{"id":3728,"date":"2017-03-04T08:33:35","date_gmt":"2017-03-04T14:33:35","guid":{"rendered":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/?p=3728"},"modified":"2017-03-04T08:33:35","modified_gmt":"2017-03-04T14:33:35","slug":"witches-of-eastwick-film-retro-reviewed","status":"publish","type":"post","link":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2017\/03\/04\/witches-of-eastwick-film-retro-reviewed\/","title":{"rendered":"Witches of Eastwick film retro-reviewed"},"content":{"rendered":"<p><a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2017\/03\/Screen-Shot-2017-03-04-at-8.29.41-AM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3729\" src=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2017\/03\/Screen-Shot-2017-03-04-at-8.29.41-AM.png\" alt=\"\" width=\"697\" height=\"337\" srcset=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2017\/03\/Screen-Shot-2017-03-04-at-8.29.41-AM.png 697w, https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2017\/03\/Screen-Shot-2017-03-04-at-8.29.41-AM-300x145.png 300w, https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2017\/03\/Screen-Shot-2017-03-04-at-8.29.41-AM-500x242.png 500w\" sizes=\"auto, (max-width: 697px) 100vw, 697px\" \/><\/a>You know a film still has currency\u00a0when it sparks the headline, <a href=\"https:\/\/filmschoolrejects.com\/the-devil-is-a-f-kboy-revisiting-the-witches-of-eastwick-9c7ed01a0b9a#.n6uly0aun\">&#8220;The Devil is a F**kboy: Revisiting &#8216;The Witches of Eastwick,'&#8221;<\/a> with the subhead &#8220;Thirty years later, George Miller&#8217;s diabolical feminist parable feels relevant as hell. Gird your cherries.&#8221;<\/p>\n<p><strong>Meg shields<\/strong> writes, &#8220;Miller is a man of many talents:\u00a0he wrote <em class=\"markup--em markup--p-em\">Babe<\/em>; directed its weird and wonderful sequel; helmed the academy award winning <em class=\"markup--em markup--p-em\">Happy Feet <\/em>franchise; and even served as producer and second unit director on the Sam Neil-starring sailboat thriller <a class=\"markup--anchor markup--p-anchor\" href=\"https:\/\/www.youtube.com\/watch?v=SkqZd3h3f2U\" target=\"_blank\" rel=\"noopener\"><em class=\"markup--em markup--p-em\">Dead Calm<\/em><\/a>. In 1983, in between <em class=\"markup--em markup--p-em\">Mad Max<\/em> sequels, Miller directed a segment for the <em class=\"markup--em markup--p-em\">Twilight Zone <\/em>movie, which saw a bug-eyed John Lithgow feverishly trying to shoot a gremlin off the wing of a commercial airliner. Enamoured by his experience with Amblin Entertainment, and with an adapted screenplay of a recent work by American literary treasure <strong class=\"markup--strong markup--p-strong\">John Updike <\/strong>in his possession, Miller made the (<a class=\"markup--anchor markup--p-anchor\" href=\"http:\/\/www.hollywoodreporter.com\/news\/george-miller-mad-max-sequels-861549\" target=\"_blank\" rel=\"noopener\">admittedly rocky<\/a>) move to Hollywood. And so, we were blessed with <em class=\"markup--em markup--p-em\">The Witches of Eastwick.&#8221;<\/em><\/p>\n<p>&#8220;Darryl is, categorically, a shit lord: oozing with faux feminist sympathy as greasy and insincere as his joke of a ponytail. He&#8217;s the kind of guy who takes gender studies courses just to hit on women; a sneezy alt-bro who uses disingenuous &#8216;wokeness&#8217; as a buff for disarming sexual conquests.&#8221;<\/p>\n<p>&#8220;Eastwick&#8217;s is a hazy, effortless magic,&#8221; she concludes, &#8220;whose exposition takes a backseat to the joyous interplay and collective power of female friendship. To ask for extrapolation is to fundamentally misunderstand Miller&#8217;s focus: a very real examination of toxic masculinity and sexual power dynamics, couched, deliciously, within occult ambiguity.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You know a film still has currency\u00a0when it sparks the headline, &#8220;The Devil is a F**kboy: Revisiting &#8216;The Witches of Eastwick,&#8217;&#8221; with the subhead &#8220;Thirty years later, George Miller&#8217;s diabolical feminist parable feels relevant as hell. Gird your cherries.&#8221; Meg &hellip; <a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2017\/03\/04\/witches-of-eastwick-film-retro-reviewed\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":33,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,11],"tags":[61,60],"class_list":["post-3728","post","type-post","status-publish","format-standard","hentry","category-performances","category-reviews","tag-george-miller","tag-witches-of-eastwick"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/3728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/comments?post=3728"}],"version-history":[{"count":1,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/3728\/revisions"}],"predecessor-version":[{"id":3730,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/3728\/revisions\/3730"}],"wp:attachment":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/media?parent=3728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/categories?post=3728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/tags?post=3728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}