{"id":5755,"date":"2022-10-21T13:17:32","date_gmt":"2022-10-21T18:17:32","guid":{"rendered":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/?p=5755"},"modified":"2022-10-21T13:17:34","modified_gmt":"2022-10-21T18:17:34","slug":"nobel-laureate-cites-updike-influence","status":"publish","type":"post","link":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2022\/10\/21\/nobel-laureate-cites-updike-influence\/","title":{"rendered":"Nobel laureate cites Updike influence"},"content":{"rendered":"\n<p>Turkish novelist and playwright  <strong>Orhan Pamuk<\/strong>, who was awarded the 2006 Nobel Prize in Literature, is now his country&#8217;s best-selling and most prominent writer. His books have sold more than 13 million copies internationally, with <em>Snow<\/em>, a novel that captures the sociopolitical milieu of 21st-century Turkey, drawing extra attention for its narrator, whom readers are meant to interpret as Pamuk himself. <\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-full\"><a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2022\/10\/Screen-Shot-2022-10-21-at-12.19.21-PM.png\"><img loading=\"lazy\" decoding=\"async\" width=\"244\" height=\"357\" src=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2022\/10\/Screen-Shot-2022-10-21-at-12.19.21-PM.png\" alt=\"\" class=\"wp-image-5756\" srcset=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2022\/10\/Screen-Shot-2022-10-21-at-12.19.21-PM.png 244w, https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2022\/10\/Screen-Shot-2022-10-21-at-12.19.21-PM-205x300.png 205w\" sizes=\"auto, (max-width: 244px) 100vw, 244px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p>Pamuk talked with <a href=\"https:\/\/www.thesaturdaypaper.com.au\/culture\/books\/2022\/10\/22\/writer-orhan-pamuk#mtr\"><em>The Saturday<\/em> <em>Paper<\/em> <\/a>writer Amal Awad about his most recent novel, <em><a href=\"https:\/\/www.amazon.com\/Nights-Plague-novel-Orhan-Pamuk\/dp\/0525656898\/ref=sr_1_1?crid=200UFSD090Y93&amp;keywords=orhan+pamuk+nights+of+plague&amp;qid=1666372749&amp;qu=eyJxc2MiOiIxLjk1IiwicXNhIjoiMS43MiIsInFzcCI6IjEuNTcifQ%3D%3D&amp;sprefix=orhan+pamuk+nights+of+%2Caps%2C211&amp;sr=8-1\">Nights of Plague<\/a><\/em>, which he began before the pandemic and which Awad described as a &#8220;historical murder mystery set on the imaginary Mediterranean island of Mingheria during an epidemic&#8221; of bubonic plague, adding &#8220;it&#8217;s Pamuk&#8217;s <em>Moby-Dick<\/em>, weighing in at nearly 700 pages.&#8221; <\/p>\n\n\n\n<p>During their interview, Awad said that they talked &#8220;about criticism\u2014both literary and hate speech\u2014how the Turkish media is full of people expressing their hatred of him. &#8216;They haven&#8217;t read anything [I&#8217;ve written] and I&#8217;m proud to say that,&#8217; Pamuk says, laughing. &#8216;If a literary criticism hurts, there are two criteria. One, it damages economically, the book won&#8217;t sell; that is very bad. And the other is you actually have a high opinion of this person and you want his approval.&#8217;<\/p>\n\n\n\n<p>&#8220;Pamuk rarely worries about the latter nowadays,&#8221; Awad wrote, &#8220;but he says he has benefited from literary criticism and acknowledgment from his elders throughout his life. &#8216;John Updike made me famous in the United States,&#8217; he says. &#8216;A critic who is 30 years older than me, made me in Turkey. There&#8217;s always been good, nice critics.'&#8221;<\/p>\n\n\n\n<p>Read <a href=\"https:\/\/www.thesaturdaypaper.com.au\/culture\/books\/2022\/10\/22\/writer-orhan-pamuk#mtr\">the whole article<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Turkish novelist and playwright Orhan Pamuk, who was awarded the 2006 Nobel Prize in Literature, is now his country&#8217;s best-selling and most prominent writer. His books have sold more than 13 million copies internationally, with Snow, a novel that captures &hellip; <a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2022\/10\/21\/nobel-laureate-cites-updike-influence\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":818,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,53],"tags":[],"class_list":["post-5755","post","type-post","status-publish","format-standard","hentry","category-interviews","category-updike-in-context"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/5755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/users\/818"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/comments?post=5755"}],"version-history":[{"count":1,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/5755\/revisions"}],"predecessor-version":[{"id":5757,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/5755\/revisions\/5757"}],"wp:attachment":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/media?parent=5755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/categories?post=5755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/tags?post=5755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}