Chromatics “Kill” it on latest LP

Crhomatics reinvented themselves as a synthpop outfit in the last decade. And if you couldn't tell by the sunglasses, they're pretty cool.

By Patrick Cavanaugh, Features Editor

Few bands change as drastically as Chromatics has in its career.  After their first release, a punk album called Chrome Rats vs. Basement Rutz, Chromatics underwent some serious line-up changes, losing all members save one.

But this setback ended up working in the band’s favor.  Nine years after they debuted as an underwhelming punk act, Chromatics, with the help of new members, have molded themselves into one of the most interesting, dark and atmospheric synthpop acts around.

Their latest album, Kill for Love, represents the culmination of the band’s transformation.  With 17 songs and over 90 minutes of music, Kill for Love almost overwhelms listeners with its depth and unmistakable “cool” factor.

The album opens with a cover of Neil Young’s “Hey Hey, My My,” which they simply call “Into the Black.” At first I questioned the decision to start an album with a cover, but now I can’t think of a better opener for the album.

“Into the Black” embodies Kill for Love’s unique blend of ’70s nostalgia and brooding synths.

Kill for Love’s title track easily stands out as the album’s best song.  The song quietly builds tension with soft synths and reverberating guitar chords, with lead singer Ruth Radelet’s cryptic vocals echoing throughout.

But once Radelet sings the line “I killed for love,” the song explodes with glistening synthpop production and soaring guitars. The band’s patient build has an enormous pay-off on “Kill for Love,” making it one of the most refined songs of the year so far.

Kill for Love takes its greatest strength from these slow builds.  Chromatics exhibit an admirable amount of restraint throughout the album, allowing their songs to grow organically.

The album’s pacing feels natural and smooth. Listening to Kill for Love is like taking a night-drive through long, empty roads, peacefully following the path through its slight hills and valleys.

Chromatics showcase this style best on the moody “These Streets Will Never Look the Same.”  At eight and a half minutes long, the song threatens to bore the listener. But it never does.

The band expertly builds on the song’s muted guitar and steady bass drum with increasingly lively piano and synth lines. They gradually craft an atmosphere that holds the listener’s attention throughout the song’s duration.

The seven minute long “Broken Mirrors” features dark, ambient synths for its first half before throwing subtle percussion and bass into the mixture.  The song builds until its end, at which point the album seamlessly transitions to the more melodic, poppy “Candy.”

Chromatics could have easily ditched the long, atmospheric tracks and released an album made of synthpop treats, considering the album is full of them, but they would have sacrificed what makes Kill for Love so special.

Journeying through slow-burners like “Broken Mirrors” to reach the album’s polished synthpop tracks is greatly rewarding.  Each track compliments the one that follows it.  Nothing feels forced.

That being said, Chromatics’ long builds require the listener to be as patient as the band.  But if you’re willing to let Kill for Love slowly wash over you, you’ll be thankful you did

 

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Student travels to Istanbul, not Constantinople

Junior Daniel McGuire, who has been studying abroad in Greece for the semester, smiles for a picture in front of the beautiful, historically rich city of Istanbul in Turkey.

By Daniel McGuire, Staff Writer

When I visited Istanbul in March, realized what Napolean Bonaparte meant when he said, “If the Earth was a single state, Istanbul would be its capital.”

In terms of major cities, I’ve really only seen Chicago, New York and Athens, now that I’m visiting Europe for the first time. But Istanbul is such an incredible experience it makes those other cities seem boring.

With a population is close to 20 million people, Istanbul is huge. It covers dozens of square miles in both Europe and Asia and has iconic structures in both the new and old parts of the city.

As I went through the city via bus, I was amazed to see Byzantine walls still intact and running through the middle of the city. These walls have been standing for more than a thousand years and still look in good shape all throughout the city.

As exciting as ancient walls are, Istanbul’s real charm is in its religious architecture.

Does the name Hagia Sophia mean anything to you? It should. An Orthodox church built in the seventh century, the Hagia Sophia was largest church in the world for almost a thousand years. Sitting just between the East and the West, the architecture represents a beautiful mix of cultures and ideologies.

Not to be outdone, the Muslims in the city, Islam being the majority faith since the days of the Ottoman Empire, built a mosque across the street from the Hagia Sophia almost as large and more structurally sound.

There is no imagery in a mosque, following Muslim doctrine, but the decorations and the eloquent Arabic writings that cover the walls of the mosque were a completely new to me and very beautiful in themselves

The city also contains multiple palaces built by the Ottoman Turks, who were rich and not skittish about showing it off. The oldest has been turned into a museum, where I had the fortune of seeing religious icons and relics such as the rod of Moses, the arm of John the Baptist and even the sword of the Prophet Muhammad.

The city culture is likewise a memorable attraction. The food is spicy and tasty, and the streets are lined with vendors selling their delicious (and cheap) wares. And just like Chicago has its hotdogs, Istanbul has delicious kebabs you cannot get anywhere else.

The indoor market of the city is enormous, with hundreds – possibly thousands – of stores, all offering fantastic deals on items hard to find in the United States. Some in my program were loading up on $10 cashmere scarves while others were sampling the endless supply of Turkish Delight.

When night falls, a few friends and I make our way to a local bar. On one occasion a live musical duo came in to play and, seeing our party of Americans, treated us with a cover of “Sweet Home Alabama,” complete with a jazz flute accompaniment to take us back home.

If you visit one European city, I would highly suggest Istanbul, especially if you want to see Asia in the same day. I was given the same advice before heading to Europe, and I sincerely hope you take it.

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Yoginis welcome yogis to IWU yoga scene

By Zach Zentner, Staff Reporter

The number of yogis, or men who practice yoga, has increased dramatically over the past year at Illinois Wesleyan University.

This trend has caught the eyes of many younger men when they see athletes like Green Bay Packers quarterback Aaron Rodgers and Miami Heat forward LeBron James getting in touch with their inner “Zen.”

“Last year, I think we only had four guys in the class,” said Cindy Leiseberg, a certified yoga instructor at Illinois Wesleyan.  “This year I am amazed that it happened, the number of guys who have come out to the class, even the faculty class I teach has significantly more men.”

Leiseberg teaches a Hatha style yoga class which focuses on deep relaxation for students on Tuesday and Thursday nights in the Shirk Center.  “There have been several classes this semester where the classroom is completely full, and the number of males is much greater than the number of females,” Leiseberg said.

The yoginis, or females who practice yoga, have taken notice to the increased number of males as well.  “There’s definitely a lot more guys now, but they are very respectful and take the class for athletic improvement and flexibility,” senior Katie Racanelli said.

Racanelli, who has practiced yoga for several years, said having more guys than girls is not unwelcome.  “I have never felt uncomfortable being in a yoga class with guys,” Racanelli said.  “It’s beneficial to both genders, even though it is stereotypically practiced more by women.”

Beginner yogini, senior Erin Moran, says she was caught off guard when she walked into the classroom for the first time.

“When I got there I was extremely surprised that there were so many guys, it was definitely a little weird,” Moran said.

“I thought that they were not going to take it seriously and that it would ruin the class, but in the end it has just made the class more fun,” Moran said.
Junior yogi Dan Durkin has been taking the class since he was a first-year student at IWU.
“I absolutely love it even though I was basically the only guy in this class up until this year,” Durkin said.  “I play football and always tried to encourage my teammates to come out, and I guess they finally decided to listen to me and give it a try because now we barely have enough room some nights.  It’s awesome and relaxing, something I will do for the rest of my life.”

Ex-athletes have come to the class.  Joey Driver, who played four years as a wide receiver for the IWU football team said it was a doctor recommendation that led him to begin his yoga practice.

“I started to do yoga to regain flexibility in my knee after my surgeries,” Driver said.  “I found the class to be very helpful in that way but it also helped me control stress. When I saw how well it worked for me, I told other people about it.”

Driver has also noticed the change of having so many males in the class.

“The class is male dominated now.  Many of the guys are seeing the benefits that yoga can have on your life and how it can make you feel,” Driver said.  “It was mostly girls when I started and it was a little discouraging because they are naturally better at some things, but once I got into the swing of things I relaxed and became a lot more comfortable.”

“I love sitting back and watching the chemistry of the group,” Leiseberg said.  “The guys think its sissy stuff at first, but it is a completely different workout that most males aren’t used to.”

“The guys, and especially the athletes, get put into frustrating positions and work their posture and body alignment.  It is the flexibility and core work that is tough since males have a naturally more muscular bone structure,” Leiseberg said.

Senior Eric McCullough, who has been struggling with back and hip problems since high school, recently started practicing yoga.

“I honestly thought it was a joke.  My roommate would come home and say that it was a tough workout, and I just laughed,” McCullough said.  “I couldn’t take him serious, so I finally went to one of the classes, and, wow, was I wrong.”

“I got put into positions that I did not even know were possible, it was an unbelievable feeling and mental release,” McCullough said.  “Once you go yoga, you’ll never go back.”

Leiseberg’s class is held Tuesday and Thursday nights at 5:30-6:30 in the south classroom of Shirk Athletic Center.

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Minaj’s “Friday” could use more Minaj

Mina's sophomore album borrows too heavily from other pop artists, lacking the artist's own voice.

By Nick Desideri, Staff Writer

Mixtape rapper turned megastar Nicki Minaj strives to be the “Sybil” of pop. From British mum Martha to Nicki Lewinsky, Minaj crafts various alter egos that she slips into while rapping. Whether it’s a gimmick or actual artistry remains to be determined.

Minaj’s main alter ego, a homicidal gay man named Roman, suggests the latter. Every one of Roman’s previous turns proved to be artistically lucrative for Minaj.

“Roman’s Revenge,” her showdown with Eminem on her debut, Pink Friday stood out as the album’s best track. Her ferocious verse on Kanye West’s “Monster” made fellow guests Jay-Z, Rick Ross and Kanye himself seem like kittens in comparison. “Watch the queen conquer,” indeed.

But Minaj ditches Roman about six tracks into Reloaded, schizophrenically embracing eurodance, smarmy balladry and R&B for the remaining 16.

In a way, Reloaded is almost noble in its thematic messiness. Like Minaj herself, it oozes an artificial chromatic glitz, embracing the cherry-picking music culture of Itunes. Still, behind a bloated tracklist lies an artist preoccupied with pleasing everyone, but at the price of losing her vision.

Not that pop albums necessarily need a vision or artistic integrity. After all, our generation made, and continues to make, Britney Spears a music superstar against her will.

But when songs like the fabulously hazy “Beez in the Trap” coexist alongside horribly autotuned stompers like “Starships,” it’s hard not to wish Reloaded had a bit more thorough quality control.

And a bit more Nicki. After building a career on song features, it’s fitting how much of a guest Minaj feels on her own album. Many of the best moments on Reloaded, like “Whip It” or “Pound the Alarms” dance breakdowns, owe more to Lady Gaga producer RedOne’s dial twirling than Minaj herself.

And those are the good moments. Overlong opus “Champion” relegates Minaj to singing a lackluster chorus while fellow big-names like Drake and Nas swap verses.

Even worse than Minaj’s anonymity is her aping of other artists. Pop is cyclical, and no one is truly original, but Reloaded takes reductive to a whole new level.

While the lyrics to “Gun Shot” sound nearly indecipherable, the chorus melody definitely resembles that of Brit Jessie J’s hit “Price Tag.” Imitating another artist isn’t unheard of in pop, but to imitate the most aggravating new artist of the decade?

At least Minaj aims higher on “Fire Burns,” where she tries to pull off her best Beyonce impression, but to no more success. Some of the dance tracks sound like Rihanna knock-offs. For someone with such an established persona, Minaj fails to give Reloaded the character it so desperately lacks.

If only Minaj had relied more on her own character, Reloaded would have worked far better than it does.

The best cuts on the album display Minaj at her most animated. “Hov Lane” plays like “Super Bass’” murderous little sister, while “Stupid Hoes” flow of non-sequiturs match perfectly with a ridiculous beat.

“Who’s gassin’ this ho, BP?” Minaj ponders. It’s kind of tragic, yet fun in a very irreverent way.

Reloaded is at its worst when Minaj starts to take herself seriously, and actually tries to invoke emotion in the sappy ballads that round out the album.

“Marilyn Monroe” ranks not only as one of the worst songs on the album, but one of the worst songs of the year so far. Minaj even incorporates Monroe’s famous quote “If you can’t handle my worst/You ain’t getting my best” into the chorus, inadvertently sounding like a teen girl’s anguished Facebook status.

Various other autotuned ballads, like the horribly sappy “Young Forever,” fail to stand out among the excessive amount of tracks.

Reloaded is an album for the musically hyperactive, for those who can comb through their favorites while ignoring the awfulness. While it proudly wears its artificiality with pride, something should be said for creating an actual body of work, instead of a conglomeration of crowd-pleasing songs.

In the future, Minaj should stick to her own personalities while making music.

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Bands unite or successful festival

IWU senior Alex Kim plays cello with Teaadora at last week's show.

By Patrick Cavanaugh, Features Editor

Usually, local bands perform in some dark basement at an off-campus house full of solemn, scruffy college kids wearing plaid shirts and skinny-jeans.  No one can really move or see the person next to them, but no one really cares.

Local shows allow disillusioned scenesters to experience music at its purest: up close and personal.

When bands gathered for WESN Radio’s Far Left Fest, a local/Chicago band showcase, on Thursday, March 29, the environment felt completely different.

The bright lights and open space of the Hansen Student Center initially made the show seem too distant and too professional.  The stage separated bands and crowds, and spotlights blinded performers accustomed to dim concrete rooms.

But the Hansen Student Center turned out to be a fine venue for the festival.  Seven bands, four from the Bloomington-Normal area and three from Chicago, entertained Illinois Wesleyan University students and community members with a wide variety of musical styles, ranging from noisy punk to somber trance.

If the well-lit stage felt unusual to them, none of the bands showed it. They provided five strong hours of music, challenging audience members not to enjoy themselves in some way.

 

Hastas

Avant-garde noise act Hastas (known as Illinois State University student Kyle Riley by day) opened the show with a brief but engaging drone set.

Staying true to form, Hastas’ performance didn’t feature a set of conventionally constructed songs.  He looped heavily distorted synthesizers and improvised pedal configurations on the fly.

His experimental styling created a rich landscape of entrancing sound. It seemed formless, but not without purpose, existing somewhere between the realms of music and simple noise.

 

Ghost Pope

After a quick tune-up and mic-check, Ghost Pope lead guitarist Steve Howe declared, “We’re Ghost Pope, and we’re here to rock.”

He wasn’t lying. Ghost Pope’s mixture of blues-inspired riffs and punk signaled a clear departure from the noisy haze of Hastas.

The audience left their seats, gathered around the stage and began fervently head-nodding to the music.  Some mild moshing may have started, but it ended quickly (safety first, kids).

The band put on a high-energy set for onlookers to “rock out” to, breaking strings and bouncing around without a care in the world.  The use of a stand-up bass was a nice touch, too.

 

This Is My Mess

Known around the local music scene for their intense garage rock, This Is My Mess played a surprisingly mellow set.  The group ditched the conventional four-piece band set-up in favor of a calmer, acoustic style.

Lead singer Paul Nolley switched between playing an acoustic guitar and beating two drums throughout the performance, all the while loudly singing each word with eyes closed.  His two band-mates complimented his impassioned vocals with a mixture of trumpet, bass and ukulele playing.

Without a doubt, This Is My Mess featured the most eclectic mixture of instruments of the night.  The band’s acoustic set was an interesting change from their usual style and provided a nice break from the loudness and intensity of the other acts.

 

Oshwa

Oshwa is the brainchild of Alicia Walter, a former IWU student who transferred to Columbia College in Chicago a couple of years ago in her quest for eternal glory.

More importantly, Oshwa is awesome.

Walter began the performance alone, showcasing her guitar expertise and powerful voice.  She skillfully looped complex guitar lines to create unique melodies and harmonies.

Her voice seamlessly soared from booming deep notes to a high falsetto and  she displayed a clear knack for holding together intricate rhythms and irregular song structures.

When she invited the rest of her band onstage, the show only got better.  With the full band playing, Oshwa suddenly became a mixture of Animal Collective’s bright, rhythmic psychedelic freak-outs and Tune-Yards’ mighty vocal stylings.

Though I was unfamiliar with Oshwa before the Festival, Walter and her band instantly made a fan out of me.

 

Heavy Times

Heavy Times, a loud punk group from Chicago, wasted no time on formalities, dropping into a relentless set of extreme distortion and hard-hitting drums.

The band reveled in its devil-may-care attitude.  The drummer played the entire set in plaid boxers, mercilessly beating his drums and nonchalantly throwing away broken drumsticks.  No one could really hear the vocals, but no one cared with the guitars’ harsh, unyielding riffs blaring around them.

At one point, one of the guitarists had to tune his guitar, resulting in the set’s only down-point.  But one of the band-members didn’t hesitate to fill the gap by reminding students of the bleak future ahead of them.

The band never let go of its image and never let the energy die.

 

Teaadora

It’s difficult to learn about the Bloomington-Normal local music scene without hearing the name “Teaadora” dropped at some point.

Teaadora, the alter ego of local artist Matthew Donovan, has made his mark on the local scene through his trademark style featuring high-pitched, eerie vocals and soothing guitar lines.

For Far Left Fest, Teaadora became a group project.  Other musicians joined Donovan onstage, including IWU senior Alex Kim on cello.

Out of all of the bands playing that night, Teaadora is the only one that can lay claim to a pseudo-hit, the entrancing “Don’t Expect A Stradivarius.” Donovan and his group played this song, as well as including moments of improvisation.

No matter what Teaadora played, though, the audience remained captivated throughout the set.

 

Radar Eyes

Though many people had left by the time Chicago psychedelic rock outfit Radar Eyes took the stage, the band’s set didn’t disappoint.

With loud guitars and driving bass lines, Radar Eyes kept the audience head banging and dancing long after they should’ve been worn out.  The band’s liveliness proved incredibly infectious.

At one point, the lead guitarist/vocalist ran off stage and joined the audience.  He backed into audience-members, who coalesced around him, while maintaining the intensity of his guitar playing.  Radar Eyes kept the show alive to the very end, providing a perfect closing to the festival.

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Primary season reaches Illinois

David Gill (left) holds a slim lead over opponent Matt Goetten in the 13th district's Democratic primary.

By Brexton Isaacs, Staff Writer

The race for the Republican presidential nomination has remained largely the same over the past few weeks with both the Romney and Santorum camps capturing big states while Gingrich and Paul hold on as potential spoilers of a Santorum nomination.

Romney won Illinois’s primary on Tuesday, March 20. Each of the parties held primaries to nominate their standard-bearer in the November general election.

Illinois is an incredibly important state to both parties, who are fighting for control of the US House of Representatives. Democrats are looking to pick up as many as five seats in November, but Republicans are still hoping to hold on to many.

In the second district, incumbent Rep. Jessie Jackson Jr., who has represented the district since 1995, trounced former one-term Rep. Debbie Halvorson in the Democratic primary. Jackson was seen as weak by Halvorson due to ethics charges against the congressman in relationship to Fmr. Governor Blagojevich’s attempt to sell President Obama’s former Senate seat.

This attempt proved to be futile for Halvorson, as she was beat 3-1. Jackson is likely to face very little opposition in the general election.

Tammy Duckworth beat Raja Krishnamoorthi in the eighth district Democratic primary. Duckworth is a former official of the U.S. Department of Veterans Affairs and will go on to face embattled incumbent Rep. Joe Walsh.

Walsh has been under much scrutiny since taking office due to controversial comments he has made about President Obama and for an ongoing court case over child support money that he has not paid his ex-wife. This is a top target for Democrats in 2012 and is on their Red-to-Blue list.

The 10th district had quite the upset in the Democratic primary. Grassroots organizer Ilya Sheyman, a young progressive democrat, was defeated by the more conservative Brad Schneider. While this is a letdown to progressives, Schneider has a better shot at taking out one-term Rep. Robert Dold, another top target of the Democrats.

Fmr. Rep. Bill Foster handily won the Democratic nomination in the eleventh district for the opportunity to challenge incumbent Rep. Judy Biggert. Biggert has represented the district since 1999, but is the underdog of this race after the district was re-drawn to favor Democrats by a solid margin. This is yet another Red-to-Blue seat for Democrats.

What will be perhaps one of the closest congressional elections in the state, Fmr. Regional Superintendent Brad Harrington and 2010 Lt. Gov. nominee Jason Plummer will square off as the Democratic and Republican nominee, respectively.

The district has been represented by Democrat Jerry Costello since 1988, but Costello decided to retire at the end of his term.

The seat used to be a fairly safe Democratic seat but is more evenly split now after a re-draw of the map. Democrats will have to spend more time than usual holding onto this seat if they need it to take the majority.

In the most heated member vs. member fight of the season, so far, first term Rep. Adam Kinzinger came out victorious in his battle with 20-year veteran, Rep. Don Manzullo. Both Kinzinger and Manzullo are Republicans.

Manzullo represented the district for his entire career, but after being redistricted into the Democratic-heavy second district, Kinzinger felt he had a better shot at holding onto a seat if he moved to the 16th.

This race was highly symbolic of the Republican party’s inner struggle between the new and the old. There is currently no Democratic candidate to challenge Kinzinger in November.

Democrat Cheri Bustos will be taking on first-term Rep. Bobby Schilling, a Republican, who recently came under fire for using over $300,000 of taxpayer dollars on campaign-style mailings. While this is legal, the amount is highly excessive compared to other representatives.

Bustos is heavily favored in the district and is a targeted candidate for the Democrats’ Red-to-Blue program.

Finally, the 13th district—the  district in which IWU is located—has yet to declare a Democratic nominee for incumbent Republican Rep. Tim Johnson to square off with. Four-time congressional candidate David Gill is currently winning by 143 votes over Green County States Attorney Matt Goetten.

Goetten is obviously the party favorite and was endorsed by Senator Dick Durban, among others, while Gill has strong name recognition from running year after year.

Gill has declared victory, even though no one has called the election and many ballots are being recounted after inconsistencies were reported in a handful of districts. Absentee and provisional ballots are also yet to be counted.

Gill is seen as a weaker general election candidate than Goetten, who has more moderate views, but not all Democrats are willing to concede if Gill wins the nomination for the fourth time.

“The College Democrats plan on volunteering for whoever ends up winning the nomination,” said IWU College Democrats Vice President Max Renner. “The race hasn’t been declared, but we’ll be happy to work for either candidate.”

Illinois is sure to be a battleground for control of the U.S. House in 2012 and will send a crop of new people to Capitol Hill in January 2013.

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“We Need to Talk About” these forgotten films

In the psychological thriller "Take Shelter," Curtis LaForche (Michael Shannon) succumbs to paranoia as a result of his startling visions.

By Joe Ruskey, Staff Writer

It’s that time of year where the landscape is bleak for movie-goers. Aside from passionate fans of The Hunger Games, people are somewhat dissatisfied with their choice of films to watch.

It seems the only options are between cheesy comedies with fart and penis jokes or action movies with an explosion in every frame.

So, for the weary masses who are sick of terrible Hollywood movies, here are five movies that may have flown under your radar in 2011.

A Separation

A Separation is about a married Iranian couple who are in the middle of a divorce process. The husband has to take care of his father, who appears to have Alzheimer’s, while trying to provide for his daughter after his wife leaves.

Eventually, the husband is forced to hire outside help, which is when real trouble begins to ensue.

A Separation manages to gracefully comment on the nature of intimate, familial and neighborly relationships between people as well as tackle broad social issues that plague Iran. A Separation showcases excellent performances, realistic cinematography, depth and an engaging story. This is realism at its best.

We Need to Talk About Kevin

This particular film follows a mother’s struggle after her son brutally murders fellow students at his high school, while also showing the son’s upbringing and how he became who he is.

The film chooses to paint the events in the story with a surreal, dream-like quality blurring the line of reality, enhancing the impact of the film’s message and intensifying the struggle. While the movie is intensely disturbing, it is well worth watching for those who want try to comprehend the pain and turmoil of a mother.

Melancholia

The master filmmaker Lars Von Trier tells the tale of a wedding evening gone wrong and a woman’s struggle with depression as the world is threatened by the possibility of collision with another planet.

Melancholia is about exploring the nature of depression and how it prevents people from being able to care for anything, even the end of the Earth.

To accompany this story, Von Trier creates a visually stunning world that very few would be able to capture.

Drive

While Drive is extremely popular in some circles, I feel it is good enough to recommend, just in case you haven’t seen it. Drive stars Ryan Gosling as a getaway driver whose skill cannot be matched.

Eventually, Gosling’s character begins to fall for the “single” mother who lives down his hall. Trouble brews once her husband returns from prison and reenters the world of vice and crime, only to get his entire family in serious trouble only Gosling’s character can get them out of.

While the film is a traditional narrative, it is told in a fresh way. There is very little dialogue, and everything that needs to be understood is expressed visually. Excellent performances, gorgeous cinematography and an exciting plot full of action and suspense makes Drive one of the few successful art house action films.

Take Shelter

Take Shelter is about a blue-collar family-man who begins to see things from his dreams in everyday life. Eventually, he becomes paranoid enough to build a large and expensive tornado shelter.

The construction of this shelter, and his illness, will bring his family to the brink of destruction.

Take Shelter’s strange story with its frighteningly intense atmosphere and terrific acting makes the movie some sort of horror/family drama. It’s a strange combination, but it works well.

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Games satisfies ravenous audience

Katniss (Jennifer Lawrence) discusses with Gale (Liam Hemsworth) the unfortunate impossibility of running away from the brutal games put on by the evil Capitol.

By Kylie Peters, Staff Writer

With the release of The Hunger Games, the newest franchise in a line of film adaptations of bestselling young adult novels, the big question for viewers is: does it live up to the hype?

If the third-largest opening weekend in history is any way to judge, the answer is a resounding yes.

The movie takes place in a dystopian future. Every year, two teenagers from each of the twelve districts of the country Panem are offered in “tribute” to the Capital to fight until only one is left alive.

Perhaps because the novel’s script was co-written by author Suzanne Collins, the movie has a feel of homage for its fans. It is faithful to its source material and brings a confident, theatrical flair to a film that knows it already has a loving audience just waiting to be blown away.

While this sincerity is refreshing, it might also be problematic for viewers who have not read the books since certain plot points are given minimal attention or explanation.

Such viewers should have no trouble grasping the overall plot, but some of the subtleties may be lost, and those seeking a lot of explanation may want to go with a friend familiar with the books.

Regardless of the viewer’s knowledge, no one can fail to appreciate the film’s flawless action pacing.  The Hunger Games keeps viewers on the edge of their seats from start to finish—and a good percentage of those viewers already know what’s going to happen.

In order to maintain its brisk pace, the movie makes certain sacrifices.  The focus on plot movement deals a blow to character and relationship development and removes some of the emotional impact of certain dramatic scenes.

This balancing act comes down to a stylistic choice on the part of the director, and viewers might find this appropriate or disappointing, depending on what they want from the film.

While narrative choices might spark debate, there’s no question this is a well-made movie. The use of cinematography, musical score (or a well-placed lack thereof) and costuming is surprisingly artistic for a blockbuster franchise film.

The film makes a careful distinction between the bright colors and gaudy fashions of the Capital versus the Depression Era style grays of the Districts, and the result is both bleak and perversely humorous.

Actor Jennifer Lawrence brings her character to life both in looks and action as modern media’s much needed strong female protagonist, Katniss Everdeen.

Josh Hutcherson strikes a nice balance between lovable sweetness and firm resolve as leading man Peeta Mellark.

The leads are backed by a large cast of colorful supporting characters, with particularly quirky, enthusiastic performances from Elizabeth Banks as Effie Trinket and Woody Harrelson as Haymitch Abernathy.

The Hunger Games novels gained fame for raising some frightening questions about survival, trust and mass enthusiasm for morbid spectacle.  The movies recreate that experience in a sleek, thrilling, two-and-a-half hour long package.

Like any book-to-film adaptation, viewers will likely find some points of contest, but The Hunger Games does what it aims to do so well that it’s hard to fault it too much for what it doesn’t do.

Moviegoers, like the citizens of the Capital, can’t take their eyes off The Hunger Games.

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IWU activists become first students to aid Scholar at Risk

By Mary Nicholas, News Editor

Illinois Wesleyan University students are working to assist scholars such as Guangcheng Chen, a Chinese man suffering at the hands of his government for publishing incriminating evidence of the nation’s forced abortion policy.

The organization these students are acting through is called Scholars at Risk (SAR). Illinois Wesleyan was a founding member of this program in 2001, represented on the board at the time by Associate Dean of Faculty and Professor of Educational Studies Irv Epstein.

“The SAR Network, which consists of over 150 universities around the world, is dedicated to helping scholars whose lives are in danger because of the ideas that they communicate, while also working to promote the protection of academic freedom in all of its dimensions,” Epstein said.

So far, the IWU Department of Political Science has hosted two scholars at risk, one from Cameroon and the other from Ethiopia. Others from Pakistan, Iran, Russia, and Georgia have visited to present lectures.

In April, IWU expects to accommodate another scholar from Iran who will bring his expertise on his nation’s political situation to the campus.

SAR and Chen

The Illinois Wesleyan students working to assist the Chinese scholar Guangcheng Chen are the first college students to attempt the intense research and advocacy inherent in the SAR mission.

And they are doing it without the added incentive of classroom credit.

Professor of political science William Munro said, “this initiative began in the Peace Fellows Program, and has been spearheaded by senior Megan Thompson.”

She recruited other members to the cause primarily from IWU’s Renegades for Peace and Amnesty International (AI).

“I think that the dedication and passion that the members of this group have brought to the project is representative of the larger IWU student body in that we dedicate ourselves to the causes we believe in,” Thompson said.

Both an IWU Peace Fellow and the second president and chapter coordinator for the IWU branch of AI, Thompson is a passionate advocate for human rights.

The SAR project is an appealing cause to Thompson because “it angers me to know scholars are wrongfully imprisoned and tortured for their efforts to expose injustice and demand change,” she said.

The IWU student SAR team is currently working with the organization to “investigate and lobby for the release of Chen,” according to Epstein.

“We have only been working on the project since the beginning of the spring semester, and yet I feel we have accomplished a lot and I am proud of where we are going,” Thompson said

IWU’s adopted scholar, Chen, is a human rights lawyer and activist. He is also blind.

Chen has been targeted in his country for publishing research and filing a class action lawsuit. Both acts drew public attention to the 130,000 abortions and sterilizations the government had forced in one year due to China’s One Child Policy.

Though a lawyer rather than the typical scholar, SAR is still interested in his welfare since “his freedoms of speech and association—freedoms that are crucial for the discovery and use of ideas and knowledge—have been violated,” Munro said.

Chen has already served a four-year prison sentence for “organizing a mob” and “disrupting traffic,” according to Thompson. “But it is clear these charges were manufactured as justification for imprisoning him,” she said.

After his lengthy sentence, Chen, his wife and daughter were placed under house arrest for no published reason. They have since been denied food, medical attention, and communication.

Relatives and friends who have attempted to directly visit Chen “have been beaten, tortured, and some have disappeared,” Thompson said. American actor Christian Bale even attempted to use his celebrity status to visit Chen and explore his situation, but was forced by Chen’s guards to flee.

“Chen remains under house arrest, has been tortured and we believe his condition is fragile,” Epstein said.

To investigate Chen’s dire circumstances, the Illinois Wesleyan SAR team is “compiling a research document of everything we know about his situation, and we will be sending it to various human rights organizations and other contacts who we think might be willing to take on this case,” Thompson said.

Epstein hopes these efforts will create additional support “in pressuring the Chinese government to release Chen.”

The team also intends to visit Chicago at the end of the semester to speak with lawyers at the Chicago Bar Association who may be able to directly and effectively pursue Chen’s freedom.

Overcoming obstacles

But the SAR students’ research journey has presented them with many obstacles. Many websites containing information about Chen gathered within China have been blocked by the Chinese government. The students also must accurately translate the little information they can find into English.

In addition, “our students not only have to read and analyze newspapers, blogs, and information from U.S. government and non-government sources, they have to place that information within the larger context involving Chinese repression of free thinkers,” Epstein said.

And even if all of the above is accomplished, “helping a scholar is difficult, and the chances of success are low,” Munro said.

But this unique student SAR team has continued to hope the odds are in their favor. They impress SAR supporters not just at Illinois Wesleyan but also on a national level.

“The Board of Directors at Scholars at Risk was incredibly excited that we were doing this and even happier to hear that we were doing it on a volunteer basis,” Thompson said.

Munro also finds the student initiative IWU has shown to be, “admirable and encouraging, especially since they receive no credit for it.”

“When so many college students are derided as being grade conscious and career oriented only, IWU students are proving that undergraduate students understand how important it is to support those who give their lives to the free expression of ideas,” Epstein said.

How others can help

Students not directly involved with SAR can still aid in the process by “signing the formal letter the Scholars at Risk students will formulate, and suggest additional avenues for its distribution,” Epstein said.

Munro is looking forward to future advocacy opportunities as the SAR initiative is set to still continue next fall.

“Hopefully we will always have students eager to promote the cause of human rights with their time, effort, and skills,” he said.

Epstein notes with pride the influence of Thompson’s initiative outside of Illinois Wesleyan.

“Our school has established an advocacy model for students that can be emulated across the country and even internationally,” he said.

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Unique pets add variety

Brenda Miller, Columnist

Whenever anyone asks if I have pets, I get a lot of reactions, ranging from enthusiastic interest to slight disgust.

My house is a miniature zoo.  Along with a golden retriever, we have a box turtle, a painted turtle, a skink (a type of lizard), a bearded dragon and, of course, our giant sulcata tortoise.  Needless to say, they’re not your typical household animals.

When people think of owning a pet, most immediately jump to a dog, cat or fish.  While these make great companions, they’re not for everyone.

For one, potential pet owners have their options limited if they live in an apartment, as many apartments don’t allow dogs or cats due to the small space.

Despite these limitations, keeping a pet is still a possibility.  Many people keep fish, as most are easy to care for and take up little space – even our dorms allow them.

On the other hand, there are more options besides fish.  As I mentioned before, my pets are primarily of the scaled type.  They may not be the traditional definition of what most people consider ‘adorable,’ but I find them just as lovable as others find their cat or dog.

My sister’s bearded dragon, named Raptor, tends to frighten people.  She’s actually quite friendly.

Bearded dragons, unlike other reptiles, actually enjoy being handled.  Raptor loves laying on our arms and sitting in our laps.  Their docile nature has even earned them the nickname “velcro lizards.”

Reptiles and amphibians are a viable option for people living in an apartment.  Small animals such as frogs and toads can be content in a 10-gallon terrarium.  With water, a UV lamp, and an appropriate supply of food, maintenance is simple.

It always makes me happy when I’m home and my painted turtle swims up to the glass, anxiously anticipating a treat, or when I hear the sulcata tortoise crunching away at a head of lettuce.

I know reptiles aren’t as fitting for others as they are for me.  Most reptiles have specific living requirements, can be rather finicky and, with the exception of bearded dragons, most prefer to be handled minimally.

For those who instead want fluffy animals, there are some you can still fit in a limited space.  You would be hard pressed to find someone who doesn’t find rabbits adorable, and the inquisitive nature of ferrets makes them endearing.

If even these take up more space than is available, mice, rats and dwarf hamsters are fun to watch as they eagerly gobble up a treat and run around their enclosure.

Birds are another possibility.  Parakeets, though not exactly quiet, can be affectionate and are a beautiful sight.  Since many birds are social, it may be necessary to keep two to maintain their well-being.

Some animals sound great but don’t necessarily make good pets.  For instance, I would not recommend a large tortoise to most people because they are so difficult to keep.  Nor would it be wise to keep a noisy bird in an apartment.

Regardless of whether your preference is a friendly puppy, a fluffy bunny, or a slithering snake, if you decide to own a pet, the most important thing is to do research first.  Every animal has its own needs, and it isn’t a good idea to purchase an animal you cannot properly maintain.

Keeping pets isn’t for everyone, but if it is a desirable possibility for you, consider your options.  You may just find yourself a new scaly friend.

 

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