{"id":2163,"date":"2014-06-01T07:02:44","date_gmt":"2014-06-01T12:02:44","guid":{"rendered":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/?p=2163"},"modified":"2014-06-01T07:02:44","modified_gmt":"2014-06-01T12:02:44","slug":"preview-of-staged-rogers-version-applauds-director-and-writer","status":"publish","type":"post","link":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2014\/06\/01\/preview-of-staged-rogers-version-applauds-director-and-writer\/","title":{"rendered":"Preview of staged Roger&#8217;s Version applauds director and writer"},"content":{"rendered":"<p><a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2014\/06\/Screen-Shot-2014-06-01-at-7.02.34-AM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-2164\" src=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/files\/2014\/06\/Screen-Shot-2014-06-01-at-7.02.34-AM-300x235.png\" alt=\"Screen Shot 2014-06-01 at 7.02.34 AM\" width=\"300\" height=\"235\" \/><\/a>Fiona Soltes, writing for <em>The Tennessean<\/em>, published a preview of Wes Driver&#8217;s\u00a0stage adaptation of <em>Roger&#8217;s Version<\/em>,\u00a0which had its world premiere on May 30, 2014 and continues its initial run at Nashville&#8217;s Blackbird Theater through June 8.<\/p>\n<p>Soltes notes\u00a0that Driver received special permission from the Updike estate to adapt and stage the play, and quotes Clifford Anderson, director for scholarly communications in the Jean and Alexander Heard Library at nearby Vanderbilt University, as saying that <em>Roger&#8217;s Version<\/em>\u00a0is &#8220;perhaps more relevant today&#8221; than it was when Updike published it in 1986.<\/p>\n<p>&#8220;One thing that&#8217;s obviously different now is that, when Dale was trying to do this, we would have said it was an impossible task. . . . But I think what Updike had in mind, he was almost prescient in thinking that this would be something that scientists would be trying to do. That article [in <em>Nature<\/em> on &#8216;re-creating the history of the universe since the Big Bang through computer simulation&#8217;] has nothing to do with theology, but there is a very strong\u2014much stronger than in the 1980s\u2014theology and science discussion. In a way, this book was ahead of its time in projecting the themes that would become prevalent in that discussion.&#8221;<\/p>\n<p>Anderson, Soltes writes, &#8220;has been impressed with the way Driver has cut to the &#8216;pithy aspects&#8217; of the story while maintaining its drama. &#8216;It&#8217;s going to be quite innovative, and even sharpens the points of the book,&#8217; he says.&#8221;<\/p>\n<p>&#8220;&#8216;Updike&#8217;s works are not known for making easy transitions to other media,&#8217; Driver says. &#8216;But so much of this book already played out like great drama. . . . To me it cried out to be staged. To be incarnated. What a privilege that the Updike estate has let me do just that.'&#8221;<\/p>\n<p>Pictured are actors Kris Wente (Dale) and David Compton (Roger) in a promo shot taken by Driver.<\/p>\n<p><a href=\"http:\/\/www.tennessean.com\/story\/life\/arts\/2014\/05\/30\/rogers-version-searches-truth-blackbird-theater\/9743533\/\">&#8220;&#8216;Roger&#8217;s Version&#8217; searches for truth at Blackbird Theater&#8221;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fiona Soltes, writing for The Tennessean, published a preview of Wes Driver&#8217;s\u00a0stage adaptation of Roger&#8217;s Version,\u00a0which had its world premiere on May 30, 2014 and continues its initial run at Nashville&#8217;s Blackbird Theater through June 8. Soltes notes\u00a0that Driver received &hellip; <a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2014\/06\/01\/preview-of-staged-rogers-version-applauds-director-and-writer\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":33,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-2163","post","type-post","status-publish","format-standard","hentry","category-performances"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/2163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/comments?post=2163"}],"version-history":[{"count":1,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/2163\/revisions"}],"predecessor-version":[{"id":2165,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/2163\/revisions\/2165"}],"wp:attachment":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/media?parent=2163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/categories?post=2163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/tags?post=2163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}