Updike turns up in a review of the movie Copperhead

may-june-issuethumbIn a May 31 column/review published in The American Conservative, Bill Kauffman uses Updike’s Buchanan Dying—“Updike’s imaginatively empathetic play about the despised 15th president”—in lengthy comparison to make a point about the movie Copperhead, a Civil War drama that opens in theaters on June 28, 2013.

Citing a disparaging quote from Henry James about the historical novel, Kauffman concludes that both the new movie and Updike’s old, only play refute James’ assertion that “the real thing is almost impossible to do.”

Metroland reviews Always Looking

Screen Shot 2013-05-31 at 8.34.39 AMB.A. Nilsson wrote a review of Updike’s Always Looking that was published on May 29, 2013. In it, he concludes, “The heightened language . . . reminds us that paintings, like novels, best reward those inclined to linger with them the longest.

“Updike’s success as a critic and social observer, which he pursued as ardently as he did his fiction, came from his ability to convey intelligent insight with a compellingly accessible voice,” Nilsson writes.

Blackbird Theater to perform play based on Roger’s Version in June 2014

Screen Shot 2013-05-27 at 9.56.34 PMThe Tennessean reported on May 24 that with the blessing of the Updike Estate, Blackbird Theater, of Nashville, Tennessee, will perform a staged adaptation of Roger’s Version in June 2014.

The play will be presented in collaboration with the Lipscomb University Department of Theatre and performed in Shamblin Theater (below) in Bennett Campus Center on the Lipscomb campus. That’s fitting, given the theological content of Updike’s 1986 novel, since Lipscomb is a small private university affiliated with the Churches of Christ . . . with graduate students, as well as undergrads.

In Roger’s Version, theology professor Roger Lambert is challenged by an evangelical grad student who thinks he can prove the existence of God using computer science.

Blackbird artistic director Wes Driver (pictured) will write and direct the play.

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Updike grandson to make “different perspective” anti-bullying film

Screen Shot 2013-05-21 at 8.39.23 AMMore proof that fruit doesn’t fall far from the tree, even when that tree is second generation.

John Updike’s fifth grandchild, Kai Daniels Freyleue (Miranda Updike’s son), is making a film this summer aimed at putting “a different perspective on the anti-bullying movement,” the 19 year old writes. “It’s less about the horrible effects bullying has on the psychology of teens and more about self-defense and building strength, despite bullying.”

The film, Night Shadow, is “about a vigilante named Night Shadow who, much like other masked vigilantes, enacts justice upon people who do wrong. In this case, the target is bullies. Night Shadow defends his weaker peers and is feared by all who pick on others, but do his tactics go too far? Or is he truly a hero?

“The film features Christina Kirkman, a young actress who was voted the Funniest Kid in America back in 2003 and starred in the cast of Nickelodeon’s All That for two years afterwards.” Kai’s band, Out of Focus, will be featured on the soundtrack.

For the curious, you can read more about the project at Indiegogo, a site where indie filmmakers try to raise cash for projects . . . and contributors get something in return, like a signed script ($49+) or their name in the credits ($199+).

New Republic spotlights Updike’s 1960 defense of Kim Novak

Screen Shot 2013-05-21 at 7.59.27 AMThe May 27, 2013 issue of The NewRepublic spotlights “John Updike: On Knocking Miss Novak” in “From the Stacks.”

The feature details a verbal scuffle Updike had with New Republic film critic Stanley Kauffmann and includes a letter from Updike that was published in the July 25, 1960 issue, following Kauffmann’s review of Strangers when We Meet.

“I am so sick and tired of Stanley Kauffmann knocking Kim Novak. She is a terrific-looking woman,” Updike writes.

“Motion pictures are not, as Mr. Kauffmann seems to believe, transmogrified novels or adjusted plays; these two art-forms have as little to do with motion pictures as they do with each other.”

Updike ends his letter with a pretty good slap at Kauffmann: “He is not a bad critic, he is an inverted one; the opposite of everything he says is true.”

The New Republic on John Updike:
“Updike Remembered” (January 30, 2009)
“The READ: Ephemera, Run” (June 30, 2010)

 

Mormon journalist considers Roger’s Version, shares his Updike encounter

22933John Updike has been labeled a “protestant writer,” so it’s always interesting to hear what people of other faiths—especially articulate writers and inveterate readers—have to say about him as a religious writer. In “New Harmony: Another Brush with John Updike,” former Deseret News staffer and current Mormon Times and Faith page freelancer Jerry Earl Johnston shares his take on Roger’s Version . . . and a story involving the book he sent Updike for signing.

“After his death, one critic called him ‘The Mozart of American Letters.’ There was not only genius in his work, but also generosity and a buoyant spirit,” Johnston writes, adding, “I suspect those qualities came from his faith.”  Continue reading

Blogger: “The Ghost of John Updike and the Boston Bombing”

51rqwnocIdL._SY300_In the wake of the Boston Marathon bombings, blogger William Thornton posted a reconsideration of Updike’s novel Terrorist: “will the events of last week and the coming weeks’ vindicate one of John Updike’s last, and least regarded, novels?”

“The Ghost of John Updike and the Boston Bombing” was posted on Brilliant Disguises: A Christian Look at Contemporary and Classic Literary Fiction and Culture on Sunday, April 21, 2013.

Among other things, Thornton concludes, “Updike’s depiction of the War on Terror has a disquieting moral equivalency between Islamic fundamentalist terrorism and America’s reaction about it, and that reads less charitably after an event like the Boston Marathon attack and the city’s response.”

Miranda Updike solo show is open now through June 27

crowds

You can see the latest works of Miranda Updike, who studied with George Nick and Jo Sandman at Massachusetts College of Art, at the John Joseph Moakley U.S. Courthouse now through June 27, 2013.

150976_187439474721073_363114381_nThe one-person show is titled “Crowds,” and viewing hours are Monday through Friday from 8 a.m. to 6 p.m. It’s a federal courthouse, so be sure to bring a picture I.D. to gain admittance to the building at 1 Courthouse Way, Fan Pier, Boston, MA 02210. The number there is (617) 261-2440.

An opening reception will be held Friday, April 26, from 12-2 at the Harbor Park Gallery Space, 1st floor.

New film apparently shows Updike’s influence

Screen Shot 2013-04-03 at 8.39.38 PMA.O. Scott writes in his description of new film “The Color of the Chameleon” by Bulgarian director Emil Christov, “As a storyteller and a maker of images, Mr. Christov demonstrates a remarkable, exuberant sense of strangeness. And also a very specific appreciation for the early work of John Updike.”

The occasion for the remarks was an article announcing the 42nd New Directors / New Films annual showcase for new filmmakers at Lincoln Center and MoMA, sponsored by the Film Society of Lincoln Center and the Museum of Modern Art. The event took place this past March.

“The Color of the Chameleon” is described as “a dark comedy that takes place in the world of the secret police in Bulgaria around the fall of Communism,” and the photo is from the film.

Here’s the link to the Critics’ Notebook article from The New York Times.