{"id":4781,"date":"2019-05-28T10:07:47","date_gmt":"2019-05-28T15:07:47","guid":{"rendered":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/?p=4781"},"modified":"2019-05-30T21:37:21","modified_gmt":"2019-05-31T02:37:21","slug":"essay-on-pei-architecture-references-updike","status":"publish","type":"post","link":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2019\/05\/28\/essay-on-pei-architecture-references-updike\/","title":{"rendered":"Essay on Pei architecture references Updike"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"352\" height=\"437\" src=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2019\/05\/john-hancock-tower-boston-ma072.jpg\" alt=\"\" class=\"wp-image-4782\" srcset=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2019\/05\/john-hancock-tower-boston-ma072.jpg 352w, https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2019\/05\/john-hancock-tower-boston-ma072-242x300.jpg 242w\" sizes=\"auto, (max-width: 352px) 100vw, 352px\" \/><\/figure><\/div>\n\n\n\n<p>Writer John Updike was such a commentator on American society that he&#8217;s often cited comparatively or as a cultural touchstone&#8211;especially at <em>The New Yorker<\/em>, where he was the Talk of the Town writer for many years and a frequent contributor of poetry, fiction, essays, and reviews thereafter. The most recent comparison comes from <strong>Nikil Saval<\/strong>, who, in his essay on <a href=\"https:\/\/www.newyorker.com\/culture\/dept-of-design\/the-impeccably-understated-modernism-of-i-m-pei\">&#8220;The Impeccably Understated Modernism of I.M. Pei,&#8221;<\/a> writes,<\/p>\n\n\n\n<p>&#8220;In John Updike&#8217;s story &#8216;Gesturing,&#8217; first published in 1980, the newly separated Richard Maple finds himself in a Boston apartment with a view of a startling new skyscraper. &#8216;The skyscraper, for years suspended in a famous state of incompletion, was a beautiful disaster,&#8217; Updike writes, &#8216;famous because it was a disaster (glass kept falling from it) and disastrous because it was beautiful.&#8217; The architect had imagined that a sheer glass skin would &#8216;reflect the sky and the old low brick skyline of Boston&#8217; and would &#8216;melt into the sky.&#8217; &#8216;Instead,&#8217; Updike continues, &#8216;the windows of mirroring glass kept falling to the street and were replaced by ugly opacities of black plywood.&#8217; Still, enough of the reflective surface remains &#8216;to give an impression, through the wavery old window of this sudden apartment, of huge blueness, a vertical cousin to the horizontal huge blueness of the sea that Richard awoke to each morning, in the now bone-deep morning chill of his unheated shack.&#8217; Not too surprisingly, the distressed tower becomes an oblique symbol for the state of Richard&#8217;s life, soul, and dissolved marriage, slicing in and out of the story, much as its counterpart slices in and out of the Boston skyline.<\/p>\n\n\n\n<p>&#8220;The skyscraper in &#8216;Gesturing&#8217; is unmistakably the John Hancock Tower (officially renamed 200 Clarendon in 2015), designed by I.M. Pei and finished in 1976,&#8221; writes Saval, adding that despite structural problems the building &#8220;remains the single most beautiful object in one of the world&#8217;s most tedious, stuffy cities\u2014on one of Boston&#8217;s handful of pleasant blue days, it reflects and multiplies the scudding clouds.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Writer John Updike was such a commentator on American society that he&#8217;s often cited comparatively or as a cultural touchstone&#8211;especially at The New Yorker, where he was the Talk of the Town writer for many years and a frequent contributor &hellip; <a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2019\/05\/28\/essay-on-pei-architecture-references-updike\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":818,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,35],"tags":[],"class_list":["post-4781","post","type-post","status-publish","format-standard","hentry","category-updike-in-context","category-updike-quoted"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/4781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/users\/818"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/comments?post=4781"}],"version-history":[{"count":1,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/4781\/revisions"}],"predecessor-version":[{"id":4783,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/4781\/revisions\/4783"}],"wp:attachment":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/media?parent=4781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/categories?post=4781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/tags?post=4781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}