Last Stop on Market Street

Last Stop on Market Street

Written by Matt de la Peña and illustrated by Christian Robinson

Putnam’s Sons, 2015

28 pages, Realistic Fiction

Last Stop on Market Street follows a young boy named CJ and his grandmother as they take the bus into the city after church on a Sunday. During the beginning of the book, CJ is distraught about taking the bus, and he asks about why they don’t have a car or why they have to go somewhere after church. CJ’s Nana shows him how to appreciate what he has in his life, such as the opportunity to make new friends when he is on the bus, like the blind man and the guitar player. CJ begins to see what his grandmother sees, and he starts to enjoy the trip. As CJ and Nana get off the bus, they arrive in a low-income neighborhood, and the two go into a soup kitchen where they are volunteering. By the end of the book, CJ can see the beauty in simple, everyday sights.

This book can be a mirror for African American children, children who live in an urban environment, or children who live with their grandparents. These groups often do not have much representation in children’s literature, so this story provides an example of someone like them. However, because CJ wants to have something new and better, like a car or an iPod, many children can relate to CJ’s discovery of the simple beauties in life. Because Nana always has an answer to CJ’s questions about why they don’t have something, CJ, and readers, can look to see the sights in life that are breathtaking. Last Stop on Market Street was painted in acrylics and complied with collage. The colors are very vibrant and add to the energy that Nana wants CJ to see in the city. The artwork differs based on the page, especially in regards to framed images or images that run off the page. On some pages, the image takes up the entire page, and the text is inserted into the background, but on others, the image is smaller and on a white sheet where the text is printed.

Last Stop on Market Street is a highly honored book. Matt de la Peña won the Newbery Award for his text, and Christian Robinson received honorable mentions for both the Caldecott Honors and the Coretta Scott King Award for illustrations in 2016.  Both de la Peña and Robinson dedicated this book to their grandmothers who have influenced their lives.

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Ella the Elegant Elephant

Title: Ella the Elegant Elephant

Author: Carmela and Steven D’Amico

Illustrator: Carmela and Steven D’Amico

Publisher: Arthur A. Levine Books, 2004

Number of pages: 49

Tags: Adventure, Animals, Family, Fiction, Friendship, Picture Book, Grace Sheley

Genre: Fiction

 

This story takes place in a fictional land called Elephant Islands and introduces a young elephant, Ella, who is nervous about her first day of school in a new town. She finds a hat that her grandmother left for her, a big floppy sunhat, that she decides to wear to school, but is ridiculed by her classmates for being different. The school bully, Belinda, throws a ball on top of the wall separating the school’s playground from a large cliff and tells Ella to retrieve it. Ella refuses and instead suggests that Belinda retrieves the ball if she’s so brave. Belinda accidentally falls off of the ledge and Ella saves her by a magical accident in which suddenly her hat becomes a large parachute. The next day at school, everyone was wearing a big, floppy hat like Ella’s and everyone loves and accepts her.

The text raises the issue of bullying in school and how to deal with it. It is questionable that Ella fires back that Belinda ought to prove her bravery by retrieving the ball herself instead of going to report the incident to a teacher. The text does a good job of showing how Ella does not compromise herself to appease her classmates. Despite being mocked her first day, she continues to wear her hat because she knows that it means something to her personally; this provides a positive message of remaining true to oneself and not sacrificing parts of your personality just to fit in.

The illustrations are vibrant, colorful, and playful. There are bolder lines, but not dark or heavy. The illustrations look as though they were created with a crayon or colored pencil due to the soft colors and shading. The page that introduces Ella depicts her staring out a window, placed on the right side of the page: a picture book code that communicates she is insecure. The final page, where Ella believes that things at school are going be okay, pictures Ella in the center, smiling and looking directly at the audience. In illustrations depicting Ella and her mother, Belinda, or the teacher, Ella is much smaller than the other characters, showing that she feels less powerful or in control than these characters. The images sometimes assist the text, for example, one page’s text merely describes that Ella tripped, but the illustration shows that Belinda had actually tripped her.

 

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Many Moons

Title: Many Moons

Author: James Thurber

Illustrator: Louis Slobodkin

Publisher: Voyager Books, 1943

Number of pages: 43

Tags: Award Book, Family, Fantasy, Fiction, Picture Book, Grace Sheley

Genre: Fiction

 

The story opens with a young princess, Lenore, falling ill and requesting the king to retrieve the moon for her so that she may get well again. The king asks the advice of the Lord High Chamberlain, the Royal Wizard, and the Royal Mathematician – none of whom know how to retrieve the moon for the young princess. Frustrated and worried, the king calls in the Court Jester to play some music to soothe him. The Jester suggests asking Princess Lenore how large she believes the moon is and promptly goes to her bedside to do so. The Princess responds that it is no bigger than her thumbnail and the Jester cleverly decides to have a metal craftsman make a thumbnail-size moon necklace for the princess to wear. A similar trial of the king asking his advisors about how to hide the moon’s reappearance the next night from Princess Lenore follows, and once again, the Jester outwits them all by speaking with the Princess about how when one thing is lost, another takes its place.

The text is a fairly light-hearted story with nothing too deep taking place. It primarily serves as a fantasy, fictional story as a sort of escapism from reality: the ridiculous suggestions of gathering the moon made by the Jester and Princess Lenore are purposely absurd but in an innocent and curious way.

The illustrations are not strictly framed but do not interact with the text visually. There are no harsh lines and even faces are difficult to make out and are presented in a more abstract style. The colors are light and faded. They serve to illustrate the action in a way that adds to the story, but they are not necessary to understand the plot. In all of the pictures depicting the king and his advisors, the king is positioned higher in the illustration than the other men to show his position of power. Princess Lenore is almost always in her bed, much smaller than anyone who comes to visit her (including the Court Jester). This suggests that she is much less powerful than anyone else, perhaps due to her age and her social status as a female.

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A Bad Case of Stripes

Title: A Bad Case of Stripes

Author: David Shannon

Illustrator/Photographer: David Shannon

Publisher: Blue Sky Press (Scholastic Press)

 Year: 1998

Number of Pages: 32

Tags: Picture Book, Fiction, Diversity, K-5, Taylor Krueger

Genre: Children’s Literature

Analysis: This book shows the story of the girl Camilla Cream who loved lima beans, but was too worried of what other people thought to eat them. She was scared of her first day of school, which led to her diagnosis of a bad case of stripes. Many specialists and media networks were intrigued by this outrageous case, and Camilla’s case only got worse as her stripes turned to stars, roots, and even walls. Finally, the cure for Camilla was simply lima beans as she embraced her individuality.

The illustrations of this book are bordered which relate to the idea of the reader having a limited glimpse of the world. The world depicted in this book is lively due to the bright colors and exotic illustrations. Bright yellow, red, purple, green, and blue are commonly shown throughout the book. There are many illustrations that show the main character, Camilla Cream, having a frown or open-mouth showing her disgusted and worried emotions. She is perceived to be sad and irritated with her case of stripes. Once the case of stripes is treated her facial expressions are bright and inviting. The main character is large on the page representing her acceptance of herself and positive self-image. Throughout the book there is the constant theme of individuality and accepting the differences of oneself. Camilla goes through a period where she is constantly worrying about what her classmates are thinking of her. She diminishes her love for lima beans because she did not want to be seen as weird. The case of the stripes represents the individuality of Camilla, and results in a change of her self-image. This is signified through the illustrations and social activities of the main character. Camilla overcame the worries of pleasing her classmates and changed to just pleasing herself by sharing her love for lima beans. This relates to the current issues of the influence from peers and classmates of children to have a greater impact on their life, rather than having a child be confident of themselves.

This book is a representation of a multimodal text, as the words and illustrations interact in order to fill in the gaps for the reader. The illustrations further elaborate the words of the book, as it is a visual representation of the text. The cooperation of the text and images enhance the overall setting, character development, and theme of the book. The text is direct and explains the plot, while the illustrations amplify the words and give a greater understanding for the reader. The illustrations are soft and inviting to readers.

The lines of the characters are thin in some illustrations, which shows the allowed mobility of Camilla as she has a positive self-image. While she has the case of the stripes the lines are jagged and give an uneasiness to the reader, as there is a feeling of anxiousness from the images that contributes to the mood of the reader. The illustrations have an excellent function of creating the setting, as there is specific detail of characters and symptoms of the case of stripes. The illustrations extend the text of the book, and they allow the reader to have an image in their head of what the words mean.

 

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They All Saw a Cat

Author: Brendan Wenzel

Illustrator: Brendan Wenzel

Publisher and year: Chronicle Books (August 30, 2016)

Number of pages: 44 pages

Genre: Picture Book

Analysis:

They All Saw a Cat is about how different a cat can be in different animals’ eyes. The author who is also the illustrator shows us how a child, a dog, a fox, a fish, a mouse, a bee, a bird, a flea, a snake, a skunk, a worm and a bat sees a cat with colorful illustrations. It is a book that can animatedly teach children about science and perception.

On the cover, we see a brown cat who is facing the right with her four legs stretched away from each other which implies she is walking and moving. Throughout the story, the cat is always on and facing the right with a human or another kind of animal on its left. The image of the cat usually takes a whole page since it is the main character of the story.

The story starts with “The cat walked through the world, with its whiskers, ears, and paws …” Then a child saw this cat and we only see this child’s feet, legs, and blue shorts while he seems to be gently touching the cat. We can see the cat’s face which is facing us and it seems to be smiling. Then a dark brown dog saw the cat and the cat looks a lot skinnier. Its enlarged eyes and erected ears shows it is terrified of the dog. When a fox saw the cat, the cat is running afield with a shadow following it. The cat is looking back at the fox. The tilted grass and trees also suggests the two animals’ movement. Then we see a small fish looking at the cat. We couldn’t see the fishbowl but the cat looks huge and blurry since the fish must be looking at the cat in water. The size of the cat suggests its power over the fish. When a mouse saw the cat, the color suddenly changes from mild and gentle to bright red. The mouse is tiny comparing to the cat and the cat seems furious with its eyes, teeth, whiskers and paws standing out in the picture. Comparing with the bird, the cat seems smaller and much lower on the ground while the bird is high in the sky. With the bee, flea, snake, worm and bat, we can no longer see the cat’s face since these animals cannot see the cat’s face themselves. With the skunk, the colors are mostly black and white. The illustrator also uses collage to show how different a cat can be in different animals’ eyes. Oil, pastels, watercolor and pencils are all used in this thought-provoking picture book.

 

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When Marian Sang

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  1. When Marian Sang
  2. Author: Pam Munoz Ryan
  3. Illustrator: Brian Selznick
  4. Publisher and Year: Scholastic Press, 2002
  5. Number of pages: 39
  6. Genre: Historical
  7. Analysis: In Pam Munoz Ryan’s book, When Marian Sang, a young black girl growing up in turn-of-the-century Philadelphia, PA., Marian Anderson, is gifted with a beautiful voice that only ”comes around once in  a hundred years.” She is so talented, in fact, that her home parish advertises in the local papers about their ”child contralto” and as a result, she and her mother decide to apply her talents at music agencies. Sadly, due to the prejudice of the time, she can’t find work in the United States, so she sails to Europe and soon becomes the toast of every city from London to Stockholm. Soon, she is in high demand by none other than Eleanor Roosevelt, and she petitions to have her perform for a desegregated audience at the Lincoln Memorial in 1939 on the eve of World War II in Europe. Her performance brings the whole city-and many members of then-President Franklin Roosevelt’s cabinet­ to tears, and her career takes off and never stops burning until her death many years later, proving that music can break down many barriers and overcome ignorance and hatred.So far as the picturebook codes in this story are concerned, the primary code in this book is that of lighting and patterns. Throughout the first half of the book, Marian is in a sepia-toned environment, surrounded by dull pastels as she faces discrimination and outright rejection. However, when she tours Europe and comes back to the US for her performance in DC, the colors brighten up, showing that she is the one in control of the situation by the time the book’s conclusion rolls around. The illustrator chose a lovely strategy of using many shades of watercolors for the different sites she visits on the European continent, and it is even more poignant when contrasted with the dark, gloomy shades that are also an integral part of the book’s artwork in the early stages  of her life. Finally, when it comes to special features, the only one that comes to mind is the fact that there is a very in-depth summary of her story at ‘ the end, and a touching anecdote about the illustrator’s uncle who saw Marian perform that crucial day 78 years ago. The ideology of the book is that the author wants everybody to be able to fit in with their fellow Americans by realizing the things that unite, rather than divide, us, while at the same time not being insensitive to the most vulnerable among us. She shows this ideology by providing a safe, fun way to teach about tolerance and diversity through one of our nation’s greatest vocal talents, and how she made a difference by using her gorgeous voice to better the’ cause of racial equality in a groundbreaking way.
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The Art of the Possible: An Everyday Guide to Politics

Image result for the art of the possible kids book

  1. The Art of the Possible: An Everyday Guide to Politics
  2. Author: Edward Keenan
  3. Illustrator: Julie McLaughlin
  4. Publisher and Year: OwlKids Books Incorporated, 2015
  5. Number of pages: 63
  6. In Edward Keenan’s book, The Art of the Possible: An Everyday Guide to Politics, the American political is explained to a young audience in a fun, engaging way that fosters an interest in becoming civically involved. In these times of federal upheaval and chaos at  1600 Pennsylvania Ave, it is more imperative than ever that this  book,  an enduring symbol  that  millions  of  Americans and people from around the world will hail as a symbol of freedom and that you can accomplish most anything in America if the conditions are right and you don’t give up on your goal, was written.So far as the picturebook codes in this story are concerned, the primary code in this book was that of size. Throughout the book, the characters are rather small as to allow space for the text of the book (which, in this case, is much more important than the illustrations since there is so much of it). When shown next to the text initially, the illustrations are much, much smaller, but are much more of a dominant presence at the end. The illustrations are quite beautiful, as they are both colorful yet simple for the citizens of the United States from Alaska to New York. The illustrator chose a lovely strategy of using many shades of watercolors for the different people, and it is even more poignant when contrasted with the crisp blue backgrounds of each page. Finally, when it comes to special features, the book itself is a rarity-a combination of Government 101 with a humorous, light narrative. The ideology of the book is that it wants everybody  to be able to exercise their full voting, First Amendment, and political rights fit  in with their fellow Americans.

     

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Little Miss Liberty

  1. Little Miss Liberty
  2. Author: Chris Robertson
  3. Illustrator: Chris Robertson
  4. Publisher and Year: Chronicle Books, 2003
  5. Number of pages: 36
  6. Genre: Picture Book/Adventure Story
  7. Analysis: In Chris Robertson’s book, Little Miss Liberty, a young green statue girl named Little Miss Liberty is born to a French family in Paris and grows up quickly, soon wanting to leave France and explore the world. She does so, and eventually finds a fitting home on a small island off the coast of New York City, providing an enduring symbol that millions of Americans and people from around the world will hail as a symbol of freedom and that you can accomplish most anything in America if the conditions are right.
  8. So far as the picturebook codes in this story are concerned, the primary code in this book, much as in Extra Yarn and Rikki-Tikki-Tavi, was that of size. Throughout the book, Liberty is very small to begin with at the beginning in France, but by the end, when she assumes her place on Ellis island’s pedestal, she is very large, showing that she is the one in control of the situation by the time the book’s conclusion rolls around. When shown next to the humans, Liberty is much, much smaller as she is growing up, but is much more of a dominant presence at the end. The illustrations are quite beautiful, as they are both colorful yet simple for Liberty, her family, and the various landmarks she visits around the world before arriving in New York. The illustrator chose a lovely strategy of using many shades of watercolors for the different sites, and it is even more poignant when contrasted with the crisp blue skies and gorgeous sunsets that are also an integral part of the book’s artwork. Finally, when it comes to special features, the only one that comes to mind is the fact that there is a very brief summary of the statue’s life immediately following the book jacket, and the pages themselves are pretty text-averse too. The ideology of the book is that the author wants everybody to be able to fit in with their fellow Americans while at the same time not being insensitive to the most vulnerable among us. He shows this ideology by providing a safe, fun way to teach about tolerance and diversity through one of our nation’s greatest landmarks.
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Teacup

Title: Teacup

Author: Rebecca Young

Illustrator: Matt Ottley

Publisher & year: Dial Books for Young Readers, 2015

Number of pages: 30

Tags: Adventure, Animals, Fiction, Picture Book, Grace Sheley

Genre: Fiction

The book begins with a young boy getting in a boat as the narrator reports that he has to leave his home. With him, he carries a teacup filled with dirt from his home. He travels across the sea for an indeterminate amount of time and is constantly reminded of his home. He travels through storms and calm sea, looking for a speck of land to settle on. Finally, the boy finds land and the passage of time is hinted at by the growth of a sapling to a full sized tree from the teacup he began his journey with. He builds upon the new land and is surprised one day by the appearance of a young girl who also arrives with a full sized tree growing from a cup. The final page has no text, but shows three sets of footprints in the sand, insinuating that the travelers started a family and new life on the land they found.

The text of the book is simplistic but full of vivid imagery. One page uses the phrase, “gently rocking him to sleep” to describe the movement of the ocean, another describes the color of the ocean as, “an endless sea of white,” while another page uses the emotional sentence, “Other days were so dark that the boy longed for the stars.” The text does an excellent job narrating a story, but using poetic language to draw the reader in, to step into the protagonist’s shoes. The growth of the tree in the teacup in the middle of the book seems to represent the boy’s growing hope after a long time at sea with no sight of land. He is inspired by the tree’s ability to grow and thrive, even without having a permanent home yet.

The illustrations of the book use a cool color palette; mostly blues, dark and light, with some white or softer pink tones. The placement of the boy on the left side of the page when he finally reaches land solidifies that he has reached a place to rest and grow – this is further affirmed by the sudden burst of warm colors, the tree sprawling its roots into the grass, and a goat watching over the horizon. There are no harsh lines used in the illustrations, but instead, the brushstrokes of the artist are clearly seen, creating a feeling of movement and creativity. One page uses multiple boxes of images to show the passage of time and the growth of the tree while in the teacup.

There is no author’s note after the text, but there is a short message in the opening flap of the dust cover that explains the message of the book: “readers young and old…can weather the journeys of life.” Although not explicitly stated, the book relates strongly to the struggle of refugees fleeing their homeland and desperately searching for a new place to call home. This is implied by the opening line of the text, which says, “Once there was a boy who had to leave his home…and find another.” This text is more ambiguous toward this social justice issue but may serve well to incite conversation about refugees, war, and hardship.

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The Friend

Title: “The Friend”

Author: Sarah Stewart

Illustrator: David Small (married to the author)

Publisher and Year: Douglas and McIntyre Ltd. in 2004

Number of Pages: 41

Tags: Friendship, 2-3, 4-5, 6-8, Historical-fiction, poetry, Stephanie Rudi

Genres: Historical Fiction

Analysis:The Friend” is a story about a rich little girl, Belle, who is often left alone, and her only friend in the world is Bea, her family’s maid. The two of them often go out to play at the beach and the young girl often helps Bea with the cleaning tasks. One day, Bea saves Belle after she went to play in the water alone. We find at the end that Belle is grown up and reflecting on her time with Bea.

 

This book is a door into the life of the young girl and the family maid. The illustrations make it look like we are there with them, and the text is very open about the situation and the way things are. From our perception, this is a young rich white girl who is left alone to be raised by an African-American maid. The illustrations and the text show a friendship that develops between the two. Structurally, the two main characters are a grown woman and a small child who come from different backgrounds.
Ideologically, the book is telling us that we can form strong bonds with anyone, despite race, age and social class. Belle and Bea are from very different because of their age difference, race, and the fact that Belle is wealthy and Bea is not. This story also makes it clear that African-Americans during this time period played a big part in raising the children of the household. Some of Belle’s greatest memories are with Bea, and there is hardly any mention of the parents. By using the picture book codes, we see that Bea is stronger and more secure than Belle because she is often pictured larger above her and typically to the right. She appears more often than the parents, who only appear once, which means she is a more important figure in the story. The author’s note at the end alludes to the idea that the author may have drawn the story from her own personal experience growing up.

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