Alex the Parrot: No ordinary bird

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Author: Stephanie Spinner

Illustrator: Meilo So

Publisher and Year: Alfred A. Knopf 2012

Number of pages: 38

Genre: Non-fiction

Analysis

Alex the Parrot is a short chapter book with pictures that describes the life of the African Grey Macaw Alex and his handler Irene Pepperberg. It tells of Irene’s experiments with Alex in order to prove that birds are smart creatures capable of understanding human concepts such as colors, numbers, and shapes.

This book functions as a window or door into the scientific community. The main culture addressed and discussed in the book is that of Irene and her experiences and observations in the scientific field. At many points in the book, it is discussed that Irene has to do certain things in order to ensure that her research will be respected. The book displays scientific culture as something that is easily understandable to children and explains processes Irene follows in a way that is easier for students to understand. The pictures themselves do little to add to the story itself but enhance the overall experience of the book.

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The text is broken into smaller three to five sentence paragraphs and each page typically has two to five small paragraphs on it. Having the text broken up in such a way is conducive for a children’s literature book because it allows children to digest the harder information in smaller doses. The pictures are done in a sort of watercolor style and while the humans seem more cartoonish, Alex and any other animals look very realistic. This adds to the readers understanding and visualization that all the events discussed in the books actually occurred. The illustrator uses large pictures and bright colors to capture attention of the reader. The illustrator also uses humor in some instances to break up larger portions of text and keep the reader interested.

The book itself is a truthful retelling of Irene’s experiment and discusses Alex’s death and his death’s impact on the future the experiment. This book is a good tool to use and have in a classroom and is suitable for many ages. This book can function as a stepping stone into discussion of many different aspects of the scientific field. Some examples include experimentation hypothesis process, validity of an experiment, or the general topic of animal brain function. Overall, this book can serve a way to get children interested in scientific topics.

A Day with No Crayons

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Author: Elizabeth Rusch

Illustrator: Chad Cameron

Publisher/Year: Rising Moon, 2007

Pages: 27

Genre: Realistic Fiction

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Analysis:

In A Day with No Crayons, a young Hispanic girl named Liza has her beloved crayons taken away for a day when she colors the walls of her room. Although sad at first, Liza quickly realizes that she does not need crayons to make art; art is all around her just waiting to be uncovered. Slowly, Liza’s world turns less and less gray as she colors her world using grass, flowers, mud, berries, leaves, and bricks.

 On a very basic level, many young readers can relate to Liza’s challenge of having to find alternate means of fun after getting in trouble and having things taken away. A Day with No Crayons does not really provide a window to the lives of others but it does, however, provide a window to the unexplored world we live in. Liza is surprised to find all of the beautiful and exotic colors around her, just waiting to be discovered, named, and transformed. Liza even concludes that a day apart from her crayons was actually quite liberating. Liza also models good problem solving skills, such as how to create something out of seemingly nothing.

 Although initially power rests with the mother and her ability to take away or give back Liza’s crayons, creative power ultimately rests with Liza, for she can choose to find and work with the color and art around her. The absence of crayons does not create a power struggle between Liza and her mother, nor does it represent an unconquerable obstacle for Liza. The mother is the only parent involved in the story and is rather stereotypically shown to be the rule-enforcing, punishment-giving parent. Although this instance of taking the crayons away helps Liza to grow (as an artist), it may still enforce in young readers’ minds the notion of a father as a buddy and only-around-for-the-fun sort of guy, rather than as an involved or active parent.

 The beauty and uniqueness of the world is conveyed by the use of creative and descriptive color names, such as cornflower, laser lemon, meadow green, and wondermelon. These words help communicate Liza’s excitement about the rainbow of colors around her. To help Liza’s world come alive in color, actual photographs of nature are skillfully blended with painted illustrations. Cameron’s changing color scheme is symbolic. When first deprived of her crayons, Liza feels blue and everything around her is illustrated in grayscale. However, bright colored illustrations gradually consume more and more of the page as Liza realizes the freedom of not being tied to her crayons and coloring books. The illustrations are also diverse in style, ranging from a two page spreads, to multiple unframed images per page, and to paintings that seem to crawl up the edge of the page. Liza is similarly drawn at different perspectives and with changing expressions. These dynamic illustrations captivate the book’s creative energy and show Liza to be a lively individual with spunk. With Rusch’s decision to have a female main character, A Day with No Crayons advertises, to a degree, that art and coloring are feminine hobbies. However, Rusch’s book nonetheless embodies a positive sky-is-the-limit attitude, and makes an interesting claim about art: that nature is more inspiring than material objects, such as crayons and coloring books.

My Name is María Isabel

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Author: Alma Ada Flor

Illustrator: K. Dyble Thompson

Publisher/Year: Athenaeum Macmillan Publishing Company, 1993

Pages: 57

Genre: Realistic Fiction

Analysis:

María Isabel Salazar López, a third grader born in Puerto Rico, struggles to fit in at her new school in the United States, especially when her teacher insists on calling her “Mary Lopez” to avoid confusion with two other classmates named María. María Isabel wants to make her parents and ancestors proud, but feels incapable of doing so when she must “listen so carefully every time the teacher calls for ‘Mary Lopez’” (p. 27). However, after reading that María Isabel’s greatest wish is to be called by her given name, María’s teacher allows her to participate in the Winter Pageant—a valuable opportunity María was excluded from when she did not answer to “Mary Lopez.

This short chapter book can function as a mirror for all children, as Alma Ada Flor writes in her dedication, “who believed, at one time or another, that they should change their names” against their own will. Such children can personally identify with the frustration María Isabel felt using an Americanized name she did not choose. All new students, be they American or foreign-born, can relate to María’s emotional and mental adjustment after changing schools. My Name is María Isabel acts as a window for American students by illustrating how central a given name or surname is to one’s pride, heritage, and cultural identity. Alma Ada Flor’s book can also function as a door. María Isabel models how seemingly insurmountable problems can be solved through honesty. María Isabel used the opportunity presented by a writing assignment to express how culturally and personally significant her real name is, and her teacher listened and responded.

The illustrations and descriptions of María Isabel and her family accurately represent Latino culture in the United States. Alma Ada Flor exposes young readers to some basic and authentic Spanish words and nicknames, such as Maribel, cariño, Belita, Chabelita, Papá, and Papi. The book also explores other aspects of immigrant and ethnic culture, such as the importance of family pride, special gifts from ancestors in the home country, and the need for both parents to work to make ends meet.

The text communicates the importance of names and surnames, specifically what it means to be named after beloved ancestors and how names keep alive memories of the home country. María Isabel, her Puerto Rican family, and other minority characters do not look like white people and are drawn as individuals with distinctive features and tinted skin. Alma Ada Flor uses symbolism to illustrate how, at school, María Isabel feels trapped in a spider web that grows thicker every time she is called Mary Lopez; this web acts as a backdrop in two illustrations to show this dilemma. Illustrations are framed and drawn in grayscale to emphasize how María’s new name caused her to feel confined and troubled. The value of multiculturalism and cultural diversity is evident in My Name is María Isabel. María Isabel, though Hispanic and most likely Catholic, was thrilled to sing her favorite song about Hanukkah candles at the Winter Pageant. Although Alma Ada Flor’s book seeks to highlight how important names are to identity, it places characters in rather stereotypical roles: a white, female teacher who exercises her cultural ignorance over María Isabel, and a minority victim who passively resists this oppression by never directly confronting her teacher and only explaining her feelings in writing.

New Shoes

Author: Susan Lynn Meyer

Illustrator: Eric Velasquez

Publisher and year: Holiday House 2015

Number of pages: 30

Genre: Historical Fiction

         IMG_3396New Shoes is about a young African American girl, Ella Mae, who goes to the local shoe shop to get new shoes. But since it was during the time of Jim Crow laws Ella Mae was not allowed to try on any of the shoes because of her skin color. She found out that this was something that happened to every African American person, so Ella Mae and her best friend Charlotte decided to do something about it. They started their own shoe store by colleting old shoes and fixing them up to be as good as new. At their shoe shop everyone was able to try on all the shoes they wanted.

I believe that this book could function as both a mirror and window for the reader depending on their background and culture. For a reader who comes from a minority background they would view this book as a mirror of their lives since they have a personal connection to what happened in the story. A reader that comes from a Caucasian background might view this book as a window since they are unable to connect to the segregation that Ella Mae experienced in the story. For a reader that comes from a majority background for them it would be looking into what it was like during the time period of the unfair Jim Crow laws. Culture is very prevalent in New Shoes, African Americans and Caucasians are both represented within the text. Since this a historical fiction book we are able to see what it was like for both Caucasians and African Americans during the time of Jim Crow laws. I learned a lot from this book. Before I opened the book I had no idea that African Americans were not even aloud to try on the shoes they were about to purchase with their own money. Instead they had to stand on a piece of paper and use a pencil to trace their feet so they could find a good size. This book did a good job at representing how strong Ella Mae and Charlotte were to open their own shoe store since they were tired of not being treated equally.

The illustrations throughout this book are beautiful; the illustrator did an amazing job painting the emotions and small details on every page. I have noticed that in almost every picture Ella Mae is facing right and the only time she is face left is when she is told she is unable to try on the shoes to see if they fit. I found this interesting since usually if someone is going towards the right they feel less secure and if they are going towards the left they are more secure. In the image when she is facing left, for me would be a moment where I don’t feel secure at all since I’m being treated poorly. Another time I noticed that Ella Mae is facing left is the very last page where Ella Mae and Charlotte are helping a costumer at their store and Ella Mae states, “In our store, anyone who walks in the door can try on all the shoes they want” (Meyer, pg. 30). In the image it is shown how happy and powerful Ella Mae and Charlotte feel after being able to open a shoe store where everyone is treated equally.IMG_3397

Roar of a Snore

Author: Marsha Diane Arnold

Illustrator: Pierre Pratt

Publisher and year: Puffin Books 2008

Number of pages: 30

Genre: Fiction

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Roar of a Snore is about a boy who is woken up by a very loud snore and he goes on a hunt to figure out who is snoring so loud. In a series of events he wakes his family and friends up to see if they are the snoring person and then they wake up and help the boy find the snorer. In the end it turns out that the snoring person is actually a tiny cat and the family ends up sleeping in the barn with all their animals and the tiny snoring cat.

This text would function as a window for readers since they are looking into what is happening and the plot is something that they probably will not go through. If the reader is someone who lives on a farm they might be able to connect with the images since there are a lot of farm animals within the book. Sadly culture is poorly represented in this book; there are no characters of color, just a white family living on a farm. The images at first are pretty plain and not that much going on but once the boy starts waking up his family members the images get more and more hectic and detailed. The images have a lot of different colors that are not too bright, this makes it feel more like it is at night. The pages are full with images and the only time white is seen is where the text is. Since the images are not framed the reader gets the feeling that they are going on the hunt with the boy and his family to find the snorer. In the images the people are all facing the right while they are trying to find the snorer, this shows that they are moving forward after waking someone up and finding out they are not the snorer. Once they are able to find the snoring cat they face the left, which shows they are no longer moving forward in the story since they have found the snorer. I did not see a lesson that was supposed to be learned from this text; Roar of a Snore is meant to be more of a comedy that doesn’t have much meaning behind. It was a cute story that was fun to follow since a whole farm was woken up by a tiny cat.IMG_3389

Tough Guys (Have Feelings Too)

Author: Keith Negley

Illustrator: Keith Negley

Publisher and year: Flying Eye Books 2015

Number of pages: 24

Genre: Fiction

IMG_3400 Tough Guys (Have Feeling Too) is a picture narrative book that talks about how its not always easy being the tough guy and sometimes the guys want people to know that their feelings get hurt too. I believe that this book would be considered a mirror for boys and a window for girls. For boys they see that they aren’t the only ones that get their feelings hurt and that they do not need to be tough all the time. For girls since this book is titled Tough Guys it might be hard for them to connect. Instead they might better relate to a book that talks about how girls are tough too and not always emotional. In the illustrations different races and cultures are represented. Every picture has a male in it and the book does a good job at having them be all different races. There are also different aspects of culture in the illustrations. For example there is a picture of a man in a Lucha Libre uniform which is a type of wrestling that is very popular in Mexican culture. There is also an image of a two men in Tae Kwon Do uniforms, which is a popular and historical Korean activity. Another example is a cowboy and his horseback riding which is a popular American activity. The book shows many different cultures allowing many different people the ability to connect with the text. The images in the text are always going towards the right, which shows that the characters are not as secure, this makes sense that they are all facing the right because all the men feel insecure for having feelings. On the last page there is an image of a father and son and they are facing forward. I took this, as they are content with being able to admit they do have feelings. Since there is minimal text within the book the images make the story interesting and comical but still have a purpose that teaches the lesson that it is okay to show feelings even if you are a tough guy and that you shouldn’t make fun of someone for having feeling. The images are very colorful even when a picture is meant to take place at night, which adds to the lightness of the text. I am unsure if I would use this book in my classroom since only the males in the class would be able to connect due to the lack of females. I wish this text was simply called Everyone Has Feelings and that they showed it is okay for everyone to have feelings to get rid of the negative stereotype that only girls are able to show their emotions.IMG_3401

Take Me Out to The Yakyu

Author: Aaron Meshon

Illustrator: Aaron Meshon

Publisher: Atheneum Books for Young Readers 2013

Number of pages: 35 pages

Genre: Cultural Fiction
IMG_3394Take Me Out to The Yakyu is a story about a boy who loves baseball in American and Japan. Through out the story he explains his favorite part about baseball in both countries. I believe that this text would be considered a window because not a lot of people have the opportunity to get the same experiences as the boy in the story so they are unable to connect on a personal level. This text can also be considered a mirror since baseball is a big part of American culture. Although Americans are unable to connect with the Japanese baseball games, they both are the same sport. So if an American or Japanese reader picked up with book they would have the opportunity to connect with it. I really love how this text displays culture. It showed both American and Japanese culture equally and I actually learned some new things about Japanese culture from this book. The images are the main thing that really shows the different culture. On all the left pages there are images of what the boy does at American baseball games and on all the right pages it is an image of what the boy does at Japanese baseball games. So for example on page 10 he is talking about the food he gets at the games. On the left side there is a picture of a hot dog and peanuts, on the right side there is a picture of soba noodles and edamame. The images are full of color and have a lot of detail, and the text mirrors the pictures perfectly which helps describe what is going on in the culture one might not know well. One of my favorite things about the text is that on each page they have American sayings like fastball then on the opposite page they have the Japanese version of that saying. I never expected to learn a couple words in a different language from a children’s book. The text really shows two different cultures and that it is okay to have two different things part of your life. I also think that this text does a good job at showing that activities may not be as different as we think in other cultures. In both countries they are playing the same sport with the same rules. The only difference is the culture that is surrounding the game. I really enjoyed this text and I think it would be a great book to use in the classroom to show that culture can make people different and that it is important to have a good understanding of culture and that its okay to be different.IMG_3395

The Bracelet

Author(s): Yoshiko Uchida

Illustrator/Photographer: Joanna Yardley

Publisher and Year: The Putnam & Grosset Group in 1996

Number of Pages: 29

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This book is about the journey of a Japanese-American girl, Emi, who is sent to a prison camp with her mother and older sister. Before she leaves her home, her friend Laurie stops by to give her a bracelet, which Emi swears she will never take off. At the racetrack, or prison camp, Emi loses her bracelet but soon realizes that she does not need her bracelet to remember Laurie, because she will always carry her memories in her heart.

I believe that this story is a great way to teach children about a less talked about tragedy in U.S. history, the imprisonment of Japanese-Americans during WWII. This also gives the audience the chance to not only learn about and discuss this historical event, but also to discuss and learn about racism throughout history. This book clearly represents white people as having power over the Japanese-Americans and how the rest of the country no longer views them as American citizens but people who are a threat to the country. However, I believe that this story is an accurate depiction of the event and the Japanese culture. This is because it does not stereotype the Japanese people, but rather explains the way they were treated, good and bad, by the rest of the U.S. population. The illustrations throughout the story help the reader to feel the emotions of Emi. For example, at the beginning of the story while Emi is still at home, the images are all brightly colored which is a symbol of her freedom and her happy memories with friends and family. But after she leaves home the colors in the images begin to get darker, especially after realizing she lost her bracelet, which symbolizes how she is losing her freedom and beginning to find it difficult to remember happy memories. After she realizes that she does not need her bracelet to remember happy memories, the images begin to brighten up again.

This story has a number of themes and ideological features some themes that one might originally notice are that it is important to stay positive and hopeful even in the toughest of times and material items are not as valuable as friendship and memories. However, I think the deeper meaning of the book is to recognize the injustice that has occurred to many minority groups, specifically the Japanese Americans.

 

Brave Girl: Clara and the Shirtwaist Makers’ Strike of 1909

Title: Brave Girl: Clara and the Shirtwaist Makers’ Strike of 1909

IMG_5975Author: Michelle Markel

Illustrator: Melissa Sweet

Publisher: HarperCollins Publishers, 2013

Number of pages: 32 pages

Tags: Culture, Emotion, Non-Fiction, Picture Book, 2-3, Stephanie Prentice

Genre: Biography

Analysis

Clara Lemlich was an immigrant that came to America in hopes of a better life. She was unaware that immigrant women were hired into garment workshops to make blouses and other articles of clothing. After realizing that the conditions in which she and millions of other women worked, she lead many revolts and strikes to change the conditions of their work.

This children’s book allows students to see the struggles of the immigrants in the 1900’s first hand, especially those of women. The culture of America is represented in this story, focusing on the industrial movement during this time period. Students are able to grasp the values of the United States through the pictures as well as the text. Readers can see the value of mass production in the illustrator’s depiction of the workshops. The distribution of power in this story shifts from the owners of the garment shops to those who work are employed in these shops. Before Clara leads the revolts, the garment shop owners are in complete control of the conditions and hours the immigrant women were to work. After the story, we see the power shift to the immigrant workers as they battled for their rights.

Looking at the pictures closely, students can get a feel for the conditions many immigrants faced. FoIMG_5976r example, when Clara arrives in America on the boat, the illustrator included an image of the long line of people waiting on the boat for their new life in America. The text is displayed on a stitched piece of fabric that connects to the main theme of the story very well. The pictures are often sewn into the text, making them resemble a quilt. Clara is often found looking or moving to the right of the page, signifying the change that is going to happen. The author uses many adjectives that emphasize the struggles Clara and her colleagues faced. For example, when Clara first arrives, the author introduces her as dirt poor and five feet tall. Ideologically, this story has many things that children can take away after reading. First and foremost, this book gives the students a historical look into the life of immigrants, especially those of women. This book focuses on the hardships and challenges that Clara faced with work and learning to speak English. Secondly, it shows students how important it is to stand up for what they know is right. If Clara were not to stand up for what she believed was right, many workers would have suffered for a longer period of time. Even after Clara faced many arrests, beatings, and threats to be fired, she kept the fight for her rights alive. It proves that determination and perseverance can lead to change for what is right.  At the end of the book, readers are introduced to more information about the garment industry that can further their understanding on the topic.

Mufaro’s Beautiful Daughters: An African Tale

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Author/Illustrator: John Steptoe

Publisher and Year: Puffin Books, 1987

Number of Pages: 29

Genre: Folktalemufaro

Analysis: In “Mufaro’s Beautiful Daughters: An African Tale,” Mufaro has two beautiful daughters: Nyasha, who is kind and considerate, and Manyara, who is rude and selfish. Manyara learns a valuable lesson when she uses sneaky tactics to become the queen. This book would work well as a mirror for the intended audience. Firstly, young, African American girls should know that they are beautiful. Secondly, it teaches children that kindness and generosity will prevail over spitefulness and rudeness. There is a King who is searching for a wife to make the queen. Together, these two have all of the power over the people. This story is an African tale, so the African culture is represented and it is evident in the clothing and accessories that the people wear. It is also evident in the marrying off of daughters to the King. From my understanding, the outfits, traditions, and names align well with the African culture.

In this book, the text (mostly dialog) tells the story and explains the images. The text is off to the side of pictures, although the text does play a major part in the understanding of the book.

Nyasha is often in a darker light when she is being made fun of by her sister. When Nyasha is not being insulted by her sister, she looks majestic and a light shines on her, while Manyara always has her hands on her hips and a disapproving look on her face. Nyasha appears much bigger than Manyara when she is crowned queen.

Manyara teaches us to always be kind to others. Do to others as you would have them do to you.