Tag Archives: Culture

Kaya’s Heart Song

Author(s), Illustrator/Photographer: Diwan Tharan Sanders & Nerina Canzi.

Publisher and Year/Number of pages: Lantana Publishing, 2018, 30 Pages.

Genre: Fiction, Picture Book.

Descriptive Annotation: The cover features a drawing of a Malaysian girl (our protagonist, a kid named Kaya) with her eyes clamped shut in the middle of beautiful Malaysian flowers, colored both purple and a light pink in her hair and in the garden itself. The title appears over these images of bliss, suggesting that Kaya is humming her heart song as she convalesces amongst nature’s beautiful patchwork quilt of colors. Also included is a large bulb of some sort above her head, emitting what can only be some sort of lovely flower scent into the atmosphere, shown in the same type of beautiful colors. This is a combination of both garden imagery used by mankind for millennia, and the use of flowers in the hair can be seen for the entirety of the picture book.

Kaya’s Heart Song is the heartwarming story of a girl named Kaya and her mother who lives in the jungles of Malaysia in a cozy little village. Her mama is able to hear a heart song from deep within, but Kaya simply cannot yet. She is told not to fret by her mama, though, as she cheerfully reminds her that “When the time is right, you’ll hear it. Learn to quiet your mind so the music can be heard” (Sanders, p. 2-4). As the story goes on, it is evident that while the jungle may be vast, it is still full of friendly faces for Kaya. She runs into somebody from the village named Pak after being guided to him by a butterfly, and he is guarding a gate to something beyond her wildest dreams-an elephant carousel: “It’s the most beautiful carousel Kaya has ever seen. But out here in the jungle, it looks unused, unloved and forgotten” (Sanders, p. 11).  The carousel is covered in vines, and as she and Pak go about clearing them, the carousel comes to life as it hums along, and a soft beat starts to sound in Kaya’s ear-kind of like a heart song. Soon, all of the carousels have come alive, and the elephants unmoor themselves from the poles and start to move throughout the jungle, giving everybody free elephant rides. The music was inside Kaya all along, and it brought a long-dormant attraction to life and made everybody happy, from Kaya to Pak to the entire village that enjoyed the rides. The lesson of self-care in the book-that taking care of yourself and finding peace will help do the same for others-would certainly be a useful lesson for students reading this picture book in the primary school classroom. No real background knowledge needed here-just an open mind.

Classroom Application: In the book Kaya’s Heart Song, the characters are Malaysian, a far-off country that many students will probably not know about, which would be ideal for instructing students from less racially or ethnically diverse communities. Different people find true happiness and self-love in different ways, and being able to share that love is a priority to make our world more harmonious. The last line of the book sums it up nicely: “And thank you, Pak, for helping me find my heart song. I promise to share it for all to hear” (Sanders, p. 27).  Sharing your happiness with others demonstrates how people should simply be authentic in how they interact with each other as well, as authenticity is key in forming long-term relationships. In short, we need more empathy and recognition of where people are in life’s journey when we interact with them, and this book offers a way to start the process of beginning to build this kind of deep empathy at an impressionable age.

Linguistic and Cultural Diversity Analysis: Sanders covers the interactions between Kaya and Pak, not to mention her mother and the elephants, in a unique and innovative way, making sure to include culturally sensitive designs, clothes and hair for the Malaysian children without overdoing it in the story. Additionally, not many people have used a picturebook format to communicate the traditional melodies of Malaysia before, so that is unique as well when Kaya ends up hearing her heart song for the first time: “Boom taktak boom taktak boom shick shack shook” (Sanders, p. 21). Another important message in this picture book is the idea of people all moving at their own, individual pace. This is a lesson to be aware of when forming perceptions based on how people act towards us. We never truly know what is happening inside peoples’ minds, and knowing everyone has their own pace and perception helps us better understand and appreciate others that differ from ourselves.

The Elephant’s Garden: A Traditional Indian folktale retold and illustrated by Jane Ray

Author(s), Illustrator/Photographer: by Jane Ray.

Publisher and Year Number of pages: Boxer Books, 2017, 31 Pages.

Genre: Folktale.

Descriptive Annotation: The cover features an elephant in traditional Indian coverings, brandishing a mango grown by the protagonist, Jasmine, at her home garden in India. Watercolors depict the apples, kumquats, apricots, peaches, passion fruit, and papayas in her garden, making a beautiful cornucopia of fruit that is only disturbed when somebody starts stealing the very best ones. Making an executive decision on her part, Jasmine keeps watching one night, discovering that the culprit is a large elephant whom she addresses as Mr. Elephant. When called out on this behavior, Mr. Elephant is very apologetic: “I’m very sorry, but I was hungry. And the fruit here is so delicious. Come with me and let me show you my garden” (Ray, p. 9). As it turns out, the titular elephant’s garden is full of enormous fruits that are actually giant jewels. Jasmine is given one large strawberry-shaped jewel to show her parents, and she takes it home and tells them about the garden. However, their end of the bargain is that they can’t tell anybody about it, which they do. They get lost from the elephant on the way over, and nobody ends up seeing the garden except for Jasmine in the end.  However, she at least has no more of her fruits eaten by the elephant, and there is plenty of them to go around for the village. Prior knowledge of the significance of the story would help, but otherwise, kids can simply enjoy this one for what it is a fun folktale from India.

Classroom Application: In this picture book, the role of the elephant is a mystical one, depicted mostly as a creature of the night that can travel great distances in a single bound. Jasmine represents the mortal world, one which is stunned by such magical discoveries as the elephant’s garden in person. This would be ideal for some comparisons to Western and other cultures’ fairytales and folktales and seeing how they compare and have different and similar elements overall. Accompanied by a discussion on the topic, this would be an excellent idea and a way to broaden one’s knowledge of literary traditions for children in an English classroom setting. I certainly never read stories from the Brothers Grimm or Hans Christian Andersen that contained whimsical passages such as this one: “When he was full the elephant flew up into the night sky with everybody holding hands and trailing after him” (Ray, p. 24).

Linguistic and Cultural Diversity Analysis: Ray covers the legacy of Indian oral storytelling in a way that can easily be remembered, and notes the cultural significance of family and respect towards ones’ elders in Indian culture that results in the elephant’s gift of a fruit jewel to Jasmine’s mother first and foremost: “He offered Jasmine one ruby strawberry to show her mom, and they flew back home” (Ray, p. 17). The author understands Indian culture and gives the characters culturally sensitive names such as Bakool and Kali.  Such a bevy of names that may be new for many students would warrant a discussion regarding how different names look in different cultures and encourage cross-cultural exchanges of what names from different backgrounds mean and encourage tolerance of those differences.

 

A Kids’ Guide to the American Revolution

Author(s), Illustrator/Photographer: Kathleen Krull; illustrated by Anna Divito.

Publisher and Year/Number of pages: HarperCollins Children’s Books, 2018, 207 Pages.

Genre: Nonfiction, Chapter Book.

Descriptive Annotation: The cover features a watercolor drawing of George Washington, kitted out in a traditional tricorn and blue frock coat, cradling a US flag (of the Thirteen Colonies) and superimposed over the Declaration of Independence. Also included is a red, white and blue color scheme in the title and author’s name as well, emphasizing the colors that the new nation of America rallied to in the heady days of 1776. This is a combination of both standard unifying American imagery used by our country since its independence, and the founding document of our initial independence being put in a position of prominence, which can be seen for the entirety of the novel.

A Kids’ Guide to the American Revolution is the beginning story of our country, which was a group of men who decided that enough British domination was enough, and despite their many differences, it made sense for them to band together and declare to the world the birth of a new nation, and, in doing so, made a document that changed the world: “It spelled out the reasons why the colonists had to rebel against the mother country and begin to govern themselves. It’s not exaggerating things to say that the Declaration launched America” (Krull, p. 7). As the book continues, it is evident that this American story as portrayed in this novel is the complex, conflicted one as it was in real life, mostly due to its older targeted audience. Also important is that this version of the American tale does have plenty of heart as well, and indeed makes the boosting of morale that George Washington did throughout the war for his troops in the face of difficult odds a key point of focus for the reader: “With these victories he wasn’t just scoring points. He was boosting troop morale and attracting much-needed recruits. Washington was doing more than any other single person to keep the flame of the American Revolution alive” (Krull, p. 139).  The whole of the story is about the acceptance of revolutionary and Enlightenment ideals that posed a serious threat to the British governing order in the Declaration of Independence, and how the war was won based on those ideals even if they weren’t always practiced by all of the Founding Fathers at all times. All Americans of every age group, not just students, should read this book as well, because the author does an evenhanded job of assessing the reality of the Revolution for a book that was designed for children, and the lessons within would certainly be useful for students reading this novel in the primary school classroom.

Classroom Application: In the book A Kids’ Guide to the American Revolution, the characters are all real-life figures from the Revolution, from the top (George Washington, King George III) to the lesser-known heroes of the war, such as a man named Swamp Fox (who was in real life called Francis Marion, who had fought in the French and Indian War: “While battling-and almost losing to the Cherokee Indians, he admired how the Cherokee turned the swampy backwoods to their advantage, hiding until just the right moment for an ambush” (Krull, p. 157).  This demonstrates how people take some of the best ideas from those with whom they may have clashed with before, and that competition can later turn into cooperation, as it did when “Marion’s Men” joined forces with their erstwhile indigenous foes to take down British forces in South Carolina during the Revolutionary War, using those same tactics. This is a teachable moment, since it’s Krull’s way of saying that America was built not on lasting enmity towards one’s foes, but treating them as friends once the current issue at hand has been resolved-just as Britain became a great ally in World Wars I and II, and how Germany and Japan are close allies with us to this day as well after we defeated them in the Second World War as well. In short, we need to embrace the lessons learned of the Revolution and strive towards a world with less enmity and lingering resentment in any way possible. This book is an excellent primer on how to do just that by looking at examples from our primary history way back in the 1770s.

Linguistic and Cultural Diversity Analysis: Krull covers the interactions between American and Brits, colonizers and the colonized, slave and freedman, and does so in a way that doesn’t gloss over the real pain that has occurred in our past through many faults of our own. The end of the war didn’t solve the issue of slavery in the slightest-it exacerbated the problem in many ways, as Krull acknowledges: “The institution of slavery continued to be practiced in the original thirteen colonies. Within days of the war’s end, plantation owners were paying soldiers to locate runaway slaves living in the surrounding woods” (Krull, p. 189). This is necessary to do, as many past versions of our founding have glossed over the often-sad realities that plagued our nation for generations and are still not truly solved. The author’s motivation was to do right by the lives of those who were historically ignored in our textbooks, and to do so in an engaging way that is not misguided or skewered to any certain degree: “Treaties  made with the British prior to the war were ignored by the Americans, and years of bloody conflict and expansion destroyed some tribes” (Krull, p. 193). On those pages which cover the aftermath of the war, a nation was born divided between those who had and who had not, and recognizing that not all was peaches and cream is an important step in the telling of American historiography to young readers. In the context of the age group that is reading this book, it is understandable that it is included to help eliminate false truths that may have been taught in other history classes.