Tag Archives: Social Science

Maus

Author(s), Illustrator/Photographer: Art Spiegelman

Publisher and Year Number of pages: Pantheon Books, 1991, 296 Pages.

Genre: Fiction, Autobiography, Memoir, History and Biography.

Descriptive Annotation: The cover features two Polish Jews (Spiegelman and his father) cowering under the shadow of a giant swastika, modified by the imposition of a German-stylized cat’s head emblem. This is a combination of both standard Holocaust imagery and the use of animals as metaphors, which can be seen for the entirety of the graphic novel. Maus is the heartbreaking story of a Polish-American man and his aging father’s experiences in the Holocaust as a Polish Jew, and the continued regret of Spiegelman “using” the death of six million Jews to sell his book to some extent in his mind. As the Holocaust is described to him via his father, Spiegelman also continues to express guilt that didn’t talk to his father more about his experiences on a frequent basis when he had the opportunity to do so when the former was alive. The whole of his father’s trials, from growing up in moderately anti-Semitic Poland to the German invasion in 1939 and the ways in which the population react (or don’t react) to the actions the Nazi regime takes against the Jewish population, are covered in the book. Prior knowledge of what the Holocaust was, and perhaps reading of some more traditional fare on the era such as The Diary of Anne Frank, would certainly be useful in the scenario of students reading this novel in the classroom.

Classroom Application: In this graphic novel, the characters are all played by different animal personas based on nationality, which would be ideal for some upper-level social studies settings. For instance, the Nazis/Germans are cats, the Jews are mice, Americans are dogs, and the French are frogs. The metaphors purposefully don’t work for large portions of the story, i.e. when a mouse is a veteran of World War I for Germany and he flickers back and forth between being a mouse and a cat. This is a teachable moment, since it’s Spiegelman’s way of saying that race and racism, or discrimination of any kind, is very arbitrary because the categories we apply really don’t hold water when held up to scrutiny, or when you consider that people can belong to more than one category.

Linguistic and Cultural Diversity Analysis: Spiegelman covers the different ways in which the Holocaust is remembered, and notes that when he published the novel, nobody had used a comic book format to do so before: “I’m not talking about YOUR book now, but look at how many books have already been written about the Holocaust. What’s the point? People haven’t changed…” (Spiegelman, p. 34). Exasperation with people not being able to get the message with traditional mediums of literature drove Spiegelman to write this book, and that is why 27 years later, this is still a widely taught and used piece of work, both in the US and Germany, the latter of which had to be lobbied to permit the public sale of this book due to the display of the swastika being an illegal offense in that country. Another source of controversy is that the animal chosen to represent the Poles was a pig, since that is a common stereotype of people from Poland and from Eastern Europe in general, and the Germans are universally seen as a brutalizing force in the novel as well. The author speaks through one of his characters as unrepentant on the latter, though, stating “Let the Germans have a little what they did to the Jews” (Spiegelman, p. 226). Such an attitude may seem severe to certain readers, but in the context of the experience of Spiegelman’s family and millions of others, it is understandable that they are biased against their erstwhile oppressors and architects of the genocide.

The Wall: Growing Up Behind The Iron Curtain

Author(s), Illustrator/Photographer: Peter Sís.

Publisher and Year Number of pages: Frances Foster Books, 2005, 50 Pages.

Descriptive Annotation: The cover features two awards-one Caldecott, and one Robert Siebert, along with a Czech baby in the middle of a giant red star. As a send-up of the sort of books the Soviet and Communist presses made during the Cold War, there are many parodies of Communist Party imagery, the red star on the cover being the first example. This is a combination of both standard Soviet imagery and the kind of cartoons and political drawings that appeared in plentiful quantities in the Prague Spring of 1968, in which control by the Czechoslovak Communist regime was briefly loosened and the free press came roaring back temporarily. The wall is the story of that spring and the effect it had on the author, a Czech-American man and his visit that he took to his homeland with the children he raised in the United States. Their experiences in the city of Prague are much different than those of their father’s: “Now when my American family goes to visit my Czech family in the colorful city of Prague, it is hard to convince them it was ever a dark place full of fear, suspicion and lies” (Sis, p. 49). As his childhood under Communist rule is described to the reader by the use of comic strips on the top of the page and captions on the bottom, Sis also continues to express the fears that tormented him as a young man in the old country, and how he and his family didn’t talk about certain things for fear of the secret police hearing them. The whole of his trials, from growing up in the tightly repressed Czechoslovakia, to experiencing true freedom in the second half of the 1960’s and the subsequent Soviet invasion in August of 1968 and the ways in which the population react (or don’t react) to the actions the Red regime takes against the previously free media and citizenry, are covered in the book. Prior knowledge of what the Cold War and Prague Spring were would certainly be useful in the scenario of students reading this book in the classroom.

Classroom Application: In this picture book, the comic strips depict what is and what is not permitted by the Soviet puppet government at various stages of its existence, which would be ideal for some social studies settings which have students that perhaps had relatives behind the Iron Curtain back in the day, and didn’t get to experience some of the freedoms that we as Americans take for granted. This is a teachable moment since it’s Sis’s way of saying that his life in Czechoslovakia in the 1960s through the 1980s was so drastically different from what students today have to experience (mandatory participation in a scouting movement and collection of scrap metals), it can be hard to teach in some ways. We must try as educators to do so, however, because if we don’t, the same mistakes of the past could easily be repeated again.

Linguistic and Cultural Diversity Analysis: Sis covers the different ways in which the Cold War and Prague Spring are remembered, showing the contrast between East and West through maps and exclaiming what a unique experience having the Beatles and Beach Boys was in his country: “But out of the dark came a glimmer of hope. The Beach Boys arrived. America to the rescue!” (Sis, p. 27-28). Exasperated with the new youth movement and fearful that the colorful styles of the West will destroy their socialist paradise, the Czechoslovak police maul and arrest concertgoers who saw the Beach Boys at Prague’s Lucerna Hall in 1969 as they leave. The return of people not being able to get the music they want from the West through traditional means results in a huge black market forming, one that persists in Sis’s telling until his departure for the US in 1984. This should be a widely taught and used piece of work, both in the US and around the former Eastern Bloc, since it shows the profound failure of the latter and the absolute oppression which results from authoritarianism. In the context of the experience of Sis’s family and millions of others, it is necessary that they are brought some peace of mind that this kind of system can never rear its ugly head again and make people scared to live their lives in peace. Artists like Sis, who was a radio DJ and actually toured with the Beach Boys when they visited his country, can never be truly suppressed by the jackboot of hate, but they need our help whenever possible to keep their creative flames alive.

 

 

 

 

Stepping Stones: A Refugee Family’s Journey

Title: Stepping stones: a refugee family’s journey

Author(s)/Illustrator/Photographer: Margriet Ruurs, stonework done by Nizar Ali Badr

 Publisher and Year Number of pages: Orca Book Publishers, 2016, 27 pages.

Genre: Realistic Fiction

Descriptive Annotation: The cover features a simple artistic rendering of a refugee family fleeing Syria made out of typical pond stones one could find most anywhere, but done in a way that is culturally sensitive-the artist who made the stone sculptures is from Latakia, Syria, and disassembles his pieces as soon as they are photographed. The author actually went and found him and his work on Facebook, but it took some time to get that process going as far as getting the artwork into the book was concerned. As for the book itself, it is a bilingual storybook (English and Arabic text) that involves the engrossing, yet tragic, story of a Syrian family forced to flee their homeland as a result of the ongoing civil war there (2011-present). Rama, our protagonist, is a boy who is used to his peaceful home life with his mother, father, brother Sami, and his grandpa Jedo being the same for years and years. However, the author notes, “that was then, and this is now” (Ruurs, p. 9). Latakia is the only home he’s ever known, and when the war comes to the village, he and his family must flee the land they love so much with tears in their eyes on foot, then by boat to Southern Europe. The family ends up in Europe and is luckily welcomed with open arms, something not all Syrians could state. It would be beneficial for the reader to read up on why and how the civil war got started, as there isn’t much background knowledge provided in the text and it would help to enjoy this story better. The language is pretty simple, but also profound in its own way when describing the devastating impact of the war on ordinary Syrians, particularly Rama and his family.

Classroom Application: It is an ideal text to teach lessons on the aftereffects and Homefront of wars since too often the media and history books solely focus on the big battles and generals instead of the human impact of war, and its unsustainability for the long run. Good stewardship of those who flee strife and calamity is a must, and the author subtly demonstrates that treating your fellow man with dignity and respect is the way rather than outright militancy and sabotage. The best avenue to pursue is to do as the unnamed Europeans do at the end of the book: “Stay here with us. You will be safe now. No more war” (Ruurs, p. 22). How the children best learn this lesson, of course, would be up to the teacher. The passion shown by the main characters in pursuing their goal of freedom from fear and want is certainly a trait for teaching purposes and could be tied into the Four Freedoms speech Franklin Roosevelt gave during World War II in a history classroom setting. Students could think about laws or supreme court decisions that exist in this country that discriminate, or in the past discriminated, against those who took refuge on our shores, and how to go about changing them.

Linguistic and Cultural Diversity Analysis: Since the book is set in Syria and Southern Europe, the culture of the Mediterranean over the centuries is described to a large extent and would be great for a social studies-type course. The traditions of the Syrian people intermingle with those of the host culture they resettle in, but since they are all from the same region to some extent, it is not as much of an adjustment for them as it was for some: “We have a new home now, a home with new sounds and smells, with smiles and people who help” (Ruurs, p. 23). Even though they weren’t part of the group that originally settled the area thousands of years ago, Rama and his family start to readjust, making themselves at home as best they can. Goodness in oneself and others is also a key component in the book, as that kind of lesson never gets old, no matter what sort of class you are teaching, or in what nation-from the US to Sweden to Syria.

Hoot

Author(s) Illustrator/Photographer: Carl Hiaasen

 Publisher and Year Number of pages: Alfred A. Knopf, 2002, 292 pages.

Genre: Realistic Fiction

Descriptive Annotation: The cover features a simple artistic rendering of a burrowing owl’s white eyes on a sky-blue background, very similar to other minimalist books of Carl Hiaasen’s that feature similar cover artwork. As for the book itself, it involves the engrossing story of Roy Eberhardt, a boy who is used to being a new kid. Florida isn’t the first state he’s lived in, but probably the most interesting place he’s ever been. We first meet Roy with his face being pressed against the window of his school bus by Dana Matheson, the local bully.  While dealing with Dana, Roy meets a boy named Mullet Fingers and learns of a sinister plot involving a pancake house called Mother Paula’s, which is planned to be built on the site of an owl rookery.   Roy used to hate Florida and mope about going back to Montana, but now he doesn’t think it’s so boring after all. Roy and Beatrice, his crush at school, have to decide whether or not to help protest for owls’ rights with Mullet Fingers by sabotaging the Mother Paula’s site, which is not an easy choice to make since he is already in trouble at school for ditching class to chase Mullet Fingers. Luckily for the reader, there isn’t much background knowledge needed to enjoy this story-all they need do is get comfortable in their favorite spot and get to enjoying it. The language is pretty simple but also profound in its own way and could be used for a variety of grade levels due to a mass appeal for readers with many different tastes.

Classroom Application: Since the book makes the protection of the environment at all costs from those who would besmirch or defile it an enormous priority, it’s an ideal text to teach lessons on sustainability and good stewardship of the Earth. The author subtly demonstrates that outright militancy and sabotage towards polluters isn’t the best avenue to pursue, and how the children best learn this lesson would be up to the teacher. The passion shown by the main characters in pursuing their goal of environmental preservation is certainly a trait for teaching purposes. One possible lesson after reading the book would be to review current events and find a story that gets the class excited about environmentalism. Students would also do well to recognize, as Roy does, that “Just because something is legal doesn’t automatically make it right” (Hiaasen, p. 180), and think about laws that exist in this country that may not necessarily have been just or good for every American, and how to go about changing them.

Linguistic and Cultural Diversity Analysis: Since the book is set in South Florida, the unique cultural blend formed in that region over the centuries is described to a large extent and would be great for a social studies-type course. The traditions of the Seminole peoples that originally settled the area thousands of years ago are ever-present. Hiaasen explains them to the reader through the character of Mullet Fingers, who is a barefoot young man that ran away from a “special” (read: Indian re-Education) school in Mobile, AL to come and protect the swamp that holds the owls from bulldozers that are coming to build a pancake house on their homes. The Seminole Nation has always been committed to maintaining and supporting the bounties and remaining in sync with those bounties, hence the fierce devotion Mullet Fingers has to the cause: “‘You bury those birds,’ Mullet Fingers said, ‘you gotta bury me, too.” (pg. 267). His zeal convinces Roy to stand up to the corporations as well, and the unity of both boys from drastically different backgrounds is a message that can resonate with many students if taught correctly. Goodness in oneself and others is also a key component in the book, as can be seen in Roy’s conversations with another character on Mullet Fingers: “‘Eberhardt, why do you care about this kid?’ It was a good question, and Roy wasn’t certain he could put the answer into words. there was something about the look on the boy’s face . . . something urgent and determined and unforgettable” (Hiaasen, pp. 74-75). That kind of lesson never gets old, no matter what sort of class you are teaching.

 

Kate Shelley: Bound for Legend

Author/Illustrator: Robert D. San Souci, Max Ginsburg

Publisher and Year Number of pages: Dial Books for Young Readers, 1995, 30 pages.

Genre: Nonfiction

Descriptive Annotation: The cover features a detailed artistic rendering of a girl with a brown coat, tan straw hat, and an orange, glowing oil lamp typical of the mid-to-late 1800s when the book is set. The lush paintings of Iowa featured inside the book continue for the whole of the narrative, and the results are pleasing to both the historian in me for their accuracy and to my inner child due to their exciting events that really drew me in. As for the text itself, it involves the story of Kate Shelley who manages to warn another train hurtling down the tracks to her farm that there has been a wreck at her family’s property and that they need to stop in order to avoid an accident. She is an ordinary kid that just happens to have been in the right place at the right time and is eager to help in any way she can to prevent a preventable tragedy. When Kate sets off on her journey to stop the second accident, she is not helped by anybody. Despite that, she manages to locate some survivors from the wreck, and crawl over the slippery, 700-foot-high railroad bridge that leads to the other incoming train. She does so with full knowledge of the danger that awaits her: “A misstep would send me down below the ties into the flood that was boiling below. I got down on my hands and knees, carrying my useless lantern and guiding myself by the stretch of rail” (Souci, p. 18-19). Eventually, Kate makes it to the station and warns the men inside of the accident waiting to happen, collapsing soon afterward from the exhaustion her ordeal: “Much later she would learn that the train had been halted forty miles to the west, at the edge of the storm. The passengers were safe” (Souci, p. 22). Out in the cold, there are still railroad workers in trouble, and Kate gets up from her resting spot and goes out with the men from the station to help save their lives. Lucky for her and them, the rain and wind that had been blowing that whole time and causing all the trouble stops. This allows a safe rescue of the workers and for Kate to get some real rest, which lasts for a long while until she can get her strength back up: “It was nearly three months before Kate’s strength came back. During this time as she lay in bed, she was greeted by the trains that blew their whistles when they passed the Shelley farmhouse” (Souci, p. 27). She takes this and many other commendations for her bravery in stride, not yet realizing the full power of her actions in a time of need until much later in life. The father of Kate is very proud of his daughter, as is the state of Iowa and most of the country at the time.

Classroom Application: Since the book makes the idea of selfless sacrifice for others and mutual respect of all people an enormous priority, it’s an ideal text to teach lessons on being decent to one another and how to step up when the situation demands one do so. The author/illustrator also demonstrate that direct action towards a problem that needs solving is best, and always good if pursued correctly; one must work hard and think creatively in order to accomplish a “deed bound for legend” (Souci, p. 1). One possible lesson after reading the book would be to tie it into Pay It Forward campaigns, and then also review the classroom bullying standards and see if they need to be revised in order to be more selfless. Students would also do well to recognize, as Kate does, that while actions are important, the intent is what really saves the day.

Linguistic and Cultural Diversity Analysis: The book is set in Iowa, but not in the present-day that we are necessarily used to. There isn’t much of a unique cultural blend of the North American continent in those days, but the differences from our modern-day society come through in the names and clothing of the characters, and could be used to great effect to teach about the historical and present significance of the railroad industry in any history classroom, regardless of grade level. Souci does a great job explaining all this, and his words should definitely be heeded when it comes time to plan your lessons.

 

A Kids’ Guide to the American Revolution

Author(s), Illustrator/Photographer: Kathleen Krull; illustrated by Anna Divito.

Publisher and Year/Number of pages: HarperCollins Children’s Books, 2018, 207 Pages.

Genre: Nonfiction, Chapter Book.

Descriptive Annotation: The cover features a watercolor drawing of George Washington, kitted out in a traditional tricorn and blue frock coat, cradling a US flag (of the Thirteen Colonies) and superimposed over the Declaration of Independence. Also included is a red, white and blue color scheme in the title and author’s name as well, emphasizing the colors that the new nation of America rallied to in the heady days of 1776. This is a combination of both standard unifying American imagery used by our country since its independence, and the founding document of our initial independence being put in a position of prominence, which can be seen for the entirety of the novel.

A Kids’ Guide to the American Revolution is the beginning story of our country, which was a group of men who decided that enough British domination was enough, and despite their many differences, it made sense for them to band together and declare to the world the birth of a new nation, and, in doing so, made a document that changed the world: “It spelled out the reasons why the colonists had to rebel against the mother country and begin to govern themselves. It’s not exaggerating things to say that the Declaration launched America” (Krull, p. 7). As the book continues, it is evident that this American story as portrayed in this novel is the complex, conflicted one as it was in real life, mostly due to its older targeted audience. Also important is that this version of the American tale does have plenty of heart as well, and indeed makes the boosting of morale that George Washington did throughout the war for his troops in the face of difficult odds a key point of focus for the reader: “With these victories he wasn’t just scoring points. He was boosting troop morale and attracting much-needed recruits. Washington was doing more than any other single person to keep the flame of the American Revolution alive” (Krull, p. 139).  The whole of the story is about the acceptance of revolutionary and Enlightenment ideals that posed a serious threat to the British governing order in the Declaration of Independence, and how the war was won based on those ideals even if they weren’t always practiced by all of the Founding Fathers at all times. All Americans of every age group, not just students, should read this book as well, because the author does an evenhanded job of assessing the reality of the Revolution for a book that was designed for children, and the lessons within would certainly be useful for students reading this novel in the primary school classroom.

Classroom Application: In the book A Kids’ Guide to the American Revolution, the characters are all real-life figures from the Revolution, from the top (George Washington, King George III) to the lesser-known heroes of the war, such as a man named Swamp Fox (who was in real life called Francis Marion, who had fought in the French and Indian War: “While battling-and almost losing to the Cherokee Indians, he admired how the Cherokee turned the swampy backwoods to their advantage, hiding until just the right moment for an ambush” (Krull, p. 157).  This demonstrates how people take some of the best ideas from those with whom they may have clashed with before, and that competition can later turn into cooperation, as it did when “Marion’s Men” joined forces with their erstwhile indigenous foes to take down British forces in South Carolina during the Revolutionary War, using those same tactics. This is a teachable moment, since it’s Krull’s way of saying that America was built not on lasting enmity towards one’s foes, but treating them as friends once the current issue at hand has been resolved-just as Britain became a great ally in World Wars I and II, and how Germany and Japan are close allies with us to this day as well after we defeated them in the Second World War as well. In short, we need to embrace the lessons learned of the Revolution and strive towards a world with less enmity and lingering resentment in any way possible. This book is an excellent primer on how to do just that by looking at examples from our primary history way back in the 1770s.

Linguistic and Cultural Diversity Analysis: Krull covers the interactions between American and Brits, colonizers and the colonized, slave and freedman, and does so in a way that doesn’t gloss over the real pain that has occurred in our past through many faults of our own. The end of the war didn’t solve the issue of slavery in the slightest-it exacerbated the problem in many ways, as Krull acknowledges: “The institution of slavery continued to be practiced in the original thirteen colonies. Within days of the war’s end, plantation owners were paying soldiers to locate runaway slaves living in the surrounding woods” (Krull, p. 189). This is necessary to do, as many past versions of our founding have glossed over the often-sad realities that plagued our nation for generations and are still not truly solved. The author’s motivation was to do right by the lives of those who were historically ignored in our textbooks, and to do so in an engaging way that is not misguided or skewered to any certain degree: “Treaties  made with the British prior to the war were ignored by the Americans, and years of bloody conflict and expansion destroyed some tribes” (Krull, p. 193). On those pages which cover the aftermath of the war, a nation was born divided between those who had and who had not, and recognizing that not all was peaches and cream is an important step in the telling of American historiography to young readers. In the context of the age group that is reading this book, it is understandable that it is included to help eliminate false truths that may have been taught in other history classes.

Jerome By Heart

Author(s), Illustrator/Photographer/Translator(s): Thomas Scotto and Olivier Tallec; Translated from French by Claudia Zoe Bedrick and Karin Snelson

Publisher and Year Number of pages: Enchanted Lion Books, 2009, 26 Pages.

Tags/Themes: France, LGBT, Gay, Childhood, Youth, Graham, Illustrators, French, 21st Century, Love, Social Conditions, Juvenile Literature, Childhood and Youth, and Dano.

Genre: Fiction

Descriptive Annotation: The cover features two young French boys-one named Jerome, and the other named Raphael-holding hands as they bike along, painted in very soothing watercolor shades, depicting a warm and friendly image of the sort of books that warms the heart. This is a combination of both standard children’s book imagery and the kind of socially conscious, but not abrasively so, type of book that often wins awards by daring to break out of the binary, heterosexual relationships so normally seen in literature. The drawings that appear in plentiful quantities inside the book are lovely in their simplicity, showing the two boys simply loving each other and participating in normal friend activities. Their experiences are described as a waterfall of love and excitement to be in each other’s presence, resulting in a profession of true love and devotion that even the most hard-hearted cynic can admire: “I’ve made up my mind. From now on, every day is for Jerome” (Scotto, p. 12). As he and his childhood friend hang out often, Raphael learns to love himself as well in the process when his parents disapprove of their relationship: “‘I had the best dream last night! It was good in a Jerome kind of way.” Dad stares at his shoelaces like he doesn’t hear a word I’m saying. Mom digs through my backpack and sighs, ‘Eat your cereal, Raphael’” (Scotto, p. 14).  As a way to combat his fears that result from his parents not approving of the relationship, Raphael hones in on the things that really matter: “I forget about my mom and dad. I think only about Jerome, who I know by heart” (Scotto, p. 26). The whole of the boys’ trials, from growing up in the tightly repressed schoolyard where boys and girls make fun of their relationship, to experiencing true freedom in the first half of the book where they plan on going to wonderful places together are a key part of their story. Prior knowledge of what the implications of this relationship meant as little as 9 years ago since there have been many gains in the struggle for gay rights since then, would certainly be useful in the scenario of students reading this book in the classroom.

Classroom Application: In this picture book, the illustrations depict what is and what is not permitted by the social settings the boys interact in at various stages of the story. These lessons would be ideal for some social studies settings which have students that perhaps have had experiences with bullying or other similar encounters that weren’t positive in the past. For instance, if I was teaching this book in a lesson setting, I would mention that while I’ve never been bullied on the basis of my sexual orientation, some of my friends certainly have, and have been estranged from family or relatives. They have had to suffer through both types of shunning from time to time and didn’t get to experience some of the freedoms that we take for granted. This is a teachable moment since it’s Scotto’s way of saying that Raphael and Jerome’s lives in France in times very similar to the present day were not so drastically different from what students today have to experience. It can be hard to teach in some ways. We must try as educators to do so, however, because if we don’t, students can easily feel excluded

Linguistic and Cultural Diversity Analysis: Scotto covers the different ways in which the boys are acknowledged as a couple, showing the contrast between those who accept the relationship (teachers and some students) and those who do not (different groups of students and Raphael’s parents): “He defends me when kids make fun of me. Incredible, right?” (Scotto, p. 10). Exasperated with his fellow youths and parents, Raphael gets depressed at times, but always circles back to the love and affection that Jerome shows for him and the latter’s ability to defend him against the slings and arrows of outrageous fortune. The return of the story’s mantra at the end of the book- “Raphael loves Jerome. I can say it. It’s easy” (Scotto, p. 26)-means that it has all come full circle and that the two boys will keep loving each other, even with people not being able to accept or understand their relationship.  This should be a widely taught and used piece of literature, both in the US and around the world, since it shows the profound love two young kids can have for each other at a tender age and the failure of the haters to ruin that love, which can never be truly suppressed.