{"id":5702,"date":"2022-08-28T13:31:30","date_gmt":"2022-08-28T18:31:30","guid":{"rendered":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/?p=5702"},"modified":"2022-08-28T13:33:24","modified_gmt":"2022-08-28T18:33:24","slug":"times-writer-reconsiders-updikes-couples","status":"publish","type":"post","link":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2022\/08\/28\/times-writer-reconsiders-updikes-couples\/","title":{"rendered":"Times writer reconsiders Updike&#8217;s Couples"},"content":{"rendered":"<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-full\"><a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2022\/08\/Screen-Shot-2022-08-28-at-12.32.53-PM.png\"><img loading=\"lazy\" decoding=\"async\" width=\"267\" height=\"393\" src=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2022\/08\/Screen-Shot-2022-08-28-at-12.32.53-PM.png\" alt=\"\" class=\"wp-image-5703\" srcset=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2022\/08\/Screen-Shot-2022-08-28-at-12.32.53-PM.png 267w, https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2022\/08\/Screen-Shot-2022-08-28-at-12.32.53-PM-204x300.png 204w\" sizes=\"auto, (max-width: 267px) 100vw, 267px\" \/><\/a><figcaption>UK First Edition\/First Printing<\/figcaption><\/figure>\n<\/div>\n\n\n<p>In <a href=\"https:\/\/www.thetimes.co.uk\/article\/rereading-couples-by-john-updike-review-a-melancholy-anatomy-of-adultery-sqrnrfjcf\">&#8220;Rereading: <em>Couples<\/em> by John Updike review\u2014a melancholy anatomy of adultery,&#8221;<\/a> <strong>David Mills<\/strong> began, &#8220;John Updike&#8217;s 1968 novel <em>Couples<\/em> has a notorious reputation: it is regarded as a sex book, an explicit manual of swinging high jinks in the &#8216;post-pill paradise&#8217; of the early 1960s.&#8221; He conceded, &#8220;There certainly are passages that come across as route-one porn&#8221; and provided examples, but took exception with David Foster Wallace&#8217;s well-known description of Updike as &#8220;just a penis with a thesaurus.&#8221;<\/p>\n\n\n\n<p>Within <em>Couples<\/em>&#8216; &#8220;five-section structure, one unconventionally focuses entirely away from the main character of Dutch builder Piet Hanema, and the prose itself can be tricky, with Piet given stream-of-consciousness interior monologues of almost Joycean complexity. <\/p>\n\n\n\n<p>&#8220;Above all, this is a novel about sexual dynamics that in its choreography of shifting relationships becomes a melancholy anatomy of adultery,&#8221; Mills wrote, with this qualification: &#8220;Of course, it is a white, phallocentric novel with moments of racial stereotyping and casual male violence that make us blench now, but if its social attitudes and assumptions haven&#8217;t aged well, then neither have Jane Austen&#8217;s.&#8221; <\/p>\n\n\n\n<p>Read the <a href=\"https:\/\/www.thetimes.co.uk\/article\/rereading-couples-by-john-updike-review-a-melancholy-anatomy-of-adultery-sqrnrfjcf\">full review<\/a> published in <em>The Sunday Times<\/em> [UK].  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>In &#8220;Rereading: Couples by John Updike review\u2014a melancholy anatomy of adultery,&#8221; David Mills began, &#8220;John Updike&#8217;s 1968 novel Couples has a notorious reputation: it is regarded as a sex book, an explicit manual of swinging high jinks in the &#8216;post-pill &hellip; <a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2022\/08\/28\/times-writer-reconsiders-updikes-couples\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":818,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,11],"tags":[],"class_list":["post-5702","post","type-post","status-publish","format-standard","hentry","category-first-person-singular","category-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/5702","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/users\/818"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/comments?post=5702"}],"version-history":[{"count":2,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/5702\/revisions"}],"predecessor-version":[{"id":5706,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/5702\/revisions\/5706"}],"wp:attachment":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/media?parent=5702"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/categories?post=5702"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/tags?post=5702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}