Category Archives: Ames Highlights

Social Justice Quilting

Dorothy Burge – “Threads of Change: Quilting for Social Justice” – Burge will speak at The Ames Library on Monday, September 19th at 4pm (Beckman Auditorium) as part of “Women Changing the World: Activists and Pathbreakers,” a series of talks and films sponsored by the Political Science Department. These events are made possible through generous grants provided by the Betty Ritchie-Birrer ’47 and Ivan Birrer PhD Endowment Fund.

“Needlework is the one art in which women controlled the education of their daughters, the production of the art, and were also the audience and its critics.” -Patricia Mainardi, “Quilts: The Great American Art,” The Feminist Art Journal (Winter 1973).

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Feminist pioneer Elizabeth Cady Stanton ascribed women’s lower status to their undervalued work in both home and factory textile production.  On the other hand, women involved in 19th-century social movements, from abolition to temperance to women’s rights disagreed about the utility of quilts in their efforts to change society.  Quilting and handicrafts in general were purely in women’s domain and were often used as both statements about everyday life, a reason for communal work and conversation, and a way to “soothe” anxieties about more radical change by “clothing” political events in familiar feminine garb.

In the 20th and late 20th century, feminists in the second and third wave have turned to quilting as art, symbol, and craft, lauding both the female history of quilt making, its ability to tell a story, and as part of a “new domesticity” in which independent crafts and activism are celebrated and valued. The African-American quilting tradition, that includes the use of quilts by members of the Underground Railroad to send messages to slaves seeking refuge, is being celebrated and preserved.

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Quilt-making today is often used as a form of social justice activism sometimes called “craftivism” (craft + activism): to raise awareness about an issue (such as gun violence or racism); to memorialize victims and place pressure on policy makers (as with the AIDs Quilt or the Drones Quilt Project for victims of American drone strikes); to chronicle the daily life of a people in the face of globalization pressures or to tell about more extreme experiences, such as displacement and migration; to place pressure on oppressive regimes by revealing their crimes (as with the Chilean arpilleras); and to inspire cultural change (such as the Monument Quilt Project which seeks to change rape culture in America).

The organization Quilt for Change raises awareness on global issues that affect women (http://quiltforchange.org/)

Social justice quilting speaks powerfully across borders and across time, and through quilting anyone can be empowered to become an agent for social change.

 

Women’s Power | Women’s Justice

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While many artists are recognized posthumously, our fourth Theme Thursday features a woman whose work didn’t receive much acclaim until 30 years after her death. During her life, Frida Kahlo was often thought of as Diego Rivera’s wife. It wasn’t until feminist art  historians began to sing her praises during the 1980s that she became internationally recognized for her surrealist portraits.

The Diary of Frida Kahlo: An Intimate Self-Portrait, with introductions by Carlos Fuentes and Sarah M. Lowe, recreated Kahlo’s personal diary. From the book cover: “Published here in its entirety, Frida Kahlo’s amazing illustrated journal documents the last ten years of her turbulent life. This passionate, often surprising, intimate record, kept under lock and key for some forty years in Mexico, reveals many new dimensions in the complex persona of this remarkable Mexican artist.
91760Covering the years 1944-45, the 170-page journal contains Frida’s thoughts, poems, and dreams, and reflects her stormy relationship with her husband, Diego Rivera, Mexico’s famous artist. The seventy watercolor illustrations in the journal – some lively sketches, several elegant self-portraits, others complete paintings – offer insights into her creative process, and show her frequently using the journal to work out pictorial ideas for her canvases.

The text entries, written in Frida’s round, full script in brightly colored inks, add an almost decorative quality, making the journal as captivating to look at as it is to read. Frida’s childhood, her political sensibilities, and her obsession with Diego are all illuminated in witty phrases and haunting images.

Although much has been written recently about this extraordinary woman, Frida Kahlo’s art and life continue to fascinate the world. This personal document, published in a complete full-color facsimile edition, will add greatly to the understanding of her unique and powerful vision and her enormous courage in the face of more than thirty-five operations to correct injuries she had sustained in an accident at the age of eighteen. The facsimile is accompanied by an introduction by the world-renowned Mexican man of letters Carlos Fuentes and a complete translation of the diary’s text. An essay on the place of the diary in Frida’s work and in art history at large, as well as commentaries on the images, is provided by Sarah M. Lowe.”

IWU Professor Emily Dunn Dale and the ERA

The death of famed conservative activist and constitutional lawyer Phyllis Schlafly brought to mind an IWU connection from the 1970s. The University Archives contains a recording of a faculty member rebutting a position Schlafly took on the Equal Rights Amendment (ERA).

Read a post from the University Archives to find out what this cartoon and former Anthropology & Sociology Professor Emily Dunn Dale have in common!

February 12, 1982 Argus p. 3

February 12, 1982 Argus p. 3

 

Women’s Power | Women’s Justice

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On this third Theme Thursday, we’d like to explore the idea of intersectionality, or the interconnected nature of social categorizations such as race, class, and gender as they apply to a given individual or group, regarded as creating overlapping and interdependent systems of discrimination or disadvantage. Yes women make $0.77 for every dollar that men make, but a black woman might make $0.63 for every dollar while Latina women make $0.54 for every dollar. To belong to multiple minority groups has a compounding effect.

Black_Feminist_Thought_(Collins_book)In 1990, Patricia Hill Collins explored the words and ideas of Black feminist intellectuals and writers in Black Feminist Thought: Knowledge, Consciousness, and the Politics of EmpowermentFrom the book cover “In spite of the double burden of racial and gender discrimination, African-American women have developed a rich intellectual tradition that is not widely known. In Black Feminist Thought, originally published in 1990, Patricia Hill Collins set out to explore the words and ideas of Black feminist intellectuals and writers, both within the academy and without. Here Collins provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde. Drawing from fiction, poetry, music and oral history, the result is a superbly crafted and revolutionary book that provided the first synthetic overview of Black feminist thought and its canon.”

Women’s Power | Women’s Justice

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On our second Theme Thursday, we feature the story of one woman whose contributions to scientific discovery were only recognized posthumously: Rosalind Franklin. Rosalind Franklin was an X-ray crystallographer who made significant contributions to the discovery of the structure of DNA. Her work was used without her permission, and she received little credit before she died. She passed away before her cindexcolleagues were awarded the Nobel Prize for the discovery.

Rosalind Franklin: The Dark Lady of DNA, by Brenda Maddox won the Los Angeles Times Book Prize for Science and Technology in 2002. From the book’s cover: “In 1962, Maurice Wilkins, Francis Crick, and James Watson received the Nobel Prize, but it was Rosalind Franklin’s data and photographs of DNA that led to their discovery. Brenda Maddox tells a powerful story of a remarkably single-minded, forthright, and tempestuous young woman who, at the age of fifteen, decided she was going to be a scientist, but who was airbrushed out of the greatest scientific discovery of the twentieth century.”

 

Welcome, Titans!

Welcome to the first day of the Fall 2016 semester! It’s going to be a great year. The Ames Library is open normal hours starting today. With a few exceptions (found here) we’ll be open the following hours until the end of exams.

Fall & Spring Semester

  • Sunday 12:00 p.m. – 1:30 a.m.
  • Monday – Thursday: 7:45 a.m. – 1:30 a.m.
  • Friday: 7:45 – 10:00 p.m.
  • Saturday: 10:00 a.m. – 10:00 p.m.

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Women’s Power | Women’s Justice

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The annual theme of the 2016-2017 academic year is Women’s Power | Women’s Justice. A shared intellectual theme encourages classes to come together to explore a nuanced, intersectional concept. The Ames Library is happy to support faculty and students with diverse collections and access to materials from across the globe. Each Thursday, we’ll feature one title from our collection, which can be checked out by anyone from IWU. Think there’s something we should have, but don’t? Let your librarian know and we’ll work with you to make our collection as representative as possible.

Read the full description of the IWU annual theme here.

Our first featured book was read by all incoming first year: The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan by Jenny Nordberg.

From the book cover: “In Afghanistan, a culture ruled almost entirely by men, the birth of a son is cause for celebration and the arrival of a daughter is often mourned as misfortune. A bacha posh (literally translated from Dari as “dressed up like a boy”) is a third kind of child – 51V1VJKXHKL._SX322_BO1,204,203,200_a girl temporarily raised as a boy and presented as such to the outside world. Jenny Nordberg, the reporter who broke the story of this phenomenon for the New York Times, constructs a powerful and moving account of those secretly living on the other side of a deeply segregated society where women have almost no rights and little freedom.

The Underground Girls of Kabul
is anchored by vivid characters who bring this remarkable story to life: Azita, a female parliamentarian who sees no other choice but to turn her fourth daughter Mehran into a boy; Zahra, the tomboy teenager who struggles with puberty and refuses her parents’ attempts to turn her back into a girl; Shukria, now a married mother of three after living for twenty years as a man; and Nader, who prays with Shahed, the undercover female police officer, as they both remain in male disguise as adults.

At the heart of this emotional narrative is a new perspective on the extreme sacrifices of Afghan women and girls against the violent backdrop of America’s longest war. Divided into four parts, the book follows those born as the unwanted sex in Afghanistan, but who live as the socially favored gender through childhood and puberty, only to later be forced into marriage and childbirth. The Underground Girls of Kabul charts their dramatic life cycles, while examining our own history and the parallels to subversive actions of people who live under oppression everywhere.”

It’s Summer!

Congratulations, Titans! Academic Year 2015-16 is officially over.

Ames Library will be open this summer, 8-4 Mondays thru Fridays. We’ll be closed Memorial Day and July 4th & 5th.

We’ll continue to post important updates on services when necessary, but we’ll be a little quieter than normal on Facebook and Instagram. As always, feel free to get in touch with the Library at 309-556-3350 or contact any of your library liaisons.

Have a safe and happy summer!olaf-in-summer

Library Summer Hours

May Term

  • Sunday: 12:00 p.m. – 11:00 p.m.
  • Monday – Thursday: 8:00 a.m. – 11:00 p.m.
  • Friday: 8:00 a.m. – 10:00 p.m.
  • Saturday: 12:00 p.m. – 5:00 p.m.

Summer Hours, starting May 26, 2016

  • Saturdays & Sundays: closed
  • Mondays – Thursdays: 8:00 a.m. – 4:00 p.m.

Fall & Spring Semester

  • Sunday 12:00 p.m. – 1:30 a.m.
  • Monday – Thursday: 7:45 a.m. – 1:30 a.m.
  • Friday: 7:45 – 10:00 p.m.
  • Saturday: 10:00 a.m. – 10:00 p.m.

Tate Archives & Special Collections

Home of the University’s Archives, located on the library’s 4th floor

May Term & Summer 2016 hours

Library Annual Hours 

Catalog Unavailable, 5/21 Morning

On Saturday, May 21st from about 4am til noon, most library catalogs and certain databases will be unavailable. Due to scheduled maintenance at the University of Illinois, the following services will not be available: VuFind catalog (looking for books and media), the I-Share catalog, CARLI Digital Collections (CONTENTdm), and SFX (how we connect from some articles in MegaSearch to other databases).

To report a problem connecting to a CARLI-supported system after noon onSaturday, May 21, please call 866-904-5873 and follow the directions to page a technician. To report a problem during regular business hours, please call the number above or emailsupport@carli.illinois.edu.