors creating a dark and dangerous feel. The emotions on the childrens’ faces are realistic and one can sense the fear they have. As the children defeat the wolf, the images become brighter once again. The main plot of the story is very similar to the western traditional story; however, it incorporates many things from the Chinese culture. For example, the children climb the gingko tree, which has gingko nuts that allow for people to live forever. The children are also seen wearing traditional Chinese clothing. The heroine in this story is a female, which is rare for fairy tales. From the beginning, the oldest daughter realizes that the wolf is playing a trick on them. This differs from the Western version where the main character falls for the wolf’s tricks. This story shows the dangers of children staying home alone. The wolf saw the mother leave and takes advantage of the situation. This story also teaches children they should obey their parents. Before the girls’ mom left, reminded them to shut and lock the door tight. When the wolf arrives at the house, the girls open the door for him. In addition, this story teaches children to keep calm while they are in danger. IMG_6194

A Day’s Work

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Title: A Day’s Work

Author: Even Bunting

Illustrator: Ronald Himler

Publisher and Year: Clarion Books, 1994

Number of Pages: 32

Genre: Realistic Fiction

Analysis: A Day’s Work is a story about a young boy, Francisco and his grandfather, who go to look for work in America after Francisco’s grandfather moves in with Francisco and his mother. Francisco goes with his grandfather since he does not understand English yet. The two work hard but realize that they have to come back the next day to redo their day’s work.

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This book can function as a mirror for those just moving to America from another country. Many experiences that Francisco’s grandfather goes through could also be significant for other people as well. Not knowing English and having to learn English as a second language can be challenging for anyone. This book could also function as a window, for people who speak English to learn about the challenges that others experience when moving to the United States.

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Perceptually, the colors from the front cover appear dull, which is not very interesting or engaging for young children. They also appear to be pencil drawings looking like rough sketches, but very detailed. Although the colors are dull and not intriguing, the mysteriousness behind the front cover, invites the reader inside the book to continue reading the story.

Structurally, the images are not framed, which allows the audience to feel invited in and included throughout the book. The text per page with the images is just the correct amount of text so that the reader can understand the text before turning to the next page. The images leave the audience with a mysterious feeling because there is not a clarity in the images, especially the faces, which leaves the reader with an idea about what occurred on that page because of the text but does not provide many details. Since the reader is not able to clearly see the faces of the characters, facial expressions and emotions are hard to see in the images. The illustrator may be trying to make a point about these workers and that workers may not want to specifically have an identity because of frequent job changes or moves.

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Ideologically, this book is an excellent example of honesty, loyalty, and that hard work pays off. The grandfather and Francisco are loyal and honest with their employer. Since they completed the wrong job, they were not going to accept payment until the next day when they had completed the job correctly. This example teaches children to always be honest and loyal because these characteristics are valued among adults, parents, and teachers. The easy way out would have been from the grandfather and Francisco to simply accept the money and come out the next day to partially complete the job, but they took the harder route by waiting. Another lesson that this book teaches children is that hard work pays off. Since Francisco and his grandfather took the harder route, they were more valued by their employer, and it could be likely for them to be asked again by this same employer to work for him another time. A Day’s Work is a great book to teach children about morals and values.

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Benito’s Sopaipillas

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Title: Benito’s Sopaipillas

Author: Ana Baca

Illustrator: Anthony Accardo

Publisher and Year: Piñata Books, 2006

Number of Pages: 26

Genre: Fiction

Analysis: Benito’s Sopaipillas is about a young girl,Cristina, learning about her family history. Her grandmother tells her a story about Cristina’s great grandfather Benito and his soup catchers also know as sopaipillas in Spanish that he made many years ago with his mother.

This book can function as a window for those who are not familiar with this culture and sopaipillas. Many people who read this book can learn a lot about the culture displayed throughout. Not only could the book function as a window, but it could also function as a mirror for those who are familiar with this culture. People of this culture can relate to this book and understand the story behind sopaipillas. Benito’s Sopaipillas can also function as a door for children who want to learn more about their family culture and history. Cristina learns a lot about her great grandfather Benito and his sopaipillas, so other children could want to learn about their family history.

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Perceptually, the front cover of the book had a mysterious feeling especially since they were cheering for rain, which was unclear the meaning behind the image on the front. From the front cover, there is both Spanish and English portrayed in the title, author and illustrator which showed that the book would both involve Spanish and English, without even opening to the first page.

Structurally, all the images are on the right side, with the entire left side full of text. The text is in two different languages, Spanish and English, which is why the text takes up an entire page. On each page, the image is framed, which only allows the audience to have a glimpse into the storyline, and not truly connect with the storyline and characters. Separating the English text and the Spanish text is a small image of a crop. This image changes throughout the book adapting to the storyline, three examples of this image can be seen below.

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Ideologically, the book expresses stories about Cristina’s family history, showing to the audience that family history is important for all to learn about. Cristina learned about her own family’s culture and history, which could encourage the audience to also learn about their own family culture and history. Since the book contains text in both Spanish and English, the two different languages are useful depending on the audience. For example, if one person wanted to learn Spanish and knew English, he or she could read the English text and the Spanish text to learn the meaning of different words. The same is true for the opposite, if one person were to know Spanish, but not English, he or she could use both texts to learn English.

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