{"id":5961,"date":"2023-02-25T11:52:37","date_gmt":"2023-02-25T17:52:37","guid":{"rendered":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/?p=5961"},"modified":"2023-02-26T10:17:50","modified_gmt":"2023-02-26T16:17:50","slug":"still-looking-still-vermeer-columnist-wishes-updike-could-see-new-vermeer-exhibition","status":"publish","type":"post","link":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2023\/02\/25\/still-looking-still-vermeer-columnist-wishes-updike-could-see-new-vermeer-exhibition\/","title":{"rendered":"Still Looking . . . Still Vermeer: Columnist wishes Updike could see new Vermeer exhibition"},"content":{"rendered":"\n<p>The new (and largest ever) Vermeer exhibition in Amsterdam is apparently as hard to get tickets for as a football championship. A <em>World Today News<\/em> columnist recently said, &#8220;I had given up all hope of a ticket for Vermeer, until an attentive, art-loving one NRC reader managed to get my wife and me in after all, even without having to smash a window of the <a href=\"https:\/\/www.rijksmuseum.nl\/en\">Riijksmuseum<\/a>.&#8221; <\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-full\"><a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2023\/02\/Soldaat-en-lachend-meisje-Vermeer.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"436\" src=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2023\/02\/Soldaat-en-lachend-meisje-Vermeer.jpg\" alt=\"\" class=\"wp-image-5962\" srcset=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2023\/02\/Soldaat-en-lachend-meisje-Vermeer.jpg 400w, https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2023\/02\/Soldaat-en-lachend-meisje-Vermeer-275x300.jpg 275w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Officer and Laughing Girl. <\/em>1657-58, oil on canvas. The Frick Collection, New York: Photo: Joseph Coscia Jr.\u2014from the Riijksmuseum press website<\/figcaption><\/figure>\n<\/div>\n\n\n<p>The writer lamented, in a column titled <a href=\"https:\/\/www.world-today-news.com\/column-still-vermeer\/\">&#8220;Still Vermeer&#8221;<\/a> (in apparent reference to Updike&#8217;s second published volume of art criticism, <em>Still Looking<\/em>),&#8221;If only John Updike, the American writer (1932-2009), could experience this exhibition. I mention him because of all literary writers he has been the greatest connoisseur and admirer of Vermeer. . . . Updike became interested in Vermeer as a schoolboy. He wrote a nice, autobiographical story about it: &#8216;The Lucid Eye in Silver Town.&#8217; In it, a boy, together with his father, visits an older brother of that father in New York. The boy&#8217;s father is a passive man, the older brother is a successful businessman. It is the boy&#8217;s first visit to New York, where he wants to buy a &#8216;good book&#8217; about Vermeer. <\/p>\n\n\n\n<p>&#8220;The wealthy uncle listens to him skeptically and starts bragging about four paintings by Degas that he has hanging in his living room in Chicago. &#8216;Yes,&#8217; says the boy, &#8216;but don&#8217;t Degas&#8217; paintings remind you of colored drawings? When it comes to it <em>to look<\/em> to things in terms of paint, with a sharp eye, Degas can&#8217;t match Vermeer.&#8217; <\/p>\n\n\n\n<p>&#8220;The uncle says nothing and the father apologizes: &#8216;That&#8217;s how he and his mother always talk. I can not reach it. I never understand any of it.'&#8221;<\/p>\n\n\n\n<p>The writer talks about walking through the new exhibit and wondering what Updike had thought of his personal favorite, <em>The soldier and the laughing girl<\/em> . . . &#8220;a painting that seems made for Updike and his &#8216;lucid eye.'&#8221; <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new (and largest ever) Vermeer exhibition in Amsterdam is apparently as hard to get tickets for as a football championship. A World Today News columnist recently said, &#8220;I had given up all hope of a ticket for Vermeer, until &hellip; <a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2023\/02\/25\/still-looking-still-vermeer-columnist-wishes-updike-could-see-new-vermeer-exhibition\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":818,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,53,35],"tags":[],"class_list":["post-5961","post","type-post","status-publish","format-standard","hentry","category-museums-exhibitions","category-updike-in-context","category-updike-quoted"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/5961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/users\/818"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/comments?post=5961"}],"version-history":[{"count":2,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/5961\/revisions"}],"predecessor-version":[{"id":5965,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/5961\/revisions\/5965"}],"wp:attachment":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/media?parent=5961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/categories?post=5961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/tags?post=5961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}