John Updike Society member Haruki Takebe wrote that his essay, “The Apocrypha of The Maples Stories: John Updike’s Fe/Male Points of View Reconsidered,” was published in the most recent issue of Critique: Studies in Contemporary Fiction.

The journal has allowed the author 50 free downloads, so if you’re among the first to click on this link you can read the article compliments of the author and Critique.

ABSTRACT

John Updike’s notorious penchant for using the male point of view should not be attributed to the author’s alleged misogyny; on the contrary, his careful handling of male and female perspectives deserves close re-evaluation. After tracing how the young Updike struggled to incorporate a female point of view in his early fiction and, for a time, settled on employing a male perspective in his mid-career stories of Richard and Joan Maple, this essay revolves around a female-voiced story “Killing” (drafted in 1975 and published in 1982), scrutinizing its publication history and the archival materials associated with it. As a result, we see that the story demonstrates Updike’s successful attempt to explore a woman’s interiority as well as shows an example of his subtle craftsmanship, involving his use of the pronoun us at the sto-ry’s dénouement. Moreover, “Killing” foreshadows Updike’s female narratives in his late phase, especially Seek My Face (2002), where the similar technique is extensively utilized to portray two women’s incompatibility and their following reconciliation.