{"id":4062,"date":"2017-07-07T09:40:37","date_gmt":"2017-07-07T14:40:37","guid":{"rendered":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/?p=4062"},"modified":"2017-07-09T20:40:55","modified_gmt":"2017-07-10T01:40:55","slug":"literary-takes-on-the-visual-arts-look-to-updike-et-alia","status":"publish","type":"post","link":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2017\/07\/07\/literary-takes-on-the-visual-arts-look-to-updike-et-alia\/","title":{"rendered":"Literary Takes on the Visual Arts? Look to Updike, et alia"},"content":{"rendered":"<p><a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2017\/07\/9780307957306.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-4063\" src=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2017\/07\/9780307957306-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" srcset=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2017\/07\/9780307957306-240x300.jpg 240w, https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2017\/07\/9780307957306.jpg 360w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a>Writing for <em>Signature: Making well-read sense of the world<\/em>, Tobias Carroll comes up with a list of <a href=\"http:\/\/www.signature-reads.com\/2017\/06\/literary-takes-visual-novelists-fine-art\/\">&#8220;Literary Takes on the Visual: 10 Novelists on Fine Art.&#8221;\u00a0<\/a><\/p>\n<p>Of Updike, he writes:<\/p>\n<p><span class=\"title-descript\">&#8220;When John Updike\u2019s name is mentioned, most readers initially think of him as a novelist, and it\u2019s certainly through fiction that he established his reputation as a writer. But Updike also wrote an abundance of art criticism: the posthumous <em>Always Looking<\/em> is his third such collection of work, following 1989\u2019s <em>Just Looking<\/em> and 2005\u2019s <em>Still Looking<\/em>. Delving into this side of Updike\u2019s writing shows an entirely different side to him than you might experience if you\u2019re only familiar with his fiction.&#8221;<\/span><\/p>\n<p>Below are Amazon links to the three Updike volumes on art, with the posthumously published third volume edited by Christopher Carduff:<\/p>\n<p><a href=\"https:\/\/www.amazon.com\/John-Updike-Just-Looking-Essays\/dp\/0878465774\/ref=sr_1_2?ie=UTF8&amp;qid=1499434507&amp;sr=8-2&amp;keywords=john+updike+on+art\">Just Looking: Essays on Art (2000)<\/a><\/p>\n<p><a href=\"https:\/\/www.amazon.com\/Still-Looking-Essays-American-Art\/dp\/1400044189\/ref=sr_1_3?ie=UTF8&amp;qid=1499434507&amp;sr=8-3&amp;keywords=john+updike+on+art\">Still Looking: Essays on American Art (2005)<\/a><\/p>\n<p><a href=\"https:\/\/www.amazon.com\/Always-Looking-Essays-John-Updike\/dp\/0307957306\/ref=sr_1_1?ie=UTF8&amp;qid=1499434507&amp;sr=8-1&amp;keywords=john+updike+on+art\">Always Looking: Essays on Art (2012)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Writing for Signature: Making well-read sense of the world, Tobias Carroll comes up with a list of &#8220;Literary Takes on the Visual: 10 Novelists on Fine Art.&#8221;\u00a0 Of Updike, he writes: &#8220;When John Updike\u2019s name is mentioned, most readers initially &hellip; <a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2017\/07\/07\/literary-takes-on-the-visual-arts-look-to-updike-et-alia\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":818,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,32],"tags":[],"class_list":["post-4062","post","type-post","status-publish","format-standard","hentry","category-art","category-lists"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/4062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/users\/818"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/comments?post=4062"}],"version-history":[{"count":2,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/4062\/revisions"}],"predecessor-version":[{"id":4090,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/4062\/revisions\/4090"}],"wp:attachment":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/media?parent=4062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/categories?post=4062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/tags?post=4062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}