{"id":1746,"date":"2013-12-27T09:38:14","date_gmt":"2013-12-27T15:38:14","guid":{"rendered":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/?p=1746"},"modified":"2013-12-27T09:38:14","modified_gmt":"2013-12-27T15:38:14","slug":"postmodern-deconstruction-madhouse-explores-updike-signage","status":"publish","type":"post","link":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2013\/12\/27\/postmodern-deconstruction-madhouse-explores-updike-signage\/","title":{"rendered":"Postmodern Deconstruction Madhouse explores Updike &#8220;signage&#8221;"},"content":{"rendered":"<p>&#8216;Twas six nights before Christmas and all through the Postmodern Deconstruction Madhouse there were signs from Updike&#8217;s &#8220;Rabbit&#8221; novels.<\/p>\n<p>Blogger Peter Quinones takes note of the <a href=\"http:\/\/postmoderndeconstructionmadhouse.blogspot.com\/2013\/12\/signs-and-signage-in-updikes-rabbit.html#.Ur2cKf348b5\">&#8220;Signs and Signage in Updike&#8217;s &#8216;Rabbit&#8217; Novels&#8221;<\/a> and offers a count and speculation for their frequent inclusion . . . and variation. Some of his conclusions seem like leaps\u2014&#8221;Similarly, how do we go from 8 signs in one novel to 19 in the next? I would suggest that Angstrom&#8217;s reticular activating system has begun to be lit up to pay attention to signs, signage, and printed messages because he now works as a typesetter\u2014it&#8217;s unavoidable&#8221;\u2014but it&#8217;s fascinating to see what catches people&#8217;s attention from the &#8220;Rabbit&#8221; series.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;Twas six nights before Christmas and all through the Postmodern Deconstruction Madhouse there were signs from Updike&#8217;s &#8220;Rabbit&#8221; novels. Blogger Peter Quinones takes note of the &#8220;Signs and Signage in Updike&#8217;s &#8216;Rabbit&#8217; Novels&#8221; and offers a count and speculation for &hellip; <a href=\"https:\/\/blogs.iwu.edu\/johnupdikesociety\/2013\/12\/27\/postmodern-deconstruction-madhouse-explores-updike-signage\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":33,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1746","post","type-post","status-publish","format-standard","hentry","category-first-person-singular"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/1746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/comments?post=1746"}],"version-history":[{"count":1,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/1746\/revisions"}],"predecessor-version":[{"id":1747,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/posts\/1746\/revisions\/1747"}],"wp:attachment":[{"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/media?parent=1746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/categories?post=1746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.iwu.edu\/johnupdikesociety\/wp-json\/wp\/v2\/tags?post=1746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}