{"id":2570,"date":"2014-10-18T16:25:42","date_gmt":"2014-10-18T21:25:42","guid":{"rendered":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/?p=2570"},"modified":"2014-10-18T16:25:42","modified_gmt":"2014-10-18T21:25:42","slug":"updike-fans-in-portugal-map-his-fictional-geographies","status":"publish","type":"post","link":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2014\/10\/18\/updike-fans-in-portugal-map-his-fictional-geographies\/","title":{"rendered":"Updike fans in Portugal map his fictional geographies"},"content":{"rendered":"<p>Jorge Salgado Simoes writes\u00a0with news from\u00a0Camara Municipal de Torres Novas, Portugal:<\/p>\n<p>FICTIONAL GEOGRAPHIES &#8211; BREWER AND THE JOHN UPDIKE TERRITORIES<\/p>\n<p>Last October 4th, Torres Novas Municipal Library, in Portugal, developed a workshop on John Updike&#8217;s works, particularly on his Rabbit series and the fictional city of Brewer, included in the program of a wide seminar called &#8220;We, at the Libraries&#8221; (N\u00f3s, nas Bibliotecas) and focused on links and connections between public libraries, schools and other institutions.<\/p>\n<p>The session &#8220;Fictional Geographies &#8211; Brewer and the John Updike territories&#8221; was developed by Jorge Salgado Sim\u00f5es, geographer and Director of Education and Cultural Affairs Department of Torres Novas Municipality, and participants were teachers and librarians, 12\u00a0people in total that got to know different topics on John Updike&#8217;s life and works and discussed Brewer&#8217;s urban dynamics, compared to global city changes during the last half of the twentieth century.<\/p>\n<p>While listening to a playlist of music themes referred to by Harry\u00a0Angstrom, participants were also invited to draw a possible map or representation from a passage of <em>Rabbit Is Rich<\/em>, concluding about the freedom we can find in fictional places and the different readings that they offer us.<\/p>\n<p><em>Below is a photo of the group, and a representative drawing.<\/em><\/p>\n<p><a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2014\/10\/image.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-2571\" src=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2014\/10\/image-1024x682.jpeg\" alt=\"image\" width=\"500\" height=\"333\" \/><\/a><\/p>\n<p><a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2014\/10\/S38-MCA314100808540_0001-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-2572\" src=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2014\/10\/S38-MCA314100808540_0001-2-1024x723.jpg\" alt=\"S38-MCA314100808540_0001 (2)\" width=\"500\" height=\"353\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jorge Salgado Simoes writes\u00a0with news from\u00a0Camara Municipal de Torres Novas, Portugal: FICTIONAL GEOGRAPHIES &#8211; BREWER AND THE JOHN UPDIKE TERRITORIES Last October 4th, Torres Novas Municipal Library, in Portugal, developed a workshop on John Updike&#8217;s works, particularly on his Rabbit &hellip; <a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2014\/10\/18\/updike-fans-in-portugal-map-his-fictional-geographies\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":33,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-2570","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/2570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/comments?post=2570"}],"version-history":[{"count":1,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/2570\/revisions"}],"predecessor-version":[{"id":2573,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/2570\/revisions\/2573"}],"wp:attachment":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/media?parent=2570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/categories?post=2570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/tags?post=2570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}