Tag Archives: Award Book

Knock, Knock: My Dad’s Dream for Me

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Title: Knock, Knock: My Dad’s Dream for Me

IMG_6195Author: Daniel Beaty

Illustrator: Bryan Collier

Publisher: Little, Brown and Company, 2013

Number of Pages: 40 pages

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Genre: Fiction

Analysis: In this story, a boy talks about his morning routine that involves his father knocking on his door to wake him up. However, his father doesn’t come to his door one morning because he is incarcerated. He waits patiently, but his father never shows back up. The rest of the story is told through a letter that his father writes him from jail describing the dreams he holds for his son. This book is a Coretta Scott King Award Winner.

This book serves as a mirror to the children who have an absent parent in their life for any reason. The story talks about the process of growing into adulthood while missing a parent. It is told from the child’s point of view, displaying the wide range of emotions that took place during these times. The child in the story never finds out where his father is, which can be representative of some children’s reality. However, as the story goes on we see the child grow in age and see him accomplish many things. For this reason, the book also serves as a door to its readers. It gives them courage to keep going when they might be scared without parental guidance. In the author’s note, we learn that the author created this book in regards to his own personal life. His father was placed in jail when he was only three years old.

The illustrations in this book are put together with collage materials and water colors, giving a feel for the Harlem area in which the story is set.  There are other children’s faces used on the buildings. The images of the other children and sometimes clear and sometimes faded. Perhaps they are symbolic of memories fading away with time. The emotions on the narrator’s face are clear and add an element that is not described in the text. The father’s tie is present in the beginning of the book, but as the story goes on we see the main character put the tie on himself as he grows older. We also see the growth of the boy, symbolizing the time passing while his father is still gone. The structure of this book relies heavily on the letter the boy’s father sends him. The letter discusses many life lessons that a father can teach his son such as shaving for the first time. The father tells the boy to knock down doors that IMG_6196he couldn’t, as well as knock to open the doors to his dreams. This element ties into the game they used to play when he as a child. Ideologically, this book has many important lessons. While it speaks to the children who have lost a parent, it also aims to show hope, the importance of making good decisions, and to not let a past define a future. This book speaks to all children who may have the odds stacked against them. Some people may believe that this book is stereotypical because the father, an African American, is sent to jail. However, I believe that this book is great for all children, regardless of their situation.

Lon Po Po: A Red Riding Hood Story from China

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Title: Lon Po Po: A Red Riding Hood Story from China

Author: Ed YoungIMG_6193

Illustrator: Ed Young

Publisher: Philomel Books, 1989

Number of Pages: 30 pages

Tags: Award Book, Animals, Culture, Fiction, Picture Book, 2-3, 4-5, Stephanie Prentice

Genre: Myth

Analysis: This tale from Ancient China is very similar to the European version of The Little Red Riding Hood. After their mother leaves to see their grandmother, Shang, Tao, and Paotze are left home alone when they hear a knock on the door. The wolf claims to be the children’s grandmother, but they soon realize she is not. They plan on how to get rid of the wolf. This book is a Caldecott Gold Medal award winner.

Children who read this book can easily recognize the similarities and differences between this tale and the Westernized version. They can also see how the Chinese culture tells this well-known story. The authentic Chinese culture is reflected in this story, as it was translated from an ancient Chinese oral tradition that is nearly a thousand years old. Since the author of the text is part of the Chinese culture himself it is fair to say this story is an accurate representation.

The images are a combination of pastels and water color, which work very well together. The images are also framed, emphasizing the idea the story is an old tradition. In the beginning of the story, the colors are brighter but soon turn dark, signaling the danger that is soon to come. The pictures of the wolf are always created with dark colors creating a dark and dangerous feel. The emotions on the childrens’ faces are realistic and one can sense the fear they have. As the children defeat the wolf, the images become brighter once again. The main plot of the story is very similar to the western traditional story; however, it incorporates many things from the Chinese culture. For example, the children climb the gingko tree, which has gingko nuts that allow for people to live forever. The children are also seen wearing traditional Chinese clothing. The heroine in this story is a female, which is rare for fairy tales. From the beginning, the oldest daughter realizes that the wolf is playing a trick on them. This differs from the Western version where the main character falls for the wolf’s tricks. This story shows the dangers of children staying home alone. The wolf saw the mother leave and takes advantage of the situation. This story also teaches children they should obey their parents. Before the girls’ mom left, reminded them to shut and lock the door tight. When the wolf arrives at the house, the girls open the door for him. In addition, this story teaches children to keep calm while they are in danger. IMG_6194

Dear Primo: A Letter to My Cousin

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Author: Duncan Tonatiuh

Illustrator: Duncan Tonatiuh

Publisher and Year: Abrams Books for Young Readers, 2010

Number of Pages: 29

Genre: Realistic Fiction

Analysis: Dear Primo is a book about two cousins who live in different countries, one in America and the other cousin in Mexico. These boys write letters back and forth comparing the cultural differences in their own country. Dear Primo is also a 2015 Monarch Award Nominee.

This book could function as a mirror for other families whom are separated by country borders. Many families experience separation from one another and have some cultural differences within their family members. For families who are experiencing the same dilemma as Charlie and Carlitos, this book could function as a door because it could encourage them to write letters or communicate more with their families in other countries. However, this book could also function as a window for those who have family living in the same town or even same state because they could learn more about different cultures amongst families after reading this book.

Perceptually, the unique depictions of the characters on the front-page make the audience wonder what the book is about and curious if all the images will have a similar style as the drawings of the boys on the front. Once seeing the cover, the reader may want to dive into the book and read more about the culture seen. From the front cover, people who have learned about Spanish will recognize the word “primo” which means cousin in Spanish. This hint allows Spanish-speaking readers to know that this book will include the Spanish culture.

Structurally, the unframed images allow the audience to feel part of the action, experiencing the moments with Charlie and Carlitos. While reading the book, a reader may relate more to one cousin than the other. Within the book there are a couple pages that have similar instances portrayed with minimal differences. For example on the last page, which Primo2is seen to the right, the boys are both in bed, but the differences of their shoes, lights, beds, shelves, tables and toys all vary based on the culture and country that the boys live in. The images throughout the book add to the words. Often times when Carlitos is writing he will include words in Spanish, so the images help the reader to understand the meaning of those few Spanish words.

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The book ideologically portrays some important lessons about family and culture. The value of family can be seen throughout this book by the letters that Charlie and Carlitos write to each other. The boys care for one another and value the differences within their culture. Even though the cultural differences exist, the boys still love and respect one another. The differences are what make the family special in their own way. This book teaches others about a new culture and some basic language that children may be able to use. The lessons throughout this book are beneficial, informational and intriguing.

Each Kindness

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Author: Jacqueline Woodson

Illustrator: E.B. Lewis

Publisher and Year: Nancy Paulson Books 2012

Number of pages: 28

Genre: Fiction

Analysis

Each Kindness is a Coretta Scott King Award winner and tells the story of an elementary school classroom that gets a new student named Maya. Maya often dresses in worn out clothes and is ignored and made fun of by the other children, especially the narrator Chloe. Chloe is one of Maya’s biggest bullies. Maya does not make friends with the class and eventually her family moves. After Maya’s departure, the teacher, Ms. Albert, speaks to the class about kindness and changes Chloe’s mind about being kind to others.

This story is told from the perspective of Maya’s classmate who she sits next to and attempts to interact with. Chloe is consistently rude, ignores Maya, and makes fun of her with her friends. In the end, after Ms. Albert conducts the lesson on kindness, Chloe reflects on her sadness that she mistreated Maya and would not have a chance to make it up to her. This book delves into the importance of economic differences and bullying in schools.

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While this book is a good tool to show how kindness can be spread, there are some flaws in the presentation of a classroom. While Maya struggles consistently for several months with the rest of the class, her teacher does not step in and attempt to make the rest of the class stop bullying Maya, until she is gone. At that point it makes a change in Chloe’s future action, but does not change her previous actions to Maya. This enforces the idea that in a classroom the teacher wouldn’t step in until it is too late to benefit the person being picked on. While the teacher’s lesson at the end of the book about ripples and chain reactions in relation to kindness is proven to be a successful lesson with the way it impacts Chloe, there is no impact on Maya. This is a problem because it reinforces the idea that the students can get away with this bullying behavior and only have repercussions later on.

One of the positive things about the book is that in the classroom the students are illustrated as all different races. Overall, this book would be a good tool to use in a classroom to teach about kindness and deal with bullying problems, but classroom ideologies should not be modeled after the teacher in the text and one should be more vigilant in looking out for these bullying behaviors.

Owl Moon

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Author: Jane Yolen

Illustrator: John Schoenherr

Publisher and Year: Philomel Books 1987

Number of pages: 29

Genre: Poetry

Analysis:

Owl Moon is a Caldecott winner that tells the story of a girl who goes owling with her father. The book delves into her family’s tradition of owling and how this instance is the first time she gets to accompany her father. Late at night, they go into the forest in search of an owl and trek through the snow and through the trees. Her father intermittently does owl calls and eventually they encounter one.

This story serves as a window or a door into the world of owling, the world of nature, and the importance of family traditions. The illustrations are done in a watercolor style full of a balance of rich, dark colors and the stark white of the snow described by the narrator. Although the story takes place at night, the characters and their surroundings are illuminated in the moonlight to create a serene aesthetic. The text itself is written in a poetic style with flow akin to that of a child forming thoughts. The words are eloquently strung together to reinforce the importance of the event in the young girl’s mind. While the flow of the text is broken up into small lines and stanzas, the word choice shows a more adept writer who is writing in a more carefree manner.

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Culturally, this book touches on the importance of family traditions and familial relationships. This one, seemingly simple, event had enough of an impact on the little girl that she retells the story. Overall, this book does not have much cultural value to it. While Owl Moon has beautiful, award winning illustrations, it does not have multicultural significance. The two main characters of the book are both white and there are no other people in the book. The text may have nice flow and beautiful word choice, but the story itself holds little cultural importance in a classroom. There are several activities that could be created from this book, but in order to ensure that a class does not exclude anyone, the activities would need to change from the inherent ideologies presented in the book. Instead of reinforcing the idea of a typical family being parents as being the primary caretaker, instead stress the importance of every family type. This may still exclude children who live with foster families so when discussing this book, be sure to specifically include them as well. Although problems may arise from teaching a lesson only with this book, Owl Moon could be paired with other more multicultural texts to discuss many family types and family traditions.

A Day with No Crayons

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Author: Elizabeth Rusch

Illustrator: Chad Cameron

Publisher/Year: Rising Moon, 2007

Pages: 27

Genre: Realistic Fiction

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Analysis:

In A Day with No Crayons, a young Hispanic girl named Liza has her beloved crayons taken away for a day when she colors the walls of her room. Although sad at first, Liza quickly realizes that she does not need crayons to make art; art is all around her just waiting to be uncovered. Slowly, Liza’s world turns less and less gray as she colors her world using grass, flowers, mud, berries, leaves, and bricks.

 On a very basic level, many young readers can relate to Liza’s challenge of having to find alternate means of fun after getting in trouble and having things taken away. A Day with No Crayons does not really provide a window to the lives of others but it does, however, provide a window to the unexplored world we live in. Liza is surprised to find all of the beautiful and exotic colors around her, just waiting to be discovered, named, and transformed. Liza even concludes that a day apart from her crayons was actually quite liberating. Liza also models good problem solving skills, such as how to create something out of seemingly nothing.

 Although initially power rests with the mother and her ability to take away or give back Liza’s crayons, creative power ultimately rests with Liza, for she can choose to find and work with the color and art around her. The absence of crayons does not create a power struggle between Liza and her mother, nor does it represent an unconquerable obstacle for Liza. The mother is the only parent involved in the story and is rather stereotypically shown to be the rule-enforcing, punishment-giving parent. Although this instance of taking the crayons away helps Liza to grow (as an artist), it may still enforce in young readers’ minds the notion of a father as a buddy and only-around-for-the-fun sort of guy, rather than as an involved or active parent.

 The beauty and uniqueness of the world is conveyed by the use of creative and descriptive color names, such as cornflower, laser lemon, meadow green, and wondermelon. These words help communicate Liza’s excitement about the rainbow of colors around her. To help Liza’s world come alive in color, actual photographs of nature are skillfully blended with painted illustrations. Cameron’s changing color scheme is symbolic. When first deprived of her crayons, Liza feels blue and everything around her is illustrated in grayscale. However, bright colored illustrations gradually consume more and more of the page as Liza realizes the freedom of not being tied to her crayons and coloring books. The illustrations are also diverse in style, ranging from a two page spreads, to multiple unframed images per page, and to paintings that seem to crawl up the edge of the page. Liza is similarly drawn at different perspectives and with changing expressions. These dynamic illustrations captivate the book’s creative energy and show Liza to be a lively individual with spunk. With Rusch’s decision to have a female main character, A Day with No Crayons advertises, to a degree, that art and coloring are feminine hobbies. However, Rusch’s book nonetheless embodies a positive sky-is-the-limit attitude, and makes an interesting claim about art: that nature is more inspiring than material objects, such as crayons and coloring books.

Freedom Summer

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Author: Deborah Wiles

Illustrator: Jerome Lagarrigue

Publishing Information: Aladdin Paperbacks, 2001

Number of Pages: 27

Genre: Historical Fiction, Picture book

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Analysis:

A white boy Joe makes friends with John Henry, the son of the maid of his family. They play together all the time. But there were a lot of laws and rules against black people back then. John Henry cannot get into the store from the front door or swim in the town pool even if he is the finest swimmer. Finally, John Henry decides to use the front door and Joe is right there with him.

The story is based on historical facts. The author grew up in Mobile, Alabama and usually spent her summer with her relatives in Mississippi as she mentioned in the book before she told the story (P. 1). The town pool there was not open to black people. However, when the Civil Rights Act was passed, she witnessed that the town pool was closed. The book serves as a window for children to look back at history and also as a mirror for readers to reflect what is right and what is wrong.

Both of the two characters of this book have strong personalities. John Henry is a nice boy and he would help his mother with her work. In the first half of the book, John Henry does not seem to care whether he could use the front door to the store or whether he could swim in the town pool. He grew up happily playing with Joe and having fun swimming in the creek. But once he realized the difference between rights of white people and rights of himself, he was sad and angry. “John Henry’s eyes fill up with angry tears” (P. 23). The purpose of this book is to expose children to racism. The author tries to convey her point of view that racism is wrong and it can truly hurt feelings of somebody who is so nice. In the book, the author depicts Joe as a sensitive and warmhearted little boy. He would give up going swimming in the town pool just to keep company with John Henry. At the end of the book, Joe and John Henry walked through the front door together. Joe did not ignore the importance of civil rights although he was not directly harmed. He would fight for his friend. He would fight for what is right.

Perceptually, the book uses narrative sentences to tell an engaging story. The whole book uses dark color a lot which conveys a depressing atmosphere. I can find a few bright colors in some of the happy scenes. I found it smart that the illustrator tried to narrow down the difference of Joe and John Henry’s skin colors. Structurally, the text and images are completely separated which helps children to get the story as a whole. Ideologically, this book stresses friendship based on diversity backgrounds. Also, it encourages minorities to stand up for their rights and reminds readers that Civil Rights are universal. It is crucial for everybody to be concerned with it and get involved.

Mufaro’s Beautiful Daughters: An African Tale

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Author/Illustrator: John Steptoe

Publisher and Year: Puffin Books, 1987

Number of Pages: 29

Genre: Folktalemufaro

Analysis: In “Mufaro’s Beautiful Daughters: An African Tale,” Mufaro has two beautiful daughters: Nyasha, who is kind and considerate, and Manyara, who is rude and selfish. Manyara learns a valuable lesson when she uses sneaky tactics to become the queen. This book would work well as a mirror for the intended audience. Firstly, young, African American girls should know that they are beautiful. Secondly, it teaches children that kindness and generosity will prevail over spitefulness and rudeness. There is a King who is searching for a wife to make the queen. Together, these two have all of the power over the people. This story is an African tale, so the African culture is represented and it is evident in the clothing and accessories that the people wear. It is also evident in the marrying off of daughters to the King. From my understanding, the outfits, traditions, and names align well with the African culture.

In this book, the text (mostly dialog) tells the story and explains the images. The text is off to the side of pictures, although the text does play a major part in the understanding of the book.

Nyasha is often in a darker light when she is being made fun of by her sister. When Nyasha is not being insulted by her sister, she looks majestic and a light shines on her, while Manyara always has her hands on her hips and a disapproving look on her face. Nyasha appears much bigger than Manyara when she is crowned queen.

Manyara teaches us to always be kind to others. Do to others as you would have them do to you.

 

The Three Pigs

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Author/Illustrator: David Wiesner

Publisher and Year: Clarion Books, 2001

Number of Pages: 38

Genre: Fantasy/Fiction

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Analysis: “The Three Pigs” is a book where Wiesner puts a weird but interesting twist on the typical “The Three Little Pigs” story by not only allowing the pigs to stand strong, but to move on into a whole different story. From there, they escape the big bad wolf along with a new friend. This book could function as a door into the imaginative world of the three pigs. An old tale that many of us grew up on now has a huge twist on it, opening up our eyes to the many possibilities. In the typical beginning of the story, the wolf has all of the power. Then, the pigs become powerful and essentially “create their own ending” to the story. The images align with my understanding of culture by allowing the pigs to go in and out of reality. They are also allowed to dip into another story and experience something from that and (literally) take something from it.

Perceptually, the words in this book sometimes contradict the images, but it works. The words are typical “The Three Little Pigs,” and dialog is used often.

Structurally, the pigs “come out” of story and “go into” another. They look realistic when they’re not in their story, and the pictures are framed when their classic story is being told. The pigs move in the right direction into the new story.

Similar to the original story, “The Three Pigs” shows us that bullies never prevail.

 

Flotsam

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Author/Illustrator: David Wiesner

Publisher and Year: Clarion Books, 2006

Number of Pages: 36

Genre: Realistic Fiction

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Analysis: “Flotsam” is about a boy who goes on a casual trip to the beach with his family. On the trip, he finds a camera with a long-lasting tradition attached to it. This book could work as a window to perhaps view another culture through this little boy’s adventures. There is a sample of each child’s culture through their picture, and although every person’s culture may differ, they are all still brought together with the camera. This may even work as a mirror for those who could see themselves as the young boy who finds the camera. The images provided portray each child in a different light, and we can see it in the way that they dress and their background.

Perceptually, this book has no words, it is a picture narrative.

Structurally, some pictures are framed with a limited view, and the entire story is “told” through expressions and pictures.

Ideologically, this book teaches the importance of tradition, and that the curiosity and imagination of child could go a long way.