Physics blog features Updike poem

Neutrinos

Physics Central, which links to American Physical Society Sites, yesterday posted “Physics in Verse: A John Updike Poem about Neutrinos.”

“There is a long history of poets taking Nature as their muse, from the call of the sea to the draw of the wild. But poems about physics phenomena are harder to find,” Tamela Maciel writes. “Updike was not a physicist, but he did a remarkable job describing the current view of the physics community, as this article from Symmetry magazine unravels.”

Cosmic Gall
by John Updike
Neutrinos, they are very small.
They have no charge and have no mass
And do not interact at all.
The earth is just a silly ball
To them, through which they simply pass,
Like dustmaids down a drafty hall
Or photons through a sheet of glass.
They snub the most exquisite gas,
Ignore the most substantial wall,
Cold-shoulder steel and sounding brass,
Insult the stallion in his stall,
And, scorning barriers of class,
Infiltrate you and me! Like tall
And painless guillotines, they fall
Down through our heads into the grass.
At night, they enter at Nepal
And pierce the lover and his lass
From underneath the bed—you call
It wonderful; I call it crass.

Pictured is “The first observation of a neutrino-induced reaction in a hydrogen bubble chamber. An invisible neutrino arrives from the right and strikes a proton where the three tracks join. The proton, a muon, and a pion then fly off in different directions.”

Updike on Christmas Cards

The New Yorker recently posted an Updike essay on “Christmas Cards” that first appeared in a December 22, 1997 issue. In it, Updike recalls Christmas at the Philadelphia Avenue house, where the “taste of Christmas in the little Pennsylvania town of Shillington—one of the more penetrating in my life’s bolted meals—was compounded of chocolate-flavored piety, as sweetly standardized as Hershey’s Kisses, and a tart, refreshed awareness of where one stood on the socioeconomic scale.”

New Republic shares Updike postcard

On November 23, 2014, the New Republic posted an article about correspondence titled “Woolf, Updike, and Nabokov: The Best Letters to the Editor in New Republic History,” featuring a postcard from Updike that read, “Dear Mr. Evett—Received my book and your letter—thanks for both. I’ll try to get the review to you in two weeks. It’s a BIG book. Yrs, John Updike.”

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Updike and conspiracy theories

Screen Shot 2014-10-18 at 3.45.07 PMRobert Matzen published a piece on his blog titled “Umbrella Man,” in which he talks about maybe writing about the fate of TWA Flight 3 and recalls the book Six Seconds in Dallas buy Josiah Thompson and John Updike’s response to reading it.

Six Seconds in Dallas appeared in 1967, nearly 50 years ago, and now Tink [Thompson] is advanced in age, but he popped up in a fascinating Youtube video that had been forwarded to me, and I delighted in the concept he described—a concept developed by Pulitzer Prize-winning novelist John Updike in response to reading Thompson’s book.”

“The truth about those seconds in Dallas is especially elusive,” Updike wrote in 1967; “the search for it seems to demonstrate how perilously empiricism verges on magic.”

And now Thompson is quoting Updike. “‘In historical research,’ says Thompson of the Updike position, ‘there may be a dimension similar to the quantum dimension in physical reality. If you put any event under a microscope, you will find a whole dimension of completely weird, incredible things going on. It’s as if there’s the macro level of historical research, where things sort of obey natural laws and the usual things happen and unusual things don’t happen, and then there’s this other level where everything is really weird.'”

Blogger Matzen writes, “Seeing the YouTube video and reading Updike’s original think piece [in The New Yorker] hit me like a pumpkin to the head because I had spent years trying to sort out the circumstances leading up to the crash of Flight 3— circumstances that should have been sortable and explainable but read like Fiction 101. The crash of Flight 3 and the reasons why Carole Lombard died on the plane with 21 others fit perfectly with Updike’s subatomic realm because the more we apply the rules of man’s physical world, the less the story makes sense.”

Here’s the entire article: “Umbrella Man.”

Updike anticipates his critics while still an undergrad

Paul Moran is famous for digging around Updike’s trash, but he has also unearthed a cartoon that Updike did for a 1954 issue of the Harvard Lampoon and astutely observed that in it Updike “demonstrates an astonishing awareness of his literary mission and of the critics to come. John Updike was a prodigy and the following cartoon he drew foretells his own future impeccably.”

In the cartoon, a determined (tough?) looking kid in t-shirt and shorts has painted only a minimalist stick man on the huge canvas he had been given, and in the caption he tells his art teacher “I may have little to say, but I’m determined to say it well.”

The cartoon and the cover art that Updike drew for the April 1954 Lampoon, which was among the items recovered by Moran, can be seen here:  “Crystal Balls”

Moran ends his post by taking a playful jab at biographer Adam Begley, who was quoted as saying that the items he rescued from the trash had no value whatsoever.